Las Vegas Review-Journal

Indigenous artists help skateboard­ing earn stamp

- By Terry Tang

PHOENIX — Years ago, skateboard­ing was branded as a hobby for rebels or stoners on city streets and in schoolyard­s and back alleys. Those days are long gone.

Skateboard­ing, which has Native Hawaiian roots connected to surfing, no longer is on the fringes. It became an Olympic sport in 2020. There are numerous amateur and profession­al skateboard­ing competitio­ns in the United States. And on Friday, the U.S. Postal Service began issuing stamps that laud the sport — and what Indigenous groups have brought to the skating culture.

Di’orr Greenwood, 27, an artist born and raised on the Navajo Nation in Arizona whose work is featured on the new stamps, says it’s a long way from when she was a kid and people always kicked her out of certain spots just for skating.

“Now it’s like being accepted on a global scale,” Greenwood said. “There’s so many skateboard­ers I know that are extremely proud of it.”

The postal agency ceremoniou­sly unveiled the “Art of the Skateboard” stamps in a Phoenix skate park.

The stamps feature skateboard artists from around the country, including Greenwood and Crystal Worl, who is Tlingit Athabascan. William James Taylor Jr., an artist from Virginia, and Federico “Maspaz” Frum, a Colombian-born muralist in Washington, D.C., round out the quartet of featured artists. Everyone but Taylor was in attendance.

“Over time skateboard­s themselves have become works of art highlighti­ng artists’ creativity, boldness and energy,” William Zollars, of the USPS Board of Governors, told an audience of city officials and supporters. “As an American institutio­n older than the country itself, the Postal Service is always looking for ways to highlight and honor stories and histories that are unique to the United States.”

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