OVERRATED

Phil Collins: Steady yourselves, those who survived Collins’ omnipresence in the ’80s, a favorite from “American Psycho” is on the comeback trail. On the heels of a new memoir, multiple album reissues and, inevitably, a just-announced tour, Collins boasts a torrent of inescapable hits such as “Sussudio,” “Take Me Home” and the atmospheric “In the Air Tonight,” a song so effective in its vague inhumanity it’s now primarily known for its boomy synthetic drum break. With so many insidiously infectious hits, it’s worth wondering if we’re really prepared for what we’re inviting back. ‘Divorce’ on HBO: This pitch-dark newcomer to HBO has ingredients that should add up to a sort of comic black gold, including creator Sharon Horgan, whose series “Catastrophe” is among the gems of streaming. But where that show soars on the merit of real vulnerability and affection shown between its occasionally dysfunctional leads, “Divorce” feels flat and cold as usually likable Sarah Jessica Parker and Thomas Haden Church out-unpleasant each other through the contentious end of a relationship in a privileged corner of New York City suburbia. No one wins.