Stars in their eyes
Jamie Lee Curtis, Carol Burnett and others remember the theater.
I think the Chinese Theatre humanized, in the handand footprints, the famous. It wasn’t a glossy picture that seemed unattainable but something human and tangible. That you could put your hands or feet inside theirs and feel somehow that it could too happen to you .I think it gave people hope in the dream that Hollywood represented.
Rita Wilson Actress-singer and wife of Tom Hanks
I grew up in Hollywood. Grauman’s Chinese Theatre, as it was known then, was my favorite theater. Going to a movie there was an event. People came from all around the world to see this place, and it was in my backyard.
When Tom was honored by having his hand- and footprints placed at the Chinese, I remember thinking that one day someone will come and stand where he stood and feel the same magic I did when I was a kid.
George Chakiris Oscar-winning actor (“West Side Story”)
I lived in a rooming house [in the 1950s] on Hollywood Boulevard. I took class at the American School of Dance on Hollywood, very close to Grauman’s Chinese. I used to clean the studio at night to pay for classes. So I’d pass [the theater] every night. It was really dreamy.
And the premiere of “West Side Story” was there. I’d never been to a premiere… it was just a fantastic time. Everybody was there. Natalie Wood did her footprints,
I think, maybe in 1962 or something. And so when Rita Moreno, Russ Tamblyn and I did ours [in 2011], they put us right next to Natalie, which was really nice, you know?
Larry Karaszewski Emmy, Golden Globe-winning writer-producer (“The People v. O.J. Simpson”)
My favorite memory is watching Mel Brooks’ “Blazing Saddles” there, because the end of the film takes place at the Chinese! The audience went crazy when Harvey Korman rushes up to the box office and tries to buy a student ticket. Then he comes in and sits among us — a surreal experience!
Richard Roundtree Actor (“Shaft,” “Being Mary Jane”)
The first time I came to town [in the 1960s] was with the Ebony Fashion Fair. We stayed at the Hollywood Roosevelt Hotel. I walked the block down Hollywood Boulevard, then back up to the Chinese. That was a magical moment, Hollywood — oh, my goodness!
Leonard Maltin Film critic, historian and author
I was sent to cover Sean Connery’s ceremony, which was a tie-in with his movie “Entrapment” (1999). I asked what it meant to him to participate in this Hollywood tradition, and he gestured across the street to the Hollywood Roosevelt Hotel. That’s where he stayed on his first trip to L.A. to work here, and naturally, he walked across the street to
look at Grauman’s. To be honored there, some 40 years later, understandably had great significance for him… and I was touched to hear the sincerity in his voice as he told me that story.
Carol Burnett Emmy-winning comedy legend
I grew up practically on Hollywood Boulevard. Nanny [her grandmother] and I would go to premieres at the Chinese. I was hanging over the ropes with my grandmother, and Linda Darnell had gotten out of her limo and decided to walk past all the people. My grandmother, who was — let me put it this way — not exactly shy, grabbed her by the arm and said, “Linda! Linda! Please give this little girl your autograph. She adores you.”
So she was very sweet. I had my autograph book, and she signed it. But I looked up and I could see — she was tall and, of course, I was little — that her nostrils didn’t match. If you put your nose up and look, it’s like the right side and left side of your face are different. I can still duplicate her signature!
Joe Dante Director (“Gremlins,” “Innerspace”), whose first film was 1976’s “Hollywood Boulevard”
“Hollywood Boulevard” was so cheap, we couldn’t afford a ticket to go inside [to shoot], but there’s a shot of the Chinese from across the street. The low-rent horror import “Beyond the Door” was on the marquee.
Illeana Douglas
Actress-author and TCM host
The handprints and footprints of movie stars outside Grauman’s is my favorite Hollywood landmark. Luckily for me, I started working with TCM right around when they incorporated this revered tradition into their annual TCM Classic Film Festival. It seemed unthinkable that Jerry Lewis’ hands had not been cast in cement at Grauman’s. That changed in 2013, when he was honored at the TCM Classic Film Festival. I was proud to have a little hand myself in helping this come about. You can see the smile on my face. It’s one of my favorite days ever.
Bruce Vilanch Emmy Award-winning writer-actor
It was the summer of 1956. I was 9 years old. We came to L.A. [from New York] to visit relatives and see Hollywood. That afternoon, we had gotten a private tour of the Fox lot. That night, we went to Grauman’s Chinese. The movie playing was “The King and I.” We walked into the theater as if it was a palace of the king. Only inside, it really was an “oriental” palace, exotic, dark and elegant. Unique. The screen was huge. The rake of the theater seats was generous and the wow factor intense. When the music came up, you weren’t merely at the movies, you were in a magical space and time far removed from your own. The movie on-screen perfectly mirrored the place where we were sitting. I don’t think I have had that experience since. It is one of the reasons I keep going to the movies when I could watch them at home . ...
Malcolm McDowell Actor
The very first time I went to the Chinese Theatre was in 1971 when they were showing [his film] “A Clockwork Orange.” I was very excited, because being an English actor, I had always heard of the folklore of the traditions of the Chinese. I distinctly remember seeing photographs of Marilyn Monroe putting her hands in cement at the theater.
Over the years, I’ve attended many screenings and premiers there, with the last being for “The Artist,” which went on to win the Academy Award for best picture that year. Of course, it is the mecca of theaters for any actor who loves film.