Las Vegas Review-Journal

Hideaway uncorks live entertainm­ent

- KATS! JOHN KATSILOMET­ES John Katsilomet­es’ column runs daily in the A section. His “Podkats!” podcast can be found at reviewjour­nal. com/podcasts. Contact him at jkatsilome­tes@reviewjour­nal. com. Follow @johnnykats on Twitter, @Johnnykats­1 on Instagram.

SOMETHING about ducking into a Vegas hideaway after a shutdown sings to us. So does Nieve Malandra. The popular Vegas lounge performer is first up as 1923 Prohibitio­n Bar at Mandalay Bay returns to live entertainm­ent beginning Saturday. Malandra is also set to perform March 13 and 27 and April 3, 10, 17 and 24.

There is no cover. The familiar pandemic safety measures are being enforced.

The latest version of the 1923 club abuts Minus5 Ice Experience on the second floor of the Shoppes at Mandalay Place. Noel Bowman owns both venues. He’s planning to grow out the entertainm­ent program from Malandra’s performanc­es, adding a three-piece band and burlesque acts performed around the room.

“I can see a band, juking and jiving, and my plan is to pop in some dancers, moving around with vignette performanc­es,” Bowman said Monday morning. “We’re picking up dates as we go along, and if this turns into a residency, so be it.”

The 1923 club previously took up the space across from the House of Blues, Starbucks and the Yogurt Inn stand on the casino level on Mandalay Bay. The venue opened in 2014 as 1923 Bourbon & Burlesque by Holly Madison in a partnershi­p after Madison left “Peep Show” at Planet Hollywood Resort. Several Vegas stage stars, including Skye Dee Miles, performed at the club.

The name and emphasis shifted from its original concept after Madison split with the ownership group in ’14, and the club was retitled 1923 Prohibitio­n Bar.

During the COVID-19 shutdown, Bowman moved the club upstairs to the 2,500-square-foot space formerly occupied by the Lodge at Minus5. The venue reopened in September when pandemic restrictio­ns were relaxed to allow bars to come back.

Apart from prohibitio­n-themed music and specialty cocktails, Bowman plans to tee up “Rock Star Karaoke” nights later this year.

“I’d rather wait until the NFL season starts,” Bowman said. “I think that crowd will want some rock star karaoke.”

The Alexis sprint

My nighttime schedule is feeling a little more pre-pandemic these days. I saw three shows in about an hour at Alexis Park’s Athena and Apollo showrooms Friday night, starting with Don Barnhart’s

Jokesters Comedy Club.

Once more I laughed through Greg Vaccariell­o’s

bit in which he impersonat­es a sports coach shouting at a ref in very slow motion. Next time I’ll capture video of this, because … it … is … priceless.

Ralph Tutela hosted, with Keith Lyle and David Ryan

also in the mix. It was a tight crowd, a lethargic group that had probably not paced itself, but solid material.

The “Burlesq” dance/variety show offered a chance to see Sean E. Cooper for the first time in more than a year. Coop, who spent 17 years in “Fantasy” at Luxor, is a terrifical­ly talented guy and was especially loose in front of the small house (he crawled onstage through an opening in the curtains during a dance number, just to tell a joke).

Ventriloqu­ial artist April Brucker was also a highlight. Brucker has been performing profession­ally since age 13 and once pink-slipped her fiance after he demanded she choose between him and her puppets.

Don’t mess with the puppets, guys.

“Late Night Magic,” hosted by the well-presented Doug “Lefty” Leferovich, was an impressive rotation of such experience­d magic performers as Bizzaro, John Shaw of Zak Bagans The Haunted Museum, Hollie England and the show-closing Mondre (“So smooth he makes velvet jealous!” is his righteous claim).

Leferovich’s Lefty character performs much of the same material as he does as guest star of Murray Sawchuck’s show at the Laugh Factory.

But unlike that routine, in which he never speaks, Lefty unleashes the blue material in “Late Night.” Hang on for some F-bombs.

Oh, and hit the Stinky’s Gourmet Hot Dogs cart out front, a partnershi­p of veteran Las Vegas hypnotists Anthony Cools and Steve Falcon. Yep, Vegas is the place where you can enjoy a footlong sold by a hypnotist in front of a hotel on a Friday night. And similar to these shows, they are a good late-night call, but not for the meek.

The purple period

Add the not-insignific­ant name of Prince to the list of stars who caught Santa Fe & The Fat City Horns play at the Lounge at the Palms.

His unbilled drop-ins were in 2006, when Prince was about to headline the Rio Showroom and the adjacent 3121 club.

Though there was never any hoopla about the legend in that venue, Prince did sneak in and check out the band when he was across Flamingo Road at the Rio. On Monday, Vegas publicist Laura Herlovich recalled those days, when her PR Plus firm repped the Palms and Prince’s Rio residency.

Santa Fe band leader Jerry Lopez said Monday that he remembers that recording artist Michael Ruff wasaguests­tar with the band at the Palms. Ruff ’s keyboardis­t, Renato Neto, was also in Prince’s band. So, Lopez recalls that Prince showed up at least once to see that show.

As we have already chronicled, Santa Fe is the first band to ever perform at Allegiant Stadium. They might well be back. Next time, they cover “Let’s Go Crazy.”

 ?? Vox Agency ?? 1923 Prohibitio­n Bar at Mandalay Bay is set to open for live entertainm­ent Saturday with a performanc­e by Nieve Malandra.
Vox Agency 1923 Prohibitio­n Bar at Mandalay Bay is set to open for live entertainm­ent Saturday with a performanc­e by Nieve Malandra.
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