Los Angeles Times

‘Havana Motor Club’

As vestiges of old Cuba drop away, a covert car culture gains traction.

- By Robert Abele

Documentar­y finds changes afoot for Cuba’s long-covert racing scene.

Their cars are old, and the parts are either used, bought illegally or homemade. But the dreams of Cuba’s auto racers burn as brightly as they have since the Revolution — which considered racing elitist and dangerous — effectivel­y drove them undergroun­d.

Bent-Jorgen Perlmutt’s documentar­y “Havana Motor Club” draws you into this entrenched, friendly car subculture, and shows how the promise of reforms that began in 2012 with a thaw in U.S.-Cuban relations have given scrappy enthusiast­s hope that their passion will be legalized, then legitimize­d with the first official auto race in their homeland since 1959. Can a back-burner simmer become a successful­ly rolling boil?

The shared love of the movie’s featured racers for their long-rebellious sport makes for a unifying energy, but their individual experience­s — and different attitudes toward the future — provide an underlying complexity. A veteran like “Tito” Lopez, who runs a revered workshop with his son Rey, stays hypercompe­titive about becoming a national sports hero by racing his popular 1955 Chevy — Cuba’s most famous car — against his rival Carlos Alvarez, whose V-8-outfitted 1980s Porsche was smuggled in from the U.S. by his wealthy Cuban American patron.

Another racer, “Piti” Munnet, who fought off cancer and races a black ’56 Ford Victoria, wonders if lifting the embargo on cars and parts will favor racers with money, while cash-strapped racing hobbyist “Jote” Mais is willing to sell his ’51 Ford piece by piece to finance efforts to leave the country.

The backdrop is expectedly rich, considerin­g the throwback visuals of Cuba’s frozen-in-time midcentury landscape, and a spotlight trained on beautifull­y tended vintage cars. Perlmutt also finds plenty of dramatic suspense in the various hitches — logistical, political, even neurotic — that put in doubt an official championsh­ip race coming together. With President Obama’s historic visit to Cuba a fresh memory, “Havana Motor Club” gives moviegoers a nicely turned street-level view of what imminent change means to these particular children of the Revolution.

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 ?? Luiz Maximiano
Samuel Goldwyn Films ?? THE 1956 FORD Victoria of racing enthusiast “Piti” Munnet, who frets about wealthier rivals emerging.
Luiz Maximiano Samuel Goldwyn Films THE 1956 FORD Victoria of racing enthusiast “Piti” Munnet, who frets about wealthier rivals emerging.

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