Ravaged town becomes Paradise for muralist
PARADISE — Nicole Weddig felt a strange sense of calm as she stood in the driveway, her gaze fixed on the wall.
She did not expect to ever again find peace in this town, where all that was left of her home was ash, rubble and rusted metal, the front steps that lead to nowhere, and the patchwork of singed stone.
Yet it was comforting to see her daughter’s portrait rendered delicately on the wall, her little profile squinting up into the trees, wisps of fine hair floating away from her face as if with the wind.
Eleanor had refused to set foot in Paradise in the weeks after the fire. “I don’t want to see one burned building,” the 9-year-old told her mom and dad. So Nicole had visited just twice: first to see if any belongings had survived the flames, and now, in late January, to see the mural.
Nicole had offered the wall to an old friend from Chico High School, a commercial artist named Shane Grammer, after he’d posted on Facebook the week before:
Looking to paint a few more murals in Paradise, he wrote. Anyone have a canvas?
Shane had grown up 15 miles southwest of Paradise in Chico, and could easily count two dozen friends who’d lost everything in the November fire. One of them, a Christian rapper named Shane Edwards, had shared a picture on Facebook of his property on Clark Road. The house has been completely leveled, save for the brick chimney.
Shane felt called to respond to the fire, the deadliest and most devastating in California’s history. In the chimney he saw his canvas.
That would be his first mural in Paradise. By the time Nicole messaged him, he was planning his second trip to the ravaged town.
It’s out in the middle of nowhere, she warned him. No one is going to see it.
That’s perfect, Shane replied.
When the lot is cleared and Nicole’s wall crumbles to the ground, so too will the mural. But Shane’s notoriety in the art world will have just begun to take root.
Shane has always felt compelled to make art in what he calls “downcast and brokenhearted” places: an orphanage in Ensenada, a recovery center for underage girls who have been sex-trafficked.
It’s a drive born from an unshakable belief that his talents are a God-given mandate to ease the pain of others, even if just for a moment or two.
Shane is 47 now and well-acquainted with the healing power of creativity. As a teen, he turned to art and faith to cope with tough times at home. He loved graffiti and street art. At one point, he also thought he might become a youth pastor, and in the early ‘90s he fulfilled both of his passions by painting murals on the walls of rooms where church youth groups met. Later, he made stage props and sculptures for Christian youth conventions and worked for an inner-city youth mission in San Francisco.
Youth conventions led to building three-dimensional worlds for tourist attractions: a whimsical 30-foot tree for the Bellagio hotel in Las Vegas, Optimus Prime busting out of a maximum-security fortress for a traveling exhibition called “Hall of Heroes.”
He opened his own shop in the Sacramento suburbs in 1996, and the business grew quickly. Shanghai Disney and Universal Studios Hollywood were among his clients. He was doing all the sales, bringing in all the work, managing dozens of employees. But he wasn’t the one making the art, and it was soul-crushing.
“I felt like I had a thumb on me, all of this pressure, and I couldn’t be creative,” Shane said.
In 2016, he shut down his shop and moved to Southern California — where he lives with his wife and three young daughters, in Rancho Cucamonga — to freelance for theme parks. Without the overwhelming responsibilities that come with running a business, he could also pursue passion projects outside of the commercial world.
For the past few years he’d been thinking a lot about art installations that incorporated manufactured ruins. He designed Photoshop renderings of abandoned buildings adorned with Star Wars characters — “like propaganda after a war,” he said. He imagined built environments where people would walk through broken concrete walls and stumble upon breathtaking murals.
Shane had a binder full of these mock-ups when the Camp fire hit Paradise. To him, this was a sign.
On New Year’s Day, after celebrating the holidays with friends and family in nearby Roseville, he set out to paint his friend’s chimney in Paradise.
In high school, Shane had played basketball against Paradise High. He had worked for a drywall company in Paradise and had helped build houses there. As he drove into town for the first time in years, it took everything in him not to pull over and weep.
“Knowing families were living here and now they were gone ... “he trailed off when he later conjured up the memory. “It was a lot to process.”
That first mural took Shane about three hours to finish. The face of a woman with a weary, vulnerable look in her eyes had been brought to life with layers of opaque white and black spray paint bought in L.A.’s Arts District.
It was as if she had been burned into brick, forged by the fire. This was by design: Shane wanted the mural to blend into the environment, as if to acknowledge that this art would have never come to be if the flames hadn’t been here first.
Shane posted a photo of the chimney on his social media accounts that night, and a few people reacted. But when Edwards, the owner of the property, shared the artwork on a Facebook page for Camp Fire survivors, hundreds responded.
“Love that there is something beautiful to look at in the midst of the devastation,” one woman wrote.
“Not sure why, but this brought tears,” another said.
With the help of community members, Shane named the piece “Beauty Among the Ashes.”
It stood for seven weeks. On Feb. 25, it was knocked down by an excavator.
On a rainy morning in early April, Shane ducks into the burned-out shell of an auto shop. Glass crunches under his feet. Rain drips through holes in the roof and onto shelves of rusted mufflers. Shane’s latest canvas is a metal roll-up door, through which cars once rolled for repairs.
Two reporters from Los Angeles have come to watch him paint. These days, handling the media is like a second job. He first caught the attention of local news, and then national outlets. He painted a mural for filmmaker Ron Howard, who is making a documentary on the Camp fire with National Geographic, the day before. He would be featured on “The Today Show” later that week.
Shane thought he’d paint just the one mural back in January. But the opportunity to create more — and the motivation — snowballed after the overwhelmingly positive reception of that first piece.