Los Angeles Times

‘Dracula’ actor Christophe­r Lee

- By Dennis McLellan obits@latimes.com Dennis McLellan is a former Times staff writer.

The British star, who spent decades honing a reputation for dark roles, has died at 93.

With terror and evil as his defining characteri­stics, Christophe­r Lee spent decades chiseling out a dark reputation by the time he appeared on “Saturday Night Live.”

Still, the 1978 appearance proved to be a turning point in the veteran horror actor’s career.

“That was the single most important thing I ever did in my career,” Lee said in an interview with the Star-Ledger of Newark, N.J., in 2000. “Suddenly people realized — this actor, we’ve seen him playing some mysterious characters over the years, but he can be funny too.”

Among those in the audience was Steven Spielberg, who cast the English actor in the movie “1941,” pushing Lee in a new direction and opening up a bountiful second chapter for an actor who became a horror movie icon in the 1950s with his memorable portrayals of Count Dracula.

Lee, who went on to appear in the blockbuste­r “Star Wars” and “Lord of the Rings” films, died in London of undisclose­d causes, the Royal Borough of Kensington and Chelsea reported Thursday. He was 93. In a career that spanned more than 60 years, beginning with bit parts in England in the late 1940s, Lee was known by the mid-1960s as “one of the screen’s foremost purveyors of evil and terror,” having played roles such as Frankenste­in’s monster, the Mummy and Rasputin the Mad Monk.

Director Tim Burton, who cast Lee in several films, once described him as “one of the last real icons, a figure out of another age, not just another movie age. To my generation, he was Dracula and all of them.”

Lee was still a relatively unknown character actor in Britain when he played his first horror role for Hammer Film Production­s: the gruesome creature in “The Curse of Frankenste­in,” a 1957 film starring Peter Cushing, who would become Lee’s frequent co-star.

A year later, the towering 6-foot-4 actor with a voice that has been described as a “solemn, aristocrat­ic baritone” gained internatio­nal fame as the blood-sucking vampire in Hammer Films’ “Horror of Dracula.”

Billed as “THE TERRIFYING LOVER WHO DIED … YET LIVED!” the film presented Dracula as a sex symbol, a nocturnal predator who awakened his female victims’ sexual desires.

“With his eyes ablaze and eyeteeth bared, his aristocrat­ic nostrils flaring, and his cloak clutched tight about him like the wings of a giant bat trapped in midflight, Lee made Dracula his own as no actor had before him,” Denis Meikle wrote in his book “A History of Horrors: The Rise and Fall of the House of Hammer.”

Lee once credited three films “for bringing me to the fore” as an actor, all of them remakes of classic films: “A Tale of Two Cities” (1958), in which he played the villainous marquis; “The Curse of Frankenste­in” and “Horror of Dracula.”

But “Horror of Dracula,” titled “Dracula” in Britain, was “the one that made the difference.”

“It brought me a name, a fan club and a secondhand car [a Mercedes-Benz], for all of which I was grateful,” he wrote in “Tall, Dark and Gruesome,” his 1977 autobi- ography. “It also, if I may be forgiven for saying so, brought me the blessing of Lucifer, the third and final nail in my coffin.

“Count Dracula might escape, but not the actors who play him.”

Lee went on to co-star with Boris Karloff in “Corridors of Blood” in 1958 and to star in films such as “The Mummy,” “The Face of Fu Manchu,” “Castle of the Living Dead,” “Crypt of the Vampire” and “I, Monster.”

He also played the 1962 title role in “Sherlock Holmes and the Deadly Necklace.”

But he remained closely identified with Dracula, a character he reprised in 1966 with “Dracula: Prince of Darkness” and in a string of other films, including “Taste the Blood of Dracula” (1970) and “The Satanic Rites of Dracula” (1973).

“They had really disintegra­ted by then,” Lee said in the 2000 Star-Ledger interview. “I did the last four under protest.”

He credited director Billy Wilder with opening the door to other roles when Wilder cast him as Sherlock Holmes’ brother, Mycroft, in the 1970 film “The Private Life of Sherlock Holmes.”

Lee played the leader of a pagan community in his most frequently cited favorite film, “The Wicker Man,” an offbeat 1973 thriller set on a remote Scottish island.

A role as a one-eyed villain in director Richard Lester’s “The Three Musketeers” (1973) led to his being cast as the ruthless assassin Francisco Scaramanga in the 1974 James Bond movie “The Man With the Golden Gun.”

Lee, who spent 10 years living in Los Angeles in the 1970s and early ’80s, appeared in “Airport ’77” and played a gay biker in “Serial,” a 1980 New Age comedy set in Marin County.

Lee’s legion of fans included directors who cast him in their films, including Spielberg, Joe Dante (“Gremlins II”), and Burton (“Sleepy Hollow,” “Charlie and the Chocolate Factory,” “Alice in Wonderland” — as the voice of the Jabberwock — and “Dark Shadows.”)

In a media book interview for “Sleepy Hollow,” Burton said that “Christophe­r is hypnotic. He just looks at you with his eyes and you are compelled.”

“Sleepy Hollow” star Johnny Depp said: “Christophe­r is truly a force to be reckoned with. Doing a scene with him and having him peering down at you, screaming into your face, all you can think of is ‘My God, that’s Dracula!’ ”

The son of a lieutenant colonel in the 60th King’s Royal Rifle Corps and an Italian countess, he was born Christophe­r Frank Carandini Lee in London on May 27, 1922.

His parents separated when he was 4 and divorced two years later. His mother later married a banker who went bankrupt when Lee was a teenager.

At 10, he became a boarder at Summer Fields prep school in Oxford, where he acted in school production­s with Patrick Macnee, who later gained fame as the star of the British TV series “The Avengers.”

A classical scholar in Greek and Latin at Wellington College, Lee worked as a shipping company office boy and messenger in London before serving in the Royal Air Force and spending time as an intelligen­ce officer during World War II.

After the war, he followed the suggestion of his mother’s second cousin — the Italian ambassador to Britain — that he become an actor. He quickly found himself among a group of amateurs under contract with the Rank Organizati­on, which provided acting training in the film company’s socalled Charm School.

Lee made his film debut in 1948 with a one-line part in “Corridor of Mirrors.”

Over the decades, he amassed more than 275 film and TV credits. After being knighted by Prince Charles at a ceremony in Buckingham Palace in 2009, Lee told Britain’s the Telegraph that a “whole new career opened” for him in the new century when he appeared as the wizard Saruman in director Peter Jackson’s “The Lord of the Rings” and as Count Dooku in George Lucas’ “Star Wars” films.

In 1961, Lee married Danish model Birgit “Gitte” Kroencke, with whom he had a daughter, Christina.

 ?? New Line Cinema ?? ‘THE LORD OF THE RINGS’ Though Christophe­r Lee played such roles as Saruman, above, and was Francisco Scaramanga in “The Man With the Golden Gun,” he achieved lasting fame playing Dracula in the Hammer Films series.
New Line Cinema ‘THE LORD OF THE RINGS’ Though Christophe­r Lee played such roles as Saruman, above, and was Francisco Scaramanga in “The Man With the Golden Gun,” he achieved lasting fame playing Dracula in the Hammer Films series.
 ?? Mick Hutson
Redferns ?? LONG CAREER Lee often said “Wicker Man” was a favorite film.
Mick Hutson Redferns LONG CAREER Lee often said “Wicker Man” was a favorite film.

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