OPEN TO NEW IDEAS
First-time house hunters Tom Balamaci and Patrick Wildnauer looked at more than 100 houses online and visited 30 in person during a seven-month search. ¶ They finally settled on a 1927 English-inspired cottage in the Wilshire Vista neighborhood. A great layout for entertaining and proximity to work and friends sealed the deal. ¶ “We knew this was the one,” Balamaci said of the three-bedroom, two-bath charmer. “It had traditional style but the kind of openness you want in California.” ¶ Before settling happily ever after into the 1,661-square-foot, storybook-style home, however, there was work to be done. ¶ And that’s where Los Angeles-based interior designer Amalia Gal came in. Budget-friendly The mission: refresh the home’s dated design details while capitalizing on original architectural elements and showcasing the couple’s personality. And do it all on a budget.
Although a hard-and-fast number wasn’t assigned to expenditures, Gal said smart financial choices and creative sourcing were important.
“The approach was, let’s do this with quality products but not go overboard,” Gal said. High-end finishes and fixtures were balanced with antique and vintage resources found on EBay and One Kings Lane. An unexpected bonus: a stylish 1920s black piano scored for free-to-a-good-home.
DIY saves dough
In addition, Wildnauer, a senior project manager at Valerio Architects, was able to cut costs by doing some trim and finishing work himself.
“The bones of the house were in good shape; we didn’t need to update the electrical … and the roof was relatively new,” said Balamaci, who works as general manager for the Zoe Report at Rachel Zoe Inc., “so all that stuff we didn’t really want to spend money on had already been done and we were able to come in and focus on the fun stuff, the decorating.”
Gal said the color palette of the home was designed to transition from dark to light as one moves through the space. “The idea was going from dark to medium to lighter and brighter.”
The small, coved entryway was wallpapered with a darkly patterned Morris & Co. design purchased from Egg & Dart in Los Angeles and appointed with an antique table and mirror. Wildnauer installed crown molding, and the ceiling was painted in flat, Dunn Edwards Red Craft to match the walls.
In the living room, a river rock fireplace anchors a generous space lined with paned, cottage windows and capped with a vaulted, barrel ceiling.
“There wasn’t any delineation between the walls and the ceiling,” said Gal, “and Patrick wanted the room to be a dark color … so I came up with the idea of installing molding so we could stop the paint [at the trim line] and keep it from feeling too heavy.” The walls were painted Union Springs in velvet by Dunn Edwards and the ceiling was brushed with flat, Dunn Edwards paint in Historic White.
A gallery wall was also on the wish list. “Most of their pieces were flat and two-dimensional,” said Gal of a collection that included prints from a trip to Istanbul, Turkey, a map of Los Angeles and an etching from Wildnauer’s ancestral home in France. “We needed to add some textural pieces to create interest, so they got the mirrors, the antlers and the Hellenic bust.”
Gal designed the gallery layout, and she and Wildnauer executed the installment and added molding.
The wall provides a focal point in the room and adds to the masculinity and character of the space. Orange vintage armchairs were reupholstered in deep blue velvet to coordinate with a Persian area rug and face a long leather sofa from Restoration Hardware.
“They wanted to have a gigantic sofa,” said Gal, “when they have parties, six people can sit on it.”
Guess what’s missing?
A painting of Balamaci’s grandmother holds pride of place on the mantel, obscuring an awkward niche and lending an aura of family history.
What’s not in the living room? A television. “We like to watch TV,” said Balamaci, “but we didn’t want one in the living room, it’s just too much of a distraction. We wanted this to be a room for conversation when friends are over or for reading or the piano when it’s just us.”
The previously purple dining room was repainted in Silver Lake from Dunn Edwards and features a set of French doors that lead to a private, pergola-covered patio.
“I think my favorite thing about the house is the layout, particularly the dining room,” said Wildnauer.
“For our first Thanksgiving here we had 12 people,” said Balamaci, “and seating extended onto the patio without making it feel like the kids’ table.”
The table’s antique, 1940s Hitchcock chairs were found on EBay. “Honestly, it was a great deal,” said Balamaci, “and we got them for less than the price of going to Pottery Barn.”
The traditional, Federal-style chairs coexist happily with a new, contemporary painting by Lukasz Ratajczyk found on SaatchiArt.com. “It’s a great resource,” said Balamaci, “because it has all media at a variety of price points. It’s a nice way to get a piece of art without breaking the bank.”
Drawing the eye
In the hallway leading from the dining room, Gal said Balamaci envisioned a dark, glossy passageway, but Wildnauer feared high-gloss paint would expose imperfections on the vintage plaster walls. As a compromise, Gal used a saturated, Newbury Port paint by Dunn Edwards with a semigloss finish and added sueded wall panels with an art rail and molding for texture. “As they collect more art we plan to layer it on the panels,” said Gal. “It’s a narrow space, but it makes it interesting.”
Since the closet in the master bedroom and the closet in the guest room shared a wall, Gal and the homeowners combined the two to create roomier storage and more organization for the master. “We stole the closet from the guest room,” said Balamaci. “They didn’t have the same amount of clothes in the 1920s that we have now.”
In addition to the re-imagined closet, the master bedroom makeover included new wall coverings by British designer David Hicks, a painted ceiling and a reupholstered window seat. (Their King Charles Spaniel, named Buckie — named after the pioneer of the geodesic dome, architect Buckminster Fuller — thinks it’s just for her.)
The cozy-meets-glam guest room received a palette inspired by a special piece of art.
“It was a housewarming gift from a good friend,” said Balamaci of an elegantly framed painting that hangs on the wall. “Her father, who was [jeweler] Claude Arpels of Van Cleef & Arpels, painted it for her mother.” Gal painted the room Silver Lake as well to match the painting and added an antique family dresser, crystal chandelier and curtains.
No f inish line
In the main bathroom, a dated vanity, mirror and fixtures including the tub filler and shower fittings were replaced with period-appropriate pieces from Restoration Hardware. The white marble countertop and marble tile flooring were coordinated with light colored walls (again, Silver Lake, in a semi-gloss), frameless twin medicine cabinets and a vintage sailing pennant.
“We basically touched the entire house in some way,” said Gal, “and there will be a phase three, but we’re not there yet.”
Future plans include updating the kitchen and den area, and enlarging the half-bathroom into a full bath with a new hallway entrance.
Let the adventures of homeownership begin.
TOM BALAMACI, left, and Patrick Wildnauer balanced quality with savvy spending as they reenvisioned their 1927 cottage in Wilshire Vista. They worked with interior designer Amalia Gal.
THE HALLWAY formerly featured canned lighting and little else. Gal designed sueded wall panels with picture rails. Now it’s a space where the owners can showcase their art collection.
THE DINING ROOM is lighter and brighter after repainting. Vintage Hitchcock chairs were scored on EBay. Original art by Lukasz Ratajczyk was purchased from SaatchiArt.com.
FOR THE MASTER BEDROOM Balamaci selected a wall covering from one of the couple’s favorite designers, David Hicks. Accent pieces, new linens and upholstery further the update.
THE COVED ENTRY picked up some drama from a Morris & Co. wallpaper design. Beyond, an open living space now features a gallery wall designed by Gal and installed by Wildnauer.
THE MAIN BATHROOM was given a decorative, period-appropriate tile f loor, and a dated vanity and fixtures were replaced with new medicine cabinets and light fixtures.