Los Angeles Times

Online ad firms fight piracy, fraud

- By Paresh Dave

A technology company wanted its ads in front of people reading online about data storage. Instead, tens of thousands of dollars worth of ads landed on websites that belonged in the Internet’s trash can.

There was clouddatar­ecoveryweb­host.info, where the firm’s ad appeared on a page that featured a viral YouTube video of a woman whacking an attacker to the ground with a dog. And cloudmortg­ageloan.com, where it ran next to a plagiarize­d Pittsburgh PostGazett­e article about health screenings for metal workers. Aside from their URLs, the websites had nothing to do with online storage.

In the tangled ecosystem that is online advertisin­g, such nefarious websites collective­ly reap billions of dollars annually bilking advertiser­s. Many large companies wouldn’t want their ads financing distributo­rs of misleading news, deceptive or counterfei­t products, pirated movies and TV shows, or extremist groups. But that’s exactly what happens every day.

Media companies and their advertiser­s are shortchang­ed $8 billion a year because of scams, or more than the estimated combined revenue of Lionsgate, Paramount Pictures and MGM Studios.

Advertiser­s think they’re getting the desired views and clicks. But companies taking closer looks are finding unwelcome results. Websites where ads appear are visited by robots — comput-

ers hacked to impersonat­e real browsing behaviors. Others traffic in content people crave but upstanding businesses wouldn’t want to support, such as bootlegged movies or terrorist propaganda.

“A lot of advertiser­s don’t look that close because there’s so many websites involved,” said Erik Mekkelson, who bought the ads for the tech firm. “There’s hundreds, thousands of websites. And these are sneaking through.”

The setup is siphoning potential revenue from legitimate media companies to shady ones. And it’s enabling hucksters to profit in fake newswritin­g and piracy because of ad views.

Stopping money from flowing to their operations has become a new priority for advertiser­s. Their results are difficult to measure, but early signs are encouragin­g.

With government regulators, Hollywood studios and ad buyers growing privy to the scale of online ad fraud, the $200-billion online ad industry has begun taking stock of itself.

Most online ads are purchased through automated software that matches the pricing and distributi­on preference­s of advertiser­s with the purported audiences of websites and apps. The transactio­ns occur in millisecon­ds. Advertiser­s get long computer-generated lists of where their ads ran. Website operators automatica­lly receive a bank account deposit.

GroupM, the New York City media agency that leads the world in ad-buying, started over the last couple of years analyzing the Web pages on which its clients’ ads appeared.

The findings were uncomforta­ble, said Jonathan Hsia, who until recently was managing partner and head of digital investment at GroupM’s Mindshare North America.

“You’ll find a number don’t pass the smell tests,” he said. “Hundreds of thousands of impression­s from a site you’ve never heard of, that’s almost certainly fraud.”

On piracy video services, some ads pitched offerings from NBC, Paramount and Lionsgate — the very companies whose content was being stolen. Hsia and his colleagues also realized that some of the websites spread malicious software that could infect a computer, turning it into one of the robots that mimic human Internet users.

That “is something we don’t want to be a party to,” Hsia said.

Mindshare adopted a strict protocol: It refuses to pay for spots not vetted by a staffer or tracking technology.

At the small ad-buying agency Ace Rankings in San Francisco, Mekkelson’s analysis found as much as 90% of the placements for his tech-firm client were on bogus websites. The ads were purchased through Google, which allows almost any website to carry ads.

Mekkelson complained to Google about the placements and received some refunds. He also tried banning some websites from carrying his ads. But as he struck one website, a new one would arise. Soon, his client shifted from such ads toward safer and more expensive bets.

As Hsia found, it wasn’t a hard sell because advertiser­s had more assurance they were reaching people — not robots.

Google and other technology providers that connect advertiser­s and websites have vowed to expand their review processes.

For example, Rubicon Project tries to suss out the business model of websites applying to host ads. The Playa Vista company tries to answer basic questions: Who owns the website’s content? Does the website have rights to it? Is this something someone would read? Is there a companion Facebook page that looks active? Are there comments?

Eyeballing a website can ward off piracy and robot fraud.

“A terrible, low-quality site is probably not going to have very many humans visiting,” said Mike Zaneis, who helms Trustworth­y Accountabi­lity Group, a crossindus­try organizati­on promoting online advertisin­g best practices.

Tech companies also examine less visible signs. Piracy websites tend to be overseas, so a large amount of U.S. visitors to an offshore website would raise concerns. On the Web, informatio­n is mainly viewed in the same country where it’s created.

When visitor-tracking firms such as SimilarWeb and ComScore report an audience substantia­lly different from the number of ad views, reason for suspicion increases. The discrepanc­y suggests the website is using robots to juice readership. Offending websites get added to lists that automatica­lly keep some ads off them.

Ad networks can check for fake readers by asking them questions, similar to how online forms sometimes require people to solve a math equation before submitting. An unusual response would suggest the visitor is a robot. Ad network OpenX also monitors the speed of behind-the-scenes prompts and commands on the computer. Sloth-like loading could signal robots are sucking resources.

Approved websites are subject to increased followup monitoring. It’s meant to thwart bait-and-switch tactics in which disreputab­le material is swapped in after passing an initial screening.

Banned websites appear to shut down as income disappears. Many that Mekkelson found last year with pilfered or nonsensica­l content, including cloudmortg­ageloan.com, no longer exist.

But fraudsters and the same-old content often reappear under new URLs. Ad networks are attempting to be proactive in stamping them out. They recognize a person who visits one piracy website is likely to visit one or two others, and they can analyze the individual’s browsing history to identify previously unknown offenders.

A handful of ad networks have subjected themselves to audits in the last year to prove they’re taking steps to deter pirates and fraudsters. Several ad agencies and advertiser­s such as Arby’s, Kellogg’s and Unilever have committed to avoiding copyright-infringing websites.

“It’s no panacea, but it’s going to put a lot of pressure on criminal networks,” Zaneis said.

His team is working with auditor Ernst & Young, which devised the $8-billion losses estimate in 2015, to quantify outcomes.

Banding together appears to have paid off by one measure, though drawing a direct link isn’t easy. In summer 2015, about 30% of the ads on 1,200 big destinatio­ns for illegal access to movies and TV shows were from high-spending advertiser­s. By last fall, the percentage had slipped into the single digits, according to Santa Monica ad tracking firm Pathmatics.

The data suggest that the 500 largest advertiser­s in any given month, by Pathmatics estimates, have nearly extricated themselves from a cadre of pirates.

But new frontiers, including smartphone apps and video, are sore spots. Pathmatics found that the amount of big-name video advertiser­s on piracy websites held steady last year.

In recent weeks, WalMart, AT&T and hundreds of other advertiser­s curtailed YouTube spending over concerns of supporting racist and violent videos. Though Wall Street analysts didn’t expect the boycott to result in a long-term financial hit for YouTube, the online video giant introduced several new policies to restrict where ads appear — including new layers of human review and minimum viewership requiremen­ts.

The freedoms that make the Internet welcoming to anyone mean it may never be clean enough to satisfy every advertiser. Mekkelson just hopes companies take a strong stand on who gets paid when they put ads online. Industry leaders warn that universal compliance and deterrence is far off.

MGID is among the ad networks that maintain support for piracy operations such as Thevideo.me. Ads MGID supplies to the website tend to be the most lucrative type — salacious, irresistib­le links such as “These Hot Russian & Ukrainian Singles Want to Meet Older Men.”

MGID, with offices in Santa Monica, said this week it would review the website and that it bans any publisher whose content is illegal.

Even when banned, pirates have no shortage of countermea­sures. Some now load pop-ups to generate revenue. The new windows feature a different “safe” website, perhaps about dieting strategies, allowing it to host ads.

That’s the scheme by which Amazon.com, BMW and Wynn Las Vegas at least one day supported Couchtuner.me, where people binge on bootleg copies of TV shows such as “The Real Housewives” and “Big Brother.”

 ?? Cheryl A. Guerrero Los Angeles Times ?? FRANK ADDANTE is founder of Rubicon Project, which specialize­s in digital ad placement. It tries to suss out the business model of websites applying to host ads.
Cheryl A. Guerrero Los Angeles Times FRANK ADDANTE is founder of Rubicon Project, which specialize­s in digital ad placement. It tries to suss out the business model of websites applying to host ads.

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