Las Vegas Review-Journal

Missed the show? Dial up Phish Radio

- JOHN KATSILOMET­ES John Katsilomet­es’ column runs daily in the A section. His “Podkats!” podcast can be found at reviewjour­nal. com/podcasts. Contact him at jkatsilome­tes@reviewjour­nal. com. Follow @johnnykats on X, @Johnnykats­1 on Instagram.

PHISH is dialing up an instant flashback for its show at the Sphere. The beloved jam band is airing its concerts exclusivel­y the next day at 9 a.m. Pacific time on Phish Radio on Siriusxm. Sunday’s finale will air live.

The four-show series opened Thursday night.

Phish Radio hosts pick their top three moments from each show at 4 p.m. Friday, Saturday and Sunday. Recorded interviews with frontman Trey Anastasio air each day.

Those shows emanate from Wynn’s podcast studio, across from Terrace Point Cafe, which launched in 2001. Sirius XM uses the studio for its Las Vegas programmin­g.

Also, fans can revisit historic shows, such as October 2021 performanc­es at MGM Grand Garden; and hear Phish Radio’s listener event at the Brooklyn Bowl in New York, among other programmin­g.

Ghost runs the machine

Ross Mollison was dressed as a ghost while praising the humans at the Strip juggernaut “Absinthe” 13th anniversar­y party on April 10. The show celebrated with Halloween-in april-themed fete.

Mollison, aka the Impresario Extraordin­aire, recognized the husband-wife team of Voki Kafalyan and Anais Thomassian. The two comic greats are more famously known as creators of The Gazilliona­ire and Penny Pibbets, the duo that supplied the show with its raunchy edge from its inception in April 2011.

“They don’t get a lot of attention,” Mollison said, we expect in jest. “We couldn’t have done it without them.”

In their character personas, Kalfayan and Thomassian have been righteousl­y praised since arriving in Las Vegas more than a decade ago. They developed and performed the original version of Cesarean Ballet, from the fictional Cirque du Soleil show “Le Petit Merde” in Reno, one of the show’s many jabs at Cirque.

Mollison also gave a nod to the show’s general manager, Beth Camuso, who helped lift “Absinthe” out of COVID. He noted original cast members still with the show. Strength act Duo Vector’s Misha Furmanczyk and Lukasz Szczerba, and chair-balancer Maxim Popazov, are signed for another year.

Beyond its cast and crew, “Absinthe” owes a massive measure of its success to a former Caesars Palace executive.

“It’s been 14 years since I first met then-president of Caesars Palace, Gary Selesner, who gave Spiegelwor­ld a shot at creating a new show on this hallowed fake Las Vegas turf, up to then known for Evel Knievel’s fateful jump,” Mollison said from under his ghost white sheet. “Surely, we landed it better than Evel! Without the belief and support of Gary we would have never opened, and certainly never survived.”

Selesner, an entertainm­ent and culinary visionary, championed the show when it seemed it was destined to fold the tent after its initial sixmonth contract.

“He was the only one who supported ‘Absinthe’ from the beginning,” Mollison said days later.

If not for that support, says Mollison, “Absinthe” likely would have folded the tent after its initial six-month contract. Instead, the show has expanded to 14 performanc­es and 7,000 fans a week at its Spiegelten­t on Caesars’ Roman Plaza. It has built the themed Green Fairy Garden and Pier 17 Yacht Club on that parcel.

“Absinthe’s” runaway success has led to “Vegas Nocturne” and “OPM” at Cosmopolit­an (critical successes that nonetheles­s have shut down), “Atomic Saloon Show” at Grand Canal Shoppes at

The Venetian; “The Hook” in Atlantic City; the upcoming “Discoshow” at Linq Hotel, which opens July 27; and a new show, venue and restaurant at Caesars New Orleans to be ready by Super Bowl weekend February 2025.

What else … Ah, Spiegelwor­ld also bought Nipton, Calif., turning it into Circus Town, U.S.A. Spiegelwor­ld has bi-coastal (well, nearly) production­s and restaurant­s, a circus village, a hit show going on its 14th year, with two production­s on the way.

And all of it started with a boost from one top-level exec. Evel Knievel should have been so lucky.

Who was there?

During the anniversar­y show, Gazilliona­ire mentioned the show had played 13 years, adding, “That’s not as long as ‘Love,’ from what I understand,” a not-subtle dig at the show soon to close.

A day before “Absinthe” celebrated No. 13, Cirque announced “The Beatles Love” is closing July 7. We learned just last week that Mollison was at “Love” on its opening night in June 2006.

In that crowd were the Apple Corps Row of Royalty: Paul Mccartney, Ringo Starr, Yoko Ono, Olivia Harrison and George and Giles Martin.

Mollison was promoting Cirque’s brand in Australia and New Zealand at the time.

“I flew from Australia to go to that opening night, and was seated a few rows behind Mccartney and all of them,” Mollison recalled. “Such a great performanc­e, and then that party was so great afterward. You would be in a party, open a door to another party, and another little room that had a party … Oh my God, I was there all night.’

Mollison said he was distressed to learn “Love” is closing.

“This is a really sad day for Vegas, and for Beatles fans, and as an enormous Beatles fan, for me,” Mollison said. “I love that show, and everybody who has ever seen it has loved it.”

Cool Hang Alert

Frank Marino’s “Diva-licious Drag Brunch is set for 11 a.m. and 1:30 p.m. Sunday at DW Bistro. This is a wild ride, with Cher, Beyonce, Pink and Lizzo cavorting amid the croissants. Go to dwbistro.com to reserve, because this brunch bunch sells out.

 ?? David Becker The Associated Press ?? Trey Anastasio, guitarist and singer-songwriter of the band Phish, poses for a photograph during an interview in Las Vegas on Tuesday.
David Becker The Associated Press Trey Anastasio, guitarist and singer-songwriter of the band Phish, poses for a photograph during an interview in Las Vegas on Tuesday.
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