L.A. guided designer
In the run-up to presenting Dior’s 2018 cruise collection in Calabasas — it was her first for the French fashion house — creative director Maria Grazia Chiuri sat down with The Times to talk about some of the collection’s inspirations, her favorite L.A. places to visit and politics on the fashion runway. Below are some excerpts from that conversation. Which came first: the venue choice or the collection? What does Los Angeles mean to you?
L.A. is Hollywood, is glamour, that’s evident. At the same time, there’s more value to L.A. than just Hollywood. There’s this element of natural, open space. I think today it’s more important than ever to talk about nature, and I also think it’s good for women to think about it. You need to be in contact with the elements of nature that you forget living your normal life in the city. How are natural elements referenced in the collection?
In the archives, I found a reference I thought would be nice to link with the L.A. show. In 1951, Mr. Dior did a collection that was inspired by the Lascaux cave paintings, and I used some graphics, some prints from that. How often do you come to Los Angeles?
Very often. I was here in February because I like to go to the [Rose Bowl Flea Market] in Pasadena for vintage. It’s a very inspiring place. You can find many things to reference. Where do you like to go for fun?
I very much love the Huntington [Botanical] Gardens. It’s amazing, and the desert garden is very beautiful. I also really like the Getty Museum; the garden there is super-beautiful. Both of those places put nature front and center, right?
Yes. I think you feel better when you are in more contact with nature. … It’s good for women to be closer to the natural elements. What I want to say with this collection is that women have to be free to dress themselves like they really want. I think that in the past, very often, women let others define them. How does that change your role as creative director?
I think my job is to build a wardrobe that has a point of view but leave it up to the women to choose the pieces and to mix. In the past, the idea was to impose a point of view. Now I think it is to propose a point of view. It’s a dialogue. So I design a collection that is very bold — in your face — but in a way that the elements can be mixed. The jacket goes with the pants but can also go with a dress or with denim. I think women are seeing fashion as more playful, more personal. And I think that has made a difference. Were you surprised that your “We should all be feminists” T-shirt from spring/summer ’17 touched off so much political messaging on the runway?
Yes, I was surprised because I did the T-shirts because [feminism] is something that is very important to me and I never imagined that other people felt so strongly about the issue. I never imagined it was such a global thing. Is there a place on the fashion runway for politics? If you have a point of view, you are political. Everything is politics.