Prizewinning author of ‘Poor George’
PAULA FOX, 1923 - 2017
Paula Fox, a prizewinning author who created high art out of imagined chaos in such novels as “Poor George” and “Desperate Characters” and out of reallife upheavals in her memoir, “Borrowed Finery,” has died at 93.
Her daughter, Linda Carroll, said Fox died Wednesday at Brooklyn Methodist Hospital. She had been in failing health.
Abandoned as a girl by her parents, a single mother before age 20, Fox used the most finely crafted prose to write again and again about breakdown and disruption, what happens under the “surface of things.”
In “Poor George,” her debut novel, Fox told of a bored school teacher and the teen vagrant who upends his life. “Desperate Characters,” her most highly regarded work of fiction, is a portrait of New York City’s civic and domestic decline in the 1960s, a plague symbolized by the bite of a stray cat.
“It seems to me that in life, behind all these names and things and people and forces, there’s a dark energy,” Fox told the Associated Press in 2011.
Her work was out of print for years, but she enjoyed a late-life revival thanks to the admiration of such younger authors as Jonathan Franzen, David Foster Wallace and Jonathan Lethem.
Her other books included the novels “A Servant’s Tale,” “The Western Coast” and a memoir about living in Europe after World War II, “The Coldest Winter.”
Fox also wrote more than a dozen children’s books, including “The Slave Dancer,” winner of the Newbery Medal in 1974. “Borrowed Finery,” published in 2001, was nominated for the National Book Critics Circle award.
She might have written more novels, but a head injury after she was mugged in Jerusalem in the 1990s left her unable to write long fiction. She instead began working on memoirs and shorter pieces.
Fox was born in New York City in 1923, the daughter of novelist-screenwriter Paul Fox and fellow screenwriter Elsie Fox.
Paula Fox remembered her father as a drunk given to “interminable, stumbling descriptions of the ways in which he and fellow writers tried to elude domesticity.” Her mother was a “sociopath” who kicked her out of the house as a young girl. The places where Fox lived included a plantation in Cuba and a boarding school in Montreal.
“My life was incoherent to me,” Fox wrote in “Borrowed Finery.” “I felt it quivering, spitting out broken teeth.”
If only she could have gathered all the people she met and placed them in a single room. Living in Hollywood in the 1930s and ’40s, she danced with John Wayne and encountered John Barrymore, “yellowing with age like the ivory keys of a very old piano.”
Marlon Brando was a friend, and Courtney Love is her granddaughter. Love’s mother, Carroll, was given up for adoption by a 19-yearold Fox. Fox’s brother-inlaw, Clement Greenberg, was among the 20th century’s most influential art critics.
Although a devoted reader since childhood, she didn’t publish until she was past 40. She worked for years as a teacher and as a tutor for troubled children and was married briefly for a second time, to Richard Sigerson, with whom she had two sons.
She finally settled down with her third husband, translator and commentary editor Martin Greenberg, whom she met after he had rejected a story she submitted for the magazine.
In “The Coldest Winter,” Fox wrote that living abroad had liberated her mind, “showing me something other than myself.” Her early fiction included the stories “Lord Randall” and “The Living,” narrated in colloquial style by black characters and published in the mid-1960s by Negro Digest. In “The Slave Dancer,” a young boy is captured and forced onto a slave ship.
“I’ve never been a slave. I’ve never been black. I was never on a ship. But I have a certain narrow understanding of certain kinds of characters, and of evil and kindness and goodness and tenderness,” Fox told the AP.
But by the 1990s, her work was forgotten by all but her most determined admirers — one of them was Franzen. The future author of “Freedom” and “The Corrections” came upon “Desperate Characters,” which he called an overlooked masterpiece in a Harper’s magazine essay about American fiction.
Author Tom Bissell, then a paperback editor at W.W. Norton, read the essay and wondered why he hadn’t heard of the novel. He looked in stores, without luck, and finally got in touch with Fox, who sent him one of her copies. Norton since has reissued all of Fox’s adult novels, with introductory essays by Franzen and others.