Los Angeles Times

Dior kicks up dust

Maria Grazia Chiuri’s cruise collection ventures outdoors and finds itself in a rustic, natural state.

- By Adam Tschorn adam.tschorn@latimes.com

Dior creative director Maria Grazia Chiuri presented her first cruise collection for the house on May 11 on a remote Calabasas hilltop that had been transforme­d into a dusty luxury outpost complete with an adobe-colored stepand-repeat backdrop for celebrity guests, Instagram-worthy hot air balloons in a field and the title of the collection, Dior Sauvage, silhouette­d on a nearby hillside like the French luxury label’s version of the Hollywood sign.

We’re not sure if the off-in-thedistanc­e reference to Los Angeles’ most famous piece of hillside signage was intentiona­l. But like the venue itself, the Upper Las Virgenes Canyon Open Space Preserve, which in our case required a 30-mile drive from downtown L.A. followed by a harrowing drive up a winding, one-lane road and a final four-wheeler ride to the site, the Dior sign seemed to acknowledg­e Hollywood, but as part of the greater Southern California mosaic. Which was exactly what Grazia Chiuri was aiming to do.

“L.A. is Hollywood, is glamour, that’s evident,” she said in an interview at the Chateau Marmont two days before the show. “At the same time, there’s more value to L.A. than just Hollywood; there’s this element of natural, open space … so I decided to mix this element into the collection.”

Grazia Chiuri also told us she’d taken inspiratio­n from the cave paintings of Lascaux, in France, and explained that the house’s namesake designer had done the same thing, using some of the primitive imagery in a 1951 collection.

Riffs on those images — leaping, antlered animals, dancing female forms and handprints — emerged as one of the collection­s most striking visual throughlin­es, knit into chunky shawl-collar sweaters and skirts, painted across pleated skirts and emblazoned around the crowns of widebrimme­d hats that finished off each look and evoked a distinct Georgia O’Keeffe vibe. O’Keeffe, according to the show notes, was among Grazia Chiuri’s inspiratio­ns too, along with the writings of feminist shamanic author Vicki Noble.

The tarot elements present in the designer’s first two collection­s for the house were here as well, intricatel­y beaded appliqué hearts and stars mixed in with embroidere­d and printed imagery of shamans with horned headpieces and female figures.

At first blush, the chunky, belted sweaters, long skirts and flattopped hats felt like little more than a luxury-brand riff on the Southweste­rn silhouette more familiar to the streets of Santa Fe, N.M., than the cruise collection runway. Grounded in a palette of black and dusty ochre, the collection served up plenty of prairie skirts, Western-style fringe and a striped, woven-blanket pattern that appeared on several pieces (as well as the straps of some handbags).

But as the models walked by, kicking up clouds of dust that caught the light of the setting sun, a certain softness became evident. Tulle skirts teemed with embroidere­d flora and fauna, fringed bodices and skirt hems swayed with metallic fringe, and delicate, feather-covered dresses shimmered and bounced with each step.

Many of the looks combined the heavy/soft vibe — for example, a skirt embroidere­d with a woman and wild animal graphic worn with a black leather motorcycle jacket — or a white lace dress worn under a chunk intarsia knit sweater.

Although all of the pieces bearing the Lascaux-inspired imagery caught the eye, the most memorable were the full skirts, sleeveless dresses and blazers that rendered the drawings of oxen, deer and horses in a silk jacquard that had a dusty golden cast to it.

After the show, guests who made the trek, including Charlize Theron, Anjelica Huston, Brie Larson, Kiernan Shipka, Jennifer Tilly, Freida Pinto, Laura Dern and Rihanna, were treated to a surprise musical performanc­e by Solange.

After that, the Calabasas congregant­s piled into the ATVs four and five at a time to descend from the hilltop, each one taking a little bit of the wild and woolly, delicate and dusty Dior cruise collection back to civilizati­on with them.

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Southwest vibe includes embroidery, fringe and a woven-blanket theme.
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THE COLLECTION’S
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MANY OF the looks were finished off with widebrimme­d, f lattopped hats and belted coats.

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