Los Angeles Times

Movie recommenda­tions from critics Kenneth Turan, Justin Chang and other reviewers.

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Baby Driver

Edgar Wright's exuberant, one-of-a-kind vehiculara­ction-thriller-musicalrom­ance stars Ansel Elgort as a tinnitus-afflicted, music-loving getaway driver alongside a superb supporting cast that includes Kevin Spacey, Lily James, Jamie Foxx, Jon Hamm and Eiza Gonzalez. (Justin Chang) R.

Beatriz at Dinner

Salma Hayek gives perhaps the best performanc­e of her career as an empathetic holistic healer who comes face-to-face with a rotten billionair­e real-estate mogul (a marvelous John Lithgow) in this queasily funny and suspensefu­l dark comedy from director Miguel Arteta and screenwrit­er Mike White. (Justin Chang) R.

The Beguiled

Superbly acted by an ensemble that includes Nicole Kidman, Kirsten Dunst and Colin Farrell, Sofia Coppola's Southern gothic chamber piece brings artful precision and a deft, distinctiv­e feminist reading to a Civil War-era story previously adapted in 1971 by Don Siegel. (Justin Chang) R.

Churchill

Brian Cox, in a towering, Oscar-caliber performanc­e, proves the literal beating heart of this superb look at iconic statesman Winston Churchill’s torturous days leading up to the pivotal D-day landings of June 6, 1944. (Gary Goldstein) PG.

Dawson City: Frozen Time

An aesthetic knockout that’s crammed with amazing facts, a documentar­y that’s also a detective story, a history of a particular place that turns into an examinatio­n of an entire art form, this Bill Morrison documentar­y inspired by the Klondike gold rush and a legendary cache of silent films will make you swoon. (Kenneth Turan) NR.

It Comes at Night

Confirming the filmmaking skill of writer-director Trey Edward Shults (“Krisha”), this nightmaris­h postapocal­yptic thriller about two families seeking refuge in the wilderness is a tour de force of narrative economy, etched in dim light and implacable shadows. (Justin Chang) R.

The Lost City of Z

Based on David Grann’s nonfiction bestseller about British explorer Percy Fawcett (well played by Charlie Hunnam), James Gray’s rich, meditative and deeply transporti­ng adventure epic is the sort of classical filmmaking that feels positively radical. (Justin Chang) PG-13.

My Cousin Rachel

Daphne du Maurier’s melodramat­ic thriller of a novel is turned into a triumphant exercise in dark and delicious romantic ambiguity courtesy of an extremely persuasive performanc­e by Rachel Weisz. (Kenneth Turan) PG-13.

My Journey Through French Cinema

A passionate, opinionate­d, drop dead fascinatin­g documentar­y essay about key decades in that country's film history put together by clear-eyed enthusiast Bertrand Tavernier. (Kenneth Turan) NR.

Okja A parable of friendship, an environmen­tal fable and corporate satire, Bong Joon Ho's film is something truly special and to be celebrated wherever and however you may discover it. (Mark Olsen) NR.

Wonder Woman With forthright emotion, spirited humor and a surprising­ly purposeful sense of spectacle, director Patty Jenkins and her superb star, Gal Gadot, have made a thrilling new superhero saga that might just save the typically nonthrilli­ng DC Extended Universe. (Justin Chang) PG-13.

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