Los Angeles Times

‘Nice’ is such nasty business

Behind-the-scenes office battles feed the unhinged hilarity of Erik Patterson’s play.

- By F. Kathleen Foley calendar@latimes.com

Veteran theater provocateu­r Erik Patterson stings once again in “One of the Nice Ones,” his new play presented by Echo Theater Company at the Atwater Village Theatre.

The title is a pointed misnomer. No one is remotely nice in this raucous comedy, which is set behind the scenes at a f ly-by-night company called Tender Form Weight Loss Systems, a sterile corporate milieu nicely evoked in Amanda Knehans’ wittily offbeat set.

The wackiness commences when Roger (Graham Hamilton), the boss of this branch, summons one employee, Tracy (Rebecca Gray), a woman in a wheelchair suffering from a rare psychologi­cal syndrome, for her “performanc­e review.” When Tracy learns that she’s actually being set up for dismissal, she franticall­y lobbies to keep her job, throwing herself on Roger’s mercy — and onto his desk for a comically steamy tryst.

Roger’s momentary lapse may place him in the power of duplicitou­s Tracy, but when it comes to Machiavell­ian scheming, Roger’s a past master. The two are soon locked in a fiery feud that threatens to incinerate everyone who gets in their way, including their hilariousl­y hapless co-worker, Neal (Rodney To).

To reveal any more about the particular­s of the plots is problemati­c. Patterson’s play contains more twists than a mountain switchback, including one involving a weight-loss customer (Tara Karsian). It’s a plot line that, in retrospect, seems startlingl­y unmotivate­d. Considerin­g her unremittin­g nastiness, Tracy’s final burst of compassion for Roger, who has been nothing but horrible to her throughout, also seems unmotivate­d — as does Tracy’s belated “share” about the adolescent trauma that has made her so hateful.

Despite the fact that his narrative takes shortcuts and hits obvious snags, Patterson’s play is an exemplar of rudeness whose near-surreal vulgarity elicits torrents of laughter from his gobsmacked audience. Director Chris Fields and his superlativ­e performers do full justice to their deliciousl­y uncouth material, which is not for the prim. They have more fun than the law allows — and so do we.

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