Las Vegas Review-Journal

Fake food is trendy again

- By Emma Grillo

Although a minimalist interior may have represente­d an aspiration­al environmen­t only a few years ago, it seems that intermitte­nt lockdowns and supply chain-induced shortages have led people to reevaluate the aesthetic of an empty house. The result is a resurgence of maximalist home decor that embraces pattern, color and ornamentat­ion. Cabinetry that may once have been wood grain is now jewel-toned; streamline­d furniture has given way to all things squishy and wiggly; trends such as “cottagecor­e” and “grandmille­nnial” aim to elevate items that are handmade, chintzy and secondhand.

Is it any wonder that fake food is back too?

Charcuteri­e and cheese candles, resin-cast croissants and Jell-o salad lamps are hot items. Retro-style fake cakes are big on Instagram. The high-end jewelry brand Mociun sells faux glasses of spilled wine and melting ice cream cones alongside $10,000 engagement rings. And Yukiko Morita’s Pampshade lamps, which are made from real baked goods that have been preserved, can sell for around $80 apiece.

For John Derian, founder of an eponymous home decor and decoupage line, the resurgence of fake food is welcome. Derian has had a fake cake sitting on his kitchen counter for 14 years, he said, and he estimates that he has been selling food-themed items in his store for about 20 years, starting with a stuffed doll made by Nathalie Lete that had sausages for arms and a steak for a head.

“I do love funny things,” he said.

These days, Derian also offers more elegant fake food items for customers who are less interested in kitsch, including stone bananas and cherries carved in Tuscany, Italy, using marble from the same quarry that Michaelang­elo favored.

Derian often displays the paraffin wax beauties — which include doughnuts, cakes and pies — in the window of his shop.

“Everyone responds to them with joy,” he said.

A question of taste

Fake food has been used for decoration for centuries. Trompe l’oeil porcelain, made in 18th-century Europe, often took the form of fruit and vegetables, including melons and peas in a pod. There are examples of plates of fruit made from jade and alabaster from the Qing dynasty in China.

In recent centuries, fake food has remained popular in more utilitaria­n settings. In Japan, fake food, or sampuru, is displayed in the windows of restaurant­s, and can cost hundreds of dollars for artisans to make. In the U.S., fake wedding cakes can help preserve a visual tradition of a layered confection­ary, while helping to cut down on the price of the real cake.

But when it comes to fake food as objets d’art in the American home, Sarah Archer, a design and culture writer and the author of the 2019 book “The Midcentury Kitchen,” suggests looking to the 1950s and 1960s, when fake food became a trend.

“Blown-glass fruit was super popular in the ’50s and ’60s, especially after World War II, when it was more affordable and kind of interestin­g or enticing for middle-class Americans to travel abroad to Italy,” Archer said recently. American tourists would return from their journeys with glass apples or pears as souvenirs.

For some of the artisans and brands that sell fake food today, the question of taste — or of questionab­le taste — is what drew them to the trend in the first place.

Leanne Rodriguez, an artist in Oakland, Calif., who goes by Elrod, began making fake gelatin salad lamps during the pandemic. In a recent interview, Rodriguez said she wanted the effect “to be a little on the disgusting side.”

Using recipes for gelatin salads from midcentury cookbooks as inspiratio­n, Rodriguez suspends hot dogs, vegetables and chopped fruit made out of clay in sparkly resin. Her creations, which she has branded Mexakitche­n and sells as part of her Mexakitsch line of artwork, emanate an eerie glow from LED lights inside.

Rodriguez said a fascinatio­n with kitsch was what drew her to make the lamps in the first place, and the more she has made them, the more opulent theyhave gotten.

“A lot of people don’t get it,” said Rodriguez, whose creations cost $100 to $3,500. “And the ones who do get it really love it.”

Cake race

The joy of fake food is something that Jazmine Rogers, a content creator in San Diego, recalls from her childhood.

Her grandmothe­r had a collection of fake fruit, and when Rogers was decorating her own home, she made sure to seek out fake food pieces to display.

“There’s something about it that just feels really homey to me,” said Rogers, 25. “It’s kind of like playing with your food, it’s like your food’s in places that it’s not supposed to be. There’s something fun about it.”

Rogers’ fake cake was made by Jasmine Archie, an artist in Austin, Texas, who has been surprised and delighted by the market for her eccentric, color-saturated confection­ary-inspired creations.

“People freaked out,” Archie, 25, said of the first few fake cakes she made. “It’s already on the market, but it was so untapped with my generation in my opinion. And I was like, ‘OK, I could totally market this and see what could happen.’”

Archie believes that part of the reason her pieces are so popular is because of what cakes, especially colorful and lavishly decorated ones, represent.

“When I see a cake, I always think something celebrator­y is happening,” she said. “I think when people look at a cake, and in my case, it just brings them happiness.”

It’s this happiness and playfulnes­s that inspired Mociun, the fine-jewelry brand, to begin selling fake food in 2018. Caitlin Mociun, designer and founder of the Brooklyn-based company, had a personal collection of fake food that the brand would use as props in product shoots and as display items in their store. So many customers asked if the fake food items were for sale, that Mociun began offering them alongside ceramics and glassware.

“I think the humorous aspect of it is definitely appealing to a lot of people,” said Marney Zaslav, director of buying and operations. Especially in the past few years, fake food has become a distinct category for Mociun; items can range in price from $15 to $400.

“A lot of these things, even if we just put them in our window in the store, they definitely stop people in their tracks when they walk by,” Zaslav said.

Lately, consumers haven’t just been window-shopping — they have been seeking out fake food items online.

According to Etsy, there has been a 36% increase in searches for faux cakes on the site in the past three months, compared with the same time the previous year.

There has also been a 32% increase in searches for food-inspired candles and a 16% increase in searches for food or fruit-inspired ornaments over the same time period. (Also: a 1,133% increase in searches for cereal candles — perhaps the hottest new thing in fake food home goods, thanks to Tiktok.)

Archer, the design and culture writer, said she thought that consumers were craving interior-design choices that were as comforting as they were whimsical.

Fake food is “a relatively inexpensiv­e, easy and creative way to make your home joyfully wacky,” she said. “I definitely think that there is a desire for a sense of play.”

 ?? PHOTOS BY DAVID BRANDON GEETING / THE NEW YORK TIMES ?? These two gelatin salad lamps are made from resin by Leanne Rodriguez; the fake cake is by Jasmine Archie. Fake food is enjoying a resurgence in home decor, with charcuteri­e and cheese candles, resin-cast croissants and Jell-o salad lamps among the hot items. Retro-style fake cakes are big on Instagram.
PHOTOS BY DAVID BRANDON GEETING / THE NEW YORK TIMES These two gelatin salad lamps are made from resin by Leanne Rodriguez; the fake cake is by Jasmine Archie. Fake food is enjoying a resurgence in home decor, with charcuteri­e and cheese candles, resin-cast croissants and Jell-o salad lamps among the hot items. Retro-style fake cakes are big on Instagram.
 ?? ?? This is a still life with a marble banana, a marble cherry and a marble hazelnut sold by John Derian; a pear and a lemon candle from Cereria Introna sold by East Fork; and a clay apple candlehold­er and clay lemon candlehold­er, made by Anamaria Morris.
This is a still life with a marble banana, a marble cherry and a marble hazelnut sold by John Derian; a pear and a lemon candle from Cereria Introna sold by East Fork; and a clay apple candlehold­er and clay lemon candlehold­er, made by Anamaria Morris.

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