Los Angeles Times

Slow, faith-based drama falls short

- — Kimber Myers

Unlike many religious films, “Generation­al Sins” isn’t afraid to actually show its characters sinning — even if those transgress­ions are simply PG-13 cursing with occasional shouts at the sky. This drama from writer-director Spencer T. Folmar grapples with questions of faith in a not entirely pious way, and it’s more reflective of the human experience than many of its purehearte­d brethren. However, it undercuts that authentici­ty by lacking strong character motivation­s and details that would make this story of redemption feel truer.

Drew (Daniel MacPherson) promises his dying mother that he will take his brother Will (co-writer Dax Spanogle) to see their childhood home, where their father was an abusive alcoholic. Their road trip finds the brothers at odds, and once they arrive they discover that both much and little have changed about the small town they left decades earlier.

Though only 90 minutes, “Generation­al Sins” creeps by, partly because of the director’s love of slo-mo, which rivals Zach Snyder’s affection for the technique. There are odd camera and music choices as well, matched by character decisions that don’t feel real or earned. “Generation­al Sins” does deserve praise for avoiding the saccharine tone that plagues so many other films about faith, though its script may fail to convert nonbelieve­rs.

“Generation­al Sins.” Rated: PG-13, for mature thematic material involving violence and alcohol abuse, and for some language and suggestive content. Running time: 1 hour, 30 minutes. Playing: AMC Rolling Hills, Torrance.

 ?? Freestyle Digital Media ?? DREW (Daniel MacPherson) makes good on his dying mother’s wish regarding his estranged brother.
Freestyle Digital Media DREW (Daniel MacPherson) makes good on his dying mother’s wish regarding his estranged brother.

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