Los Angeles Times

‘We’re no longer making fiction’

- MARGARET ATWOOD Listen to the “Patt Morrison Asks” podcast and read the full interview at http://www.latimes .com/opinion

The Handmaid’s Tale,” Margaret Atwood’s novel of speculativ­e fiction, imagined a hyper-religious and environmen­tally toxic nation where fertile young women are rounded up and forced to bear the children of powerful men. Originally published in 1985, “The Handmaid’s Tale” is now selling swiftly in bookstores and has been turned into a TV series, which airs on Hulu on April 26. The novelist is its consulting producer and has some ideas about why the book has a new, attentive following.

What explains “The Handmaid’s Tale” renaissanc­e?

Yes, it’s all quite surprising but not, I suppose, when you consider the background­s. MGM and Hulu started making this television series really well over a year ago, and they started shooting in September, before the election. So that caused some resurgence of interest — the mere fact that they were doing it.

And then of course the election happened, and the cast woke up in the morning and thought, We’re no longer making fiction — we’re making a documentar­y. I think that is one reason for the resurgence of interest.

Obviously I don’t think we’re going to get the outfits [the red robes and white bonnets women must wear in the book] but the rollback in rights that women have thought they could take for granted is frightenin­g to many people.

Is it a case of cognitive dissonance that your book and Bill O’Reilly’s about traditiona­l values are both on bestseller lists?

Well, I’d like to see what those traditiona­l values are. Do they include lots of orphanages? Because of course if you decide that women should have babies because the state wants more babies, then you either have to provide lots of orphanages, or you have to pay them [to support the babies]. Otherwise you’re going to get [dictator Nicolae] Ceausescu in Romania, who decreed that women had to have four children, and gave them pregnancy tests every month. And if you didn’t get pregnant, you had to account for why not. And that filled the orphanages up pretty quickly because the women could not afford to support four children.

Is there a difference in how earlier generation­s read this book versus how young women are reading it now — young women who’ve grown up perhaps taking all those rights for granted?

I think so. I think the earlier generation — although some people took it [the book] seriously, they saw it more in the

realm of fantasy, like this could never happen here. In England, it was a jolly good yarn. In Canada, it was, could it happen here? And in the United States, some people said, how much time have we got? But other people said, surely we’re beyond that and it’s not going to happen here, and we will never have a dictatorsh­ip because we’re a democracy. And I don’t think anybody should ever feel secure about that one, either.

At a legislativ­e hearing in Texas over a bill to roll back reproducti­ve rights, women showed up in the red “Handmaid’s Tale” outfits as a way of protesting.

They did. And you have a picture of them sitting there very quietly surrounded by men with guns. It could be a still out of the television series.

Is the Trump era leading this new misogyny or is it just the biggest voice and face of it?

I think it’s a voice and face. But also what leaders do gives permission. So you can have people all along who have thought those things and done those things, but if a world leader is doing them and making clear that that world leader is thinking them, it gives permission to other people to be much more in your face about it.

I can imagine your fan mail. I can’t imagine your hate mail.

I’ve gotten lots of hate mail over the years. I’ll probably get more once the television series comes out. But I’m not advocating for one thing or the other. I’m saying that what kind of laws you pass — those laws will have certain kinds of results. So you should think carefully about whether you want to have those results or not.

If you’re going to ban birth control, if you’re going to ban informatio­n about reproducti­on, if you’re going to defund all of those things, there will be consequenc­es. Do you want those consequenc­es or not? Are you willing to pay for them or not?

 ?? Darren Calabrese Associated Press ?? INTEREST HAS RESURGED for Atwood’s dystopian novel.
Darren Calabrese Associated Press INTEREST HAS RESURGED for Atwood’s dystopian novel.

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