Los Angeles Times (Sunday)

Bette Midler

Is back with a trove of showbiz memories, inside stories of the music that meant the most and a book about a Central Park duck.

- By Jim Farber

It’s never too late to learn something new. On the week of her 75th birthday in December, Bette Midler was sitting in the kitchen of her country house, located outside New York City, talking by Zoom with Parade about her latest discovery: the seasons. “I’d never seen them change before,” she says. “We’re normally in the city, which is all steel, glass and brick. But since the lockdown, we’ve been up here and went through spring, summer and autumn, three of the most extraordin­ary seasons.”

“Nature,” she says. “Who knew?”

The singer-actress’s late-in-life discovery of “every leaf, shrub and flower” at her home likely ranks behind the marriage of her daughter, Sophie von Haselberg, now 34, as one of the rare bright spots amid this bleak pandemic year quarantini­ng with her husband, Martin von Haselberg, 72. But it’s one she’s eagerly stoking with her latest project, a children’s book she wrote to celebrate a real-life occurrence in the natural world. Her book, The Tale of the Mandarin Duck: A Modern Fable (Feb. 16), was inspired by the true story of a brilliantl­y colored, floridly feathered bird that arrived, out of nowhere, in New York City’s Central Park in 2018 and instantly became a tourist attraction and media sensation. “There was a gleam in its eye, a look of innocence, as if it were seeing something brand-new too,” Midler says. “And there was something humble about it, despite its fantastic colors. That really moved me.”

‘I can be my own person and do my own show. Once I got that idea, I never looked back.’

Of course, like all children’s books, Midler uses the storyline in hers to send a message. In The Tale of the Mandarin Duck, everyone who sees the creature does something miraculous by modern standards: They put down their phones and experience what’s right in front of their eyes. More, they interact with each other in physical space rather than through a glass screen.

Is it fair to conclude that Bette isn’t a fan of modern technology? “I’m tortured by it!” she says with a laugh. “If I do anything with social media, it takes me at least 20 minutes to recover. I had an event recently where you had to tape yourself, then upload it to Dropbox, and I cried. I had to have a gallon of alcohol.”

An Odd Duck

It’s clear Midler far prefers interactin­g with people in real time. She speaks chattily and openly about a career that includes four Golden Globes, three Grammys, three Emmys and a Tony and has lasted for more than half a century—a duration that staggers her. “I’m old,” she says several times. “I don’t know where the time went.”

And yet, she embraces the inevitable result. “I’m a fogey. In fact, I celebrate my fogey-ness!” Such self-awareness has guided

Midler through a life and career that suggests she’s just as odd a duck as the one she wrote about in her book.

Growing up in ethnically diverse Hawaii, she never fit in. “I was the white girl, the only one for miles around,” she says.

Her family was poor: Midler’s father painted houses while her mother was a seamstress and homemaker. As a child, she didn’t have enough money to buy records, but her parents had two compilatio­ns that set her on a far different musical path than most young people in her generation. “They were all songs of the ’20s, ’30s and ’40s,” she says. “That was my musical education. Those were the records that I sang along to until I wore out the grooves.”

From singing to sorcery, Miss M has always kept us entertaine­d on the big screen as well as the stage.

1. The Rose (1979) Loosely based on the life of Janis Joplin, Midler’s performanc­e of a tumultuous ’60s rocker won her a Golden Globe award and was nominated for an Oscar.

2. Divine Madness (1980) Telling jokes and singing songs, Midler and the Harlettes take the stage at CaliforOEĶ>½Ã *>Ã>`iOE> ĶÛĶV ƂÕ`ĶÌŖÀĶÕŇ ĶOE ÌijĶà `ŖVÕĵVŖOEVi­ÀÌ wŃŇ°

3. Down and Out in Beverly Hills (1986) Richard Dreyfuss and Nick Nolte star alongside Midler in this dark social comedy based on a French play, which also features a Little Richard performanc­e.

4. Ruthless People (1986) Danny DeVito hates his wife (Midler) so much that, when she’s kidnapped for ransom, he “ruthlessly” turns a blind eye, confusing her money-hungry captors, including Judge Reinhold.

5. Beaches (1988) Childhood friends CC (Midler) and Hillary (Barbara Hershey) show up for each other during the best and worst times of their adult lives.

6. For the Boys (1991) Midler received her second Best Actress Golden Globe win and Oscar nomination as a WWII singer and dancer performing for the troops alongside a famous entertaine­r (James Caan).

7. Hocus Pocus (1993) The Halloween classic featuring three immortalit­y-seeking witches (Kathy Najimy, Midler and Sarah Jessica Parker) is now set for a Disney+ sequel.

8. The First Wives Club (1996) Mourning the death of their friend, former college pals (Diane Keaton, Goldie Hawn and Midler) seek revenge upon their cheating ex-husbands.

9. The Stepford Wives (2004) An all-star cast of Nicole Kidman, Matthew Broderick, Glenn Close, Faith Hill and Midler appear in this comedic remake of the 1975 ijŖÀÀŖÀ wŃŇ >LŖÕÌ > ŇÞÃÌiÀĶŖÕÃ Connecticu­t suburb.

10. The Glorias (2020) History-making journalist-activist Gloria Steinem’s life story is told in this biographic­al drama starring Julianne Moore and Alicia Vikander as Steinem and Midler as U.S. Rep. Bella Abzug.

 ?? COVER AND INSIDE OPENER BY JAMES WHITE/TRUNK ARCHIVE ?? © PARADE Publicatio­ns 2021. All rights reserved.
COVER AND INSIDE OPENER BY JAMES WHITE/TRUNK ARCHIVE © PARADE Publicatio­ns 2021. All rights reserved.
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