Guys, dressed for success
What can you say about a Broadway season that was distinguished by adventurous revivals and crammed with superb performances? That it was a banner year for actors and a challenging year for playwrights, composers and librettists. (Of the four shows nominated for best musical, only one, “A Gentleman’s Guide to Love and Murder,” has a completely original score.)
The Great White Way continues to be on celebrity life-support, but, oh, who can complain about the lackluster array of new work when Audra McDonald and Mark Rylance are on hand to distract us with their supreme virtuosity? These two constitute their own golden age.
Here are my 10 takeaways from this year’s Tony nominations. 1 f you still believe there’s no frontrunner in the mixed bag of new musicals, then you’re clearly not paying close attention to the not-so-stealthy progress of “A Gentleman’s Guide to Love and Murder,” which leads the pack with 10 nominations and now has its murderous sights set on the top Tony prize.
2 If you’re an actor, it pays to put on a dress. Just ask Samuel Barnett, Paul Chahidi and Rylance of the all-male “Twelfth Night” brought from London by Shakespeare’s Globe that also picked up a nomination for Stephen Fry, who dons yellow stockings; Reed Birney of “Casa Valentina,” Harvey Fierstein’s nominated play about straight guys who feel more like themselves when they’re dressed to the nines in female attire; Neil Patrick Harris of the gender-bending rock show “Hedwig and the Angry Inch,” which picked up eight nominations, including best musical revival; or Jefferson Mays, who seamlessly quick-changes into so many haughty homicide victims in “A Gentleman’s Guide” that it’s easy to lose track of the fact that he avails
himself of that acting ace card, switching genders.
3 If you’re the brilliant Rylance, it doesn’t matter whether you’re in drag or not. He got nominated for his lead performance in “Richard III” as well as for his featured performance as Olivia in “Twelfth Night.” (Rylance’s nomination in the lead actor in a play category along with that of his costar Barnett upset the predictions of pundits for this very crowded category, yet their Shakespeare performances deserve all the laurels thrown their way.)
4 If you’re not Rylance, then you should dearly hope you’re Audra McDonald, nominated for her magnificent transformation into Billie Holiday in “Lady Day at Emerson’s Bar & Grill.” A five-time winner, McDonald will get a crack at winning for lead actress performance in a play, which would give her a complete set of Tony acting awards for her trophy warehouse.
5 If you’re associated with a lucrative movie franchise, don’t bank on Tony love, no matter the depth of your commitment to the stage, as was discovered the hard way by Ian McKellen and Patrick Stewart (stars of the repertory productions of “No Man’s Land” and “Waiting for Godot”); Daniel Radcliffe (the reason “The Cripple of Inishmaan,” nominated for best play revival, is on Broadway), and Zachary Quinto, the only member of the cast of “The Glass Menagerie” revival shut out of Tony contention and probably the one most deserving of a nomination. (That lead actor category could have been broken up into fall and spring editions to encompass the great work this season.)
6 If you’re a TV or movie actor shopping for a part, the less experimental the play, the better, as the fine cast of “The Realistic Joneses” discovered Tuesday morning. The disappointment for me wasn’t that Will Eno’s play wasn’t nominated but that there was no room to acknowledge Michael C. Hall’s extraordi- nary performance.
7 If you’re Bryan Cranston, you can star in anything, even a three-hour history lesson about Lyndon B. Johnson. Cranston is not only the favorite to win for lead actor in a play, but “All the Way,” Robert Schenkkan’s drama about how LBJ got Congress to pass the Civil Rights Act of 1964, is likely to win the prize for best play. Cranston, mind you, isn’t coasting on his “Breaking Bad” fame. His titanic per- formance powers this marathon play to the finish line.
8 If your name is Woody Allen, the news is mixed. “Bullets Over Broadway” got shut out of the awards categories that would have given this show a box-office boost. Yet the director isn’t persona non grata on Broadway, having received a nomination for the book for “Bullets.” Will “Broadway Danny Rose” be next? Whatever the case, please bring back Nick Cordero, justly nominated for his featured performance as the gangster turned play doctor.
9 If you’re an actress, it never hurts getting cast in “A Raisin in the Sun.” Kudos to Sophie Okonedo and Anika Noni Rose, who were nominated for their featured performances, and LaTanya Richardson Jackson, who was especially deserving of her lead actress nomination. Don’t count her out against the prohibitive favorite McDonald or Broadway’s beloved Cherry Jones of “The Glass Menagerie.”) Not only is Richardson Jackson exceptionally good, but she earns bonus points for joining the production late in rehearsals after Diahann Carroll dropped out.
10 If you’re an actor in “A Raisin in the Sun,” it’s probably best to be in the ballpark of the age of the character you’re playing, even if you’re a bona fide superstar like Denzel Washington, who gives a muscular performance as Walter Lee Younger but might have gotten the nod had he been playing Walter Lee Older — in a dress.