Los Angeles Times

‘Bard of liberal causes’ dies

STEVE KOWIT, 1938 - 2015

- By Tony Perry tony.perry@latimes.com

San Diego’s Steve Kowit was a poet, essayist, teacher and “all-around no-good troublemak­er.”

To Steve Kowit, the biggest sins that could be committed by poetry were being dull, obscure, too laden with allusions that might woo the intellectu­als but turn off the common man (and woman).

His poem “I Attend a Poetry Reading” is Kowit’s sendup of much of modern poetry and modern poets: “Polite applause had stiffened / to an icy silence: / no one clapped / or nodded / No one sighed.”

As a poet, essayist, teacher and self-described “all-around no good troublemak­er,” Kowit was never dull. In a dozen volumes of poetry, his enthusiasm burst off the page in language that was direct, accessible and devoid of the ambiguity favored by some literary critics.

His poetic models included Walt Whitman, Robinson Jeffers and Allen Ginsberg, and he admitted in an essay titled “The Mystique of the Difficult Poem,” that try as he might, he could not fathom poems, such as those of Hart Crane and others, that were “filled with footnotabl­e literary allusions and hopelessly gnarled syntax and untrackabl­e metaphoric acrobatics.”

Recently retired from Southweste­rn College in Chula Vista but still holding poetry workshops at Liberty Station in San Diego, Kowit died April 2 of cardiac arrest at his home in Potrero in a rural stretch of southern San Diego County near the border with Mexico. He was 76.

He died just days before his latest volume of poetry was set to be published by Tampa University Press.

A story in The Times once described Kowit as “a pro, bard of innumerabl­e liberal causes, a teacher, elfin, self-mocking, editor of a sassy volume of a no-intellectu­als-need-apply poetry called ‘The Maverick Poets.’” Among his causes, in poetry and prose, were animal rights and the plight of immigrants.

Steve Mark Kowit was born June 30, 1938 in New York. He liked to say that he was “Jewish by birth, Buddhist by inclinatio­n.” He served in the Army Reserves and attended Brooklyn College.

In New York, he was part of the Lower East Side poetry-reading scene in the early 1960s.

Later, attracted by the intellectu­al freedom accentuate­d by the Beat poets, he moved to San Francisco’s Haight Ashbury and received a master’s degree from then-San Francisco State College.

He taught at San Diego State, San Diego City College, UC San Diego and the College of Southern Idaho, and was publisher of Gorilla Press and founder of the Animal Rights Coalition of California.

Among his books was “In the Palm of Your Hand: A Poet’s Portable Workshop: A Lively and Illuminati­ng Guide for the Practicing Poet.” His poetry was read by Garrison Keillor on his national radio show.

Part of Kowit’s reputation among poets and poetry lovers came from poetry readings.

“He was a terrific performer,” said poet and artist Austin Straus. “He could have been an actor; when he was onstage he was mesmerizin­g. He used humor to talk about matters of life and death.”

Mixing passion and satire, Kowit poked at the “idiotic grandiosit­y of the human ego” — like his poem “The Workout” about the fitness craze of Southern California. “Not unlike the penitents of other sects they are convinced that decades of decay can be undone & that the more one genuflects the less one rots — a doctrine that has got the aged, the adipose & the misshapen pedaling their stationary bikes in such unholy fury.”

Still, the openness of Southern California appealed to him, like his poem “Joy to the Fishes.” “I hiked out to the end of Sunset Cliffs & climbed the breakwater sneakers strung over my shoulder & a small collection of zen poems in my fist.”

In “Refugees, Late Summer Night,” he sees the universali­ty of the immigrants moving past his property: “Out there, in the dark, they could have been anyone: refugees from Rwanda slaves pushing north. Palestinia­ns, Gypsies, Armenians, Jews… the lights of Tijuana, that yellow haze to the west, could have been Melos, Cracow, Quang Ngai…”

And in “Notice,” he wrote about the shortness of life and the death of a friend: “Take heed, you who read this, & drop to your knees now & again like the poet Christophe­r Smart, & kiss the earth & be joyful, & make much of your time, & be kindly to everyone, even those who do not deserve it.”

In “The Garden,” he brooded about life without his wife, Mary. “In the bedroom, Mary has fallen asleep. I stand in the doorway & watch her breathing & wonder what it will be like When one of us dies.”

Kowit is survived by his wife and his sister, Carol Adler.

A poetry reading in his honor is set for April 26 at Liberty Station, sponsored by San Diego Writers Ink.

 ?? David McNew
For The Times ?? INFLUENCED BY THE BEATS Steve Kowit reads his poetry at the Writing Center in San Diego, a storefront dedicated to writing poetry and literature.
Among his causes, in poetry and prose, were animal rights and the plight of immigrants.
David McNew For The Times INFLUENCED BY THE BEATS Steve Kowit reads his poetry at the Writing Center in San Diego, a storefront dedicated to writing poetry and literature. Among his causes, in poetry and prose, were animal rights and the plight of immigrants.

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