Los Angeles Times

Boxer’s tale of endurance lands a punch with director

- By Josh Rottenberg josh.rottenberg@latimes.com

Writer-director Ben Younger is not a big sitting-on-the-couch-watching-sports guy. And in particular, he’s never been much of a boxing fan.

So when he was approached a few years ago about making a film based on the reallife story of boxer Vinny Pazienza (a.k.a. Vinny Paz) — who overcame a spinal injury after a near-fatal 1991 car crash to mount a triumphant comeback — he didn’t feel much personal connection to it.

“I wasn’t like, ‘This is my world, these are my people,’ ” Younger, 43, said by phone on a recent morning from his home a couple of hours outside New York City. “There was none of that.”

But as he started work on the script for what eventually became the film “Bleed for This” — which arrives in theaters Nov. 4, with Miles Teller in the role of Paz and a balding, paunchy, virtually unrecogniz­able Aaron Eckhart as his trainer, Kevin Rooney — something shifted.

In Paz’s tale of perseveran­ce and redemption, Younger started to see a reflection of his own story. Like Paz, he’d been knocked down and wanted another shot.

Sixteen years ago, Younger made a splash with his 2000 debut feature “Boiler Room,” a tense drama set in a brokerage firm starring Ben Affleck and Vin Diesel. Five years later, he served up his second film, the Meryl Streep-Uma Thurman romantic dramedy “Prime,” which proved modestly successful, grossing $67 million worldwide. And then … nothing.

“I spent the next four years after ‘Prime’ writing a screenplay that no one wanted,” said Younger, who grew up in Staten Island, N.Y., and started his career in politics before shifting into filmmaking. “I had a rude awakening. I wasn’t destitute or anything. I kept working. I sold a bunch of TV pilots. I was just disenchant­ed.”

With his film career stalled, Younger pursued other things. He moved to Costa Rica and worked as a chef. He earned his pilot’s license. He became a semi-profession­al motorcycle racer.

“I just took an experienti­al detour,” he said. “At the time, I thought, ‘I’m getting behind the 8 ball compared to my peers who are working continuous­ly.’ I was in a bit of a slump truthfully.”

When a longtime friend of Paz’s, a film producer named Chad Verdi, first approached Younger with the boxer’s story, he knew nothing of the five-time world champion boxer’s car accident or his improbable comeback. But as he dived into writing the screenplay, he quickly realized the story resonated for him far more than he had ever anticipate­d.

“I just said, ‘Oh, this is my story,’ ” he said. “Everyone told Vinny that he was done. Not that anyone told me that, but when you don’t make a movie for 10 years in Hollywood, some doors get closed. I suddenly found it personally relatable.”

Verdi arranged a meeting with Younger and Martin Scorsese, who directed one of the all-time classic boxing films, 1980’s “Raging Bull.” “When I told Scorsese about this story he said, ‘Greatest story never told,’ ” Younger recalled. “I was like, ‘I know!’ ” Scorsese signed onto the project as an executive producer.

Shooting “Bleed for This” in Paz’s hometown of Cranston, R.I., Younger worked hard to get the details — the accents, the hairstyles, the clothes — just right. “I like telling real stories about real worlds,” he said. “I feel more like a journalist than a straight-up fiction writer.”

For Teller, who spent months getting in fighting shape to play Paz, who is now 53, Younger’s naturalist­ic approach helped ground his performanc­e. “The whole movie just felt so authentic,” Teller said. “It almost feels like you’re watching a documentar­y or a home movie in a way.”

“Bleed for This,” which will have its premiere at the Toronto Film Festival, has actually been finished for a year. But with two bigger-scale boxing movies — “Creed” and “Southpaw” — in theaters in 2015, the film’s distributo­r, Open Road Films, decided to postpone its release.

“I’m not a fan of delayed gratificat­ion, but I’m glad we waited,” Younger said. “We might have gotten lost.”

 ?? Carolyn Cole Los Angeles Times ?? “I FEEL more like a journalist than a straight-up fiction writer,” says director Ben Younger, who hustled to get the details right in “Bleed for This.”
Carolyn Cole Los Angeles Times “I FEEL more like a journalist than a straight-up fiction writer,” says director Ben Younger, who hustled to get the details right in “Bleed for This.”

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