Los Angeles Times

CamelPhat’s ‘Cola’ triggers some nagging lyrical queries

The possibilit­y that the song refers to a spiked drink hasn’t hurt its popularity.

- By Randall Roberts randall.roberts@latimes.com

The chorus to “Cola,” the hit dance track by British house producers CamelPhat and vocalist Elderbrook that last month earned a surprise Grammy nod, is sticky enough to become an ear-worm after a single listen.

“She sips a Coca-Cola,” Elderbrook sings in beautiful tenor, “She can’t tell the difference yet.” Wait, what? She can’t tell the difference between the Coca-Cola and what? Is the song’s protagonis­t, whom the vocalist describes in an earlier verse as someone who “looks for trouble,” a Pepsi woman in a Coke dance club? Is her beverage missing an ingredient? Or worse, has it been tainted, and if so, with what and by who?

“It’s been misinterpr­eted in a lot of strange ways,” said vocalist and co-writer Alex “Elderbrook” Kotz, who wrote the lyric during a songwritin­g session earlier this year with CamelPhat producers Dave Whelan and Mike Di Scala.

And while numerous critics and commentato­rs have expressed misgivings about the lyrics, it hasn’t slowed the song’s ascent. Driven by a 122 beats-per-minute rhythm inf luenced by classic Chicago house — CamelPhat recently issued another track on the legendary Chicago imprint Relief — the song earned spins in global party center Ibiza over the summer, and hit No. 1 on the Billboard dance charts in September.

Which is to say, that chorus — “She sips a Coca-Cola — she can’t tell the difference yet” — has propelled dance floors across the world.

Kotz was only in the studio with CamelPhat for three or so hours. As they were starting, they went through a few CamelPhat instrument­als, including the track that became “Cola.”

Kotz’s writing process was pretty basic: “I sat down and wrote all the lyrics on my phone, stood up and then sang all the lyrics in, and then that was it.”

On the track, Elderbrook sings: That’s what you’re coming for and They don’t want to let

you in and You drop your bag to

the floor and You ask her what’s happening It’s getting late now, hey

now Enough of the arguments She sips a Coca-Cola She can’t tell the difference yet

Kotz did vocals for two other songs during the session, and a few months later the British house label Defected grabbed it for release.

Describing it as “an undergroun­d Ibiza dance tune,” Kotz said that “we never in a million years thought that it would take on a mainstream life of its own.”

But what do the lyrics mean, and how should they be interprete­d in a postCosby, post-Weinstein world?

Kotz took an audible breath. He’s explained his train of thought when writing the lines in a few other recent interviews, and he sounds a little tired to have to explicate his lyrics again.

“I guess the story is about somebody that goes on a night out but has maybe enjoyed themselves a bit too much before they actually left the house and then cannot get in to any of the clubs,” Kotz explained.

“They’re having an argument with the bouncer about basically being too under-the-influence to be allowed in the club. And then the bouncer kindly gets her a bottle of Coca-Cola to sober her up, but she thinks it’s Rum & Coke.”

Kotz described the lyric as “strangely specific, if you know what I mean.”

But it may not be specific enough.

“Quite frankly, this is triggering,” wrote Rebecca A. Gowns on the popular music site the Singles Jukebox, noting that the song appears to be about slipping a substance into a woman’s drink.

Asked whether he understood why people might misinterpr­et the chorus to reference a spiked drink, Kotz said he did.

“Usually in songwritin­g you would tie it all together with a big old ‘this is what it’s about,’ ” Kotz said, “but we all thought it worked, just leaving it as it was.”

 ?? Atlantic Records ?? ALEX KOTZ, a.k.a. Elderbrook, in the middle, is flanked by Dave Whelan, left, and Mike Di Scala.
Atlantic Records ALEX KOTZ, a.k.a. Elderbrook, in the middle, is flanked by Dave Whelan, left, and Mike Di Scala.

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