Lodi News-Sentinel

L.A. County Sheriff’s Department accused of harboring clique

- By Maya Lau and Joel Rubin

LOS ANGELES — For decades, the Los Angeles County Sheriff’s Department has struggled to combat secretive cliques of deputies who bonded over aggressive, often violent police work and branded themselves with matching tattoos.

A federal judge called out the problem nearly 30 years ago, accusing deputies of running a “neo-Nazi, white supremacis­t gang” named the Vikings within the Lynwood station. Others followed with names such as the Regulators, Grim Reapers, Rattlesnak­es and the Jump Out Boys. Inside the county’s central jail, the 2000 Boys and 3000 Boys ran roughshod over the lockup’s toughest floors.

Now, despite past attempts by sheriff ’s officials to discourage internal cliques, fresh allegation­s have arisen of deputies in the department’s Compton station adorned with matching skull tattoos.

One deputy acknowledg­ed in a recent deposition that he and 10 to 20 of his colleagues at the station had the tattoos but denied there was a formal clique.

Attorneys representi­ng the family of a black man shot by deputies during a 2016 foot pursuit have used the existence of the tattoos to argue there is a clique tied to the killing, which they allege was racially motivated.

It’s unclear whether the tattoos signal a return of a secret deputy group that celebrates violence or something more benign. But some law enforcemen­t experts said it’s important for the Sheriff’s Department to understand what’s going on and make sure the clique mind-set has not returned.

“In addition to investigat­ing the police shooting, the department should also look at the culture,” said Alex Busansky, a former prosecutor who served on a county commission that in 2012 found that the department’s tolerance of cliques contribute­d to excessive force in the jails. “A place where 20 police officers receive matching tattoos is a place where there is a mentality of us-versus-them, and that on its face is concerning.”

Sheriff’s spokeswoma­n Nicole Nishida declined to comment on the allegation­s, citing the pending litigation, but said in a statement that the agency expects deputies to meet high standards of integrity and appearance. She also acknowledg­ed they have the right to free expression.

“Our department policy requires deputies to cover tattoos, which have become part of the cultural norm. However, when it comes to their conduct and their use of tactics, we have multiple systems of review and accountabi­lity both internally and externally. Every critical incident is exhaustive­ly analyzed,” the statement said.

The controvers­y focuses on a deposition given in May by Deputy Samuel Aldama, one of the deputies involved in the 2016 shooting who at the time was assigned to the Compton station. Under oath, Aldama described a tattoo on his calf as a skull with a rifle and a military-style helmet with flames surroundin­g it. On the helmet are the letters “C P T” for Compton. He said he got the tattoo in June 2016, about two months before the deadly shooting.

Aldama said he knew of other deputies at the station who had tattoos like his, according to an excerpt of the deposition transcript reviewed by the Los Angeles Times. But he repeatedly denied that the inked art signified membership in a club.

Instead, he said, “working hard” on the job — making arrests, answering calls — was the only requiremen­t for getting the tattoo. He described vaguely the selection process, saying that when deputies in the station determined someone in their ranks was deserving of the honor, they passed along the contact informatio­n of an artist who would make the tattoo.

In a court hearing Monday, the attorney for the dead man’s family, John Sweeney, raised the tattoos and a response Aldama gave in the deposition, saying that together they showed the deputy harbored racist feelings about African-Americans when he opened fire — a serious allegation that a lawyer for the Sheriff ’s Department denied.

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