Las Vegas Review-Journal

WORK IS BASED ON ARTIST’S PYSCHOLOGI­CAL PROBLEMS

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charts Kusama’s unlikely career, from her early work in her hometown of Matsumoto, through her days in the 1960s New York City art scene, when her work was displayed alongside the likes of Andy Warhol and Willem de Kooning, through her years of obscurity and her more recent resurgence and worldwide fame. Kusama started her obsession with dots in her artwork at age 10, and first began exploring the concept of infinity in a 1958 painting of the Pacific Ocean.

“My work is based on developing my psychologi­cal problems into art,” Kusama says in the documentar­y, and she’s been a resident of a Tokyo mental institutio­n since 1977. That arrangemen­t, with her art studio nearby, has given her the stability she needs to create, and her openness about her struggles with mental illness, and how it’s reflected in her work, is both inspiratio­nal and moving.

At nearly 90, Kusama is still working diligently, with a wider audience than ever before.

“Now that my life is in the last phase, I am putting all of my energy into my art,” she says in “Infinity.” “I hope that the power of art can make the world more peaceful.”

Now anyone in Vegas can experience a bit of that beauty and peace, 45 seconds at a time.

Bellagio, 10 a.m.-8 p.m. daily, last admission at 7:30 p.m., $14, $12 seniors, students and Nevada residents, children 12 and under free, admission includes audio tour. 702-693-7871.

 ?? YASMINA CHAVEZ ?? Guests take in Yayoi Kusama’s installati­on “Narcissus Garden” while waiting to experience her “Infinity Room: Aftermath of Obliterati­on of Eternity,” at the Bellagio Gallery of Fine Art.
YASMINA CHAVEZ Guests take in Yayoi Kusama’s installati­on “Narcissus Garden” while waiting to experience her “Infinity Room: Aftermath of Obliterati­on of Eternity,” at the Bellagio Gallery of Fine Art.

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