Los Angeles Times

The plot points keep stacking up

Gabe Habash and Julie Buntin wed and birthed first novels. Take it from there.

- By Michael Schaub

Julie Buntin and Gabe Habash have a lot in common. They’re both young Midwestern­ers living in New York, first-time novelists, and are married — to each other.

Buntin’s “Marlena,” published in April by Henry Holt, is an understate­d but fiery novel about a teenager named Cat in Michigan who befriends a troubled girl with a drug-dealing boyfriend. Habash’s brash and explosive “Stephen Florida,” released in June by Coffee House Press, follows an obsessed college wrestler desperate to win a national championsh­ip.

The authors spoke with The Times via telephone from their home in New York; the conversati­on has been edited. Since your books are being released so close to each other, is there any competitio­n ?

Julie Buntin: I don’t feel that from Gabe at all. I’m way worse . Gabe is very supportive and 100% has a healthier, less franticall­y anxious perspectiv­e on this whole process. I tend to be more competitiv­e in general. I’ve tried to keep that in check, and having a partner that’s very chill about it is helpful. It can be hard not to play the comparison game, though.

Gabe Habash: I don’t really feel competitiv­e in general, but with Julie, our books are so different. I’m published by a small press, she’s published by a bigger press. We’ve written very different books, so our situations are different despite the fact that they’re both fiction and they’re coming out around the same time. We both hit enough of the benchmarks and goals that we wanted through the process. I think that we both are very happy with our own experience­s and for each other’s experience­s, so I don’t think there’s that much competitiv­eness.

Buntin: This is corny-sounding, but I think “Stephen Florida” is one of the best books I’ve ever read. So anything you read that you love, you just want it to do well, other people to feel the same way you do. I love Gabe’s book, so even if, say, Scott Rudin buys the film rights, my excitement about the book getting the recognitio­n it deserves mostly rises above any competitiv­e feeling.

Habash: Just to piggyback on that, back when we were writing the first drafts and showing each other our work before it’s ready to be shown widely, I think for both of us, the other’s opinion is very important. I would not be happy if Julie didn’t like my book. That would make me miserable. There’s a reason why I’m showing her my book before anybody else, because I really want to get her input. So in that sense, both of the books are very important to both of us.

How long have you two been together?

Habash: We’ve been married since September 2015, and we’ve been together since 2011, right?

Buntin: Yeah, we met in grad school at NYU, 2011 or thereabout­s. We were both fiction students. Gabe was a year ahead of me in the program, but we did have a class together. Did you write “Marlena” and “Stephen Florida” at the same time? Buntin: Kind of. Habash: Your book was in a different form for a while. I started my first draft in July of 2013. Do you know when yours was?

Buntin: It was earlier than that. I had been working on a version of this book that changed a lot, since 2011, basically. But Gabe was working on something else and then started this. He’s faster than me. There were definitely times when he was working on “Stephen Florida” and I was working in the other room, and you can hear the other person typing, and you’re like, “Oh, they’re actually writing.” Nothing makes me feel more insecure. And you’re just checking Twitter.

Buntin: Yeah! When you’re sitting in silence and you can hear the thoughts coming from the other room. I definitely had a lot of times like that. I’m way more of a procrastin­ator. Did the same thing happen to you, Gabe?

Habash: We work differentl­y. Julie will put off writing, but then she’ll write for 18 hours and I’ll periodical­ly put snacks in front of her while she’s sitting at her computer because she’ll be immobile for an entire day. It’s one step removed from having a bedpan there. But I would come home from work and write for an hour or two, and then I just had no more mental energy. I write on a more frequent basis for shorter periods of time, whereas Julie worked for larger swaths of single sittings. It sounds like you complement each other pretty well.

Buntin: Gabe would be like, “When will you be done? 7 p.m.?” and I’d be like, “Sure.” But that would really mean, like, 11. I would find myself a little bit jealous of the more moderate approach. Every writer is different in how they go about it, but his way seems saner to me somehow. Did you ever reach out to each other for advice?

Habash: In general, we both are each other’s first readers. When I wrote the first 50 pages and showed them to Julie, and I was like, “Is this good or bad?” and she was like, “It’s good.” I wrote the entire rest of the draft without showing her anything after that, because it’s important to me when it’s in the first draft, that it’s something only I have access to. Once I finished I showed it to Julie, and then from there, it started to get worked on. It’s not only the novel, anything I write, I show to Julie before anybody else, and I almost don’t send anything out unless Julie looks at it.

Buntin: I can’t imagine what it would be like to be married to someone who doesn’t do the same thing as you, though many people are like, “Oh, my God, that sounds terrible,” especially now with our books coming out at the same time. I really trust Gabe’s take. I feel the same way — I show him stuff before other people and definitely when the book was getting ready to go out. Have you thought about collaborat­ing on a writing project ? Buntin: No. Habash: No, no.

Buntin: I don’t know why, but not only have I never thought about that, that sounds like — why does that sound so terrible?

Habash: I don’t want to collaborat­e with anybody.

Buntin: We both have pretty distinct ideas about what kind of fiction we want to write, and our sensibilit­ies are very different. I think it would be really hard.

Habash: Speaking for my book in particular, Julie edited that very heavily. The book’s dedicated to her for a reason, I’ll put it that way. That’s fairly close to collaborat­ion, I would say.

Julie, I saw that Gabe has a T-shirt with your book cover on it.

Buntin: Oh, my God, that’s the most embarrassi­ng thing on Earth. That came from Colin Drohan, the program coordinato­r at Catapult who’s been working with me there for a year. It was a thankyou gift for writing his grad school letter of recommenda­tion. And I think he was trolling me a little bit. [Laughs] Then Gabe got wind of it. Now he and Colin troll me with pictures of that T-shirt.

Habash: We had dinner with some of Julie’s friends. I was wearing that shirt and Julie made me change it right before we left. I was going to wear it out, and she wouldn’t let me do it! A “Stephen Florida” book cover T-shirt would look pretty cool. Buntin: I don’t know why I haven’t done that in retaliatio­n. Habash: We can print it on a singlet.

 ?? Coffeehous­e Press ?? NOVELISTS Julie Buntin and Gabe Habash read each other’s work. But write together? No way.
Coffeehous­e Press NOVELISTS Julie Buntin and Gabe Habash read each other’s work. But write together? No way.
 ?? Nina Subin ??
Nina Subin
 ?? Coffee House Press ??
Coffee House Press

Newspapers in English

Newspapers from United States