A MORE HONEST ‘HILLBILLY’ READING LIST
WORKS by Elizabeth Catte, top, Joe William Trotter, Alison Stine.
IN T H E 1880s, a new form of urban entertainment — “slumming” — became all the rage in London and New York. The wealthy would ride through poverty-stricken neighborhoods, titillated by watching poor people. Netflix and director Ron Howard will offer a similar opportunity as “Hillbilly Elegy” begins streaming Tuesday. The production, which stars Amy Adams and Glenn Close, is based on the memoir of the same name by J.D. Vance.
The book came out in 2016, the same year reporters, eager to explain the momentum behind Donald Trump’s campaign, latched onto a narrative in which the “working class” had channeled its “economic anxiety” into support for a failed businessman. Vance gave them plenty of grist for their mill, depicting the poor of Appalachia as drug-addicted rageaholics.
While initial reviews were laudatory, more substantive critiques emerged. Among these was an essay by Elizabeth Catte, a historian from East Tennessee, pointing to how Vance’s construction of a “mythical whiteness” tied into a right-wing ideology that the only thing preventing the poor from getting ahead were their own innate moral failings.
This month, Vance provoked criticism for tweets in which he bemoaned American fertility rates and proclaimed himself a nationalist. He later claimed it was a joke.
Ron Howard, evidently more liberal, has failed to comment on Vance’s remarks. He has insisted he has no interest in the book’s troubling politics. Instead, the trailer hints at a film in which viewers will be able to gawk at the emotional dysfunction of Vance’s family and enjoy the sideshow of watching his mother’s addictions blow up.
Such depictions of the American working class are not new, and they elide a great deal of fact and nuance. But other narratives exist. In novels and nonfiction, a working class emerges that is as ethnically and politically diverse as the rest of America. Here are eight books that offer a more honest approach.
Heartland by Sarah Smarsh; Scribner: 320 pages, $17
Smarsh’s family has been farming near Wichita, Kan., for generations. She grew up working hard jobs, but also with strong women who encouraged a connection to the land and the embrace of an independent womanhood. Smarsh’s exploration of her family history offers tremendous insight into how economics and politics affect private lives.
What You Are Getting Wrong About Appalachia
by Elizabeth Catte; Belt: 146 pages, $17
In an NPR interview, Catte argued that Vance’s book was a “projection of his realities into the lives of everybody in the region” — that he had invented an Appalachia far out of step with the rest of America. This 2018 rejoinder offers a strong counterargument, a history of the area alongside an analysis of its varied communities.
Mill Town by Kerri Arsenault;
St. Martin’s Press: 368 pages, $28
Employment in Arsenault’s Maine hometown revolved around a mill where workers were exposed daily to dangerous chemicals, the likely cause of her father’s death. One of the town’s native sons, a shy boy who would grow up to be Sen. Edmund Muskie, championed the Clean Air and Clean Water acts. “Mill Town” poses hard questions that challenge the tacit acceptance of ecological destruction as the price of economic health.
Digging Our Own Graves
by Barbara Ellen Smith; Haymarket: 330 pages, $24
In the late 1960s, mining communities were devastated by black lung disease. They organized and fought back against coal companies that ignored this plague. In a new edition, Smith updates her groundbreaking 1987 book on the movement, describing the ways mine owners continue to evade regulation and accountability and how activism has adapted in turn.
Ramp Hollow by Steven Stoll; Hill & Wang: 432 pages, $17
Stoll examines the causes of poverty in the Appalachian region, drawing from a documented history of violence and exploitative capitalism to lay out a convincing argument the real culprits are public policy and corporate greed. Along the way, he shows how economic measures of self-reliance have failed to account for communities in which barter often takes the place of cash.
Brass by Xhenet Aliu; Random House: 320 pages, $17
Aliu’s 2018 novel explores the relationship between a mother and daughter in Waterbury, Conn., where factory closings have cut off opportunities for Elsie’s immigrant family and neighbors. Elsie arrogantly mocks the choices made by her mother, Luljeta, while furiously making plans to leave Waterbury behind. It’s a sadly typical narrative in a postindustrial America without safety nets, where accidents can thwart the best-laid plans.
Workers on Arrival by Joe William Trotter Jr.; University of California: 328 pages, $30
The story of America’s working class is frequently told by documenting waves of European labor immigration, while the contributions made by Black workers are passed over, fueling racist stereotypes of “givers” and “takers.” Trotter combs through centuries of Black participation in American labor, celebrating the communities that formed as a result.
Road Out of Winter by Alison Stine; Mira: 320 pages, $18
Climate change leaves behind a post-apocalyptic landscape in the Ohio of Stine’s suspenseful “road” novel. Left behind when her parents go in search of work, Wylodine packs up her truck with the grow lights and seeds necessary to nurture a cash crop of marijuana out West, but a violent cult stands in her way. A harrowing tale with an unusual cohort of main characters: working-class women.
Berry writes for a number of publications and tweets @BerryFLW.