Las Vegas Review-Journal

‘Absinthe’ moving to return at Caesars

- KATS! JOHN KATSILOMET­ES The Review-journal is owned by the family of Las Vegas Sands Chairman and CEO Sheldon Adelson. Las Vegas Sands operates The Venetian. John Katsilomet­es’ column runs daily in the A section. His Podkats! podcast can be found at revie

COCKTAIL tables in place of folded chairs in long rows. Total and routine disinfecti­ng. A seating capacity dropped by twothirds. No bar service, but cocktail servers roaming the room.

And everyone mask up or get gone.

This is the new trend in live entertainm­ent in Las Vegas, as promoted by our friends at “Absinthe” at Caesars Palace. The company has just formally announced the COVID-19 modificati­ons at its Spiegelten­t at Roman Plaza. The effort has been going on for about three months, finished a couple of weeks ago with the installati­on of a new air-filter system.

Spiegelwor­ld founder and “Impresario Extraordin­aire” Ross Mollison said this room could now safely stage his hit show.

“The message to the public is, I’m not going to be a problem for you, I’m not going to be a problem for employees and patrons and the governor,” Mollison said in a phone interview Wednesday. “But we are prepared to give it a red-hot go.

Mollison’s plan would need to work up the ladder with the entertainm­ent division at Caesars Entertainm­ent, to its new incoming ownership group from Eldorado Resorts, to the Gaming Control Board and finally to Gov. Steve Sisolak.

This week, the governor announced a more targeted approach to reopening nonessenti­al businesses. Despite what the Gazillonai­re would argue, “Absinthe” is not essential. But suffice it to say, Sisolak himself is welcome to tour the venue and review the upgrades.

“I like hearing what the governor has been saying about a targeted approach,” Mollison said. “It seems like it gives us a chance to prove we can put on a show safely.”

As proof, the “Absinthe” venue has been totally disinfecte­d, inside and out. The “tent” is actually a reinforced, solid structure that has been outfitted with a new air-purificati­on system designed to cut airborne contaminan­ts and infuse the venue with fresh air. Rows of chairs have been removed in favor of bistro tables, with groups that arrive together to be seated together.

“Absinthe” is not offering a dinner package. But its conceived layout is not too far away from such venues that include dinner, such as Mayfair Supper Club at the Bellagio and Rose. Rabbit. Lie., connected to “Opium” showroom at The Cosmopolit­an of Las Vegas.

Similar to the performers in those venues, “Absinthe” performers will wear face covers “as much as possible,” Mollison said.

“Every artist’s costume will have a mask to be worn onand off-stage,” the producer said. “They will be able to wear them when appropriat­e. I’m certain they will need to take them off for a few minutes to perform. We’re also monitoring the length of time an artist

is onstage in the venue, limiting that to about five minutes.”

The seating is drawn down to 220, about one-third of “Absinthe’s” total capacity. The show had been nearly sold out for each performanc­e, twice a night every night, in its preCOVID-19 peak.

Can Mollison make a profit in the new pandemic business model?

“We can make enough to buy fizzy water,” Mollison said. “We probably won’t make enough to buy Pol Roger. But we’ll see — but whether or not income will exceed expenditur­e is the question every time I’ve produced a show.”

Mollison says he plans to enforce similar protocols for “Atomic Saloon Show” at The Venetian’s Grand Canal Shoppes, and “Opium” at The Cosmopolit­an.

“We want to get back to business and return to paying the live entertainm­ent tax,” Mollison said. “My little company paid $5 million in LET last year. That is good for the state.”

Mollison sounds like a quarterbac­k ready for a playoff game.

“I’m part of the team,” he said. “I’m on Team Vegas. I’m on Team Nevada.”

Fogerty folded

John Fogerty’s ongoing rock ’n’ roll trip will either cover 51 years, or stop at 50.

The nine November dates for “My 50 Year Trip,” Fogerty’s recurring residency at Encore Theater at Wynn Las Vegas, have been canceled. AEG Presents announced that those shows, and Jo Koy’s Sept. 4-5 dates, are officially off the books.

Fogerty’s shows in November were billed as “final shows” in his residency. But AEG is hoping this is not Fogerty’s finale. As AEG Presents Senior Vice President Bobby Reynolds says, “We would love to have him back when this is all behind us, absolutely.”

We got a cover-up

The #Maskupnv campaign is hitting the siren, as it were, next Wednesday with a series of 13 pop-up shows at Southern Nevada medical centers. Organizers Greg Chase, founder of Experience Strategies and a former MGM Resorts Internatio­nal executive, and Douglas Johnson, president of Entertainm­ent Plus Production­s, are advancing the campaign with a daylong series of quickie performanc­es.

Showgirls, singers, impression­ists and even costumed characters are taking part while wearing masks to encourage the community to cover up during COVID-19. I was honored to mask up during the launch of the campaign June 25 at the “Welcome To Fabulous Las Vegas” sign. Since then, Chase and Johnson have produced a similar #Maskupforu­sa event in Nashville.

 ?? Las Vegas Review-journal @benjaminhp­hoto ?? Benjamin Hager
Spiegelwor­ld founder Ross Mollison says the Spiegelten­t at Roman Plaza can safely stage his hit show “Absinthe” at Caesars Palace.
Las Vegas Review-journal @benjaminhp­hoto Benjamin Hager Spiegelwor­ld founder Ross Mollison says the Spiegelten­t at Roman Plaza can safely stage his hit show “Absinthe” at Caesars Palace.
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