A light look at change in India

Pankaj Kapur stars as an industrialist divided against himself in a comedy.

In the populist Bollywood romantic comedy “Matru Ki Bijlee Ka Mandola,” it appears two men hold sway over the fortunes of a threatened feudal village: They just happen to reside in the same body.

By day, wealthy industrialist Harry (Pankaj Kapur) is gung-ho about eradicating his land’s wheat fields and building a car factory, cheap housing and a mall.

By night, Harry gets so hammered he’ll readily stir angry farmers to rebel against his own plans.

Co-writer/director Vishal Bhardwaj’s attractively made movie asks some pointed questions about what an emergent India should look like as an economic powerhouse, but the fun lies mainly in the classically structured comic setup:

A power-consolidating marriage between Harry’s politically unaware daughter Bijlee (Anushka Sharma) and the doltish son of a crafty politician (Shabana Azmi); the f lirting between Bijlee and her dad’s limo driver Matru (Imran Khan), who secretly organizes the farmers; and the obvious quasi-vaudevillian pleasure Kapur is having shifting between exploitative, cruel sobriety and truth-telling intoxication.

Judicious editing could have helped consolidate the joyfulness at the expense of occasionally repetitive narrative f lab, but for the most part “Matru” is neatly energetic, a mix of screwball whimsy and softball seriousness.