Movie recommendations from critics Kenneth Turan and Justin Chang.
Call Me by Your Name
Timothée Chalamet and Armie Hammer give superb performances as two young men falling in love in the northern Italian countryside in this rapturously beautiful collaboration between director Luca Guadagnino and screenwriter James Ivory. (Justin Chang) R.
The Disaster Artist
James Franco’s shrewd, affectionate and frequently hilarious comedy re-creates and deconstructs the making of Tommy Wiseau’s cult landmark, “The Room,” with Franco giving a fully committed, even haunted performance as Wiseau himself. (Justin Chang) R.
The Florida Project
Absorbing us in the day-today rhythms of life at a dumpy Florida motel complex, home to a wildly spirited 6-year-old girl named Moonee (the startling Brooklynn Prince), Sean Baker (“Tangerine”) goes to a place few of us know and emerges with a masterpiece of empathy and imagination. (Justin Chang) R.
Happy End
Another guilty-as-sin bourgeois family is at the heart of Austrian writer-director Michael Haneke’s diabolically playful new movie, which borrows narrative and thematic elements from his earlier films (“Caché,” “Amour”) and pulls them in a thoughtful, blisteringly funny new direction. (Justin Chang) R.
Hostiles
Written and directed by Scott Cooper and powered by a dynamic trio of interwoven performances by Christian Bale, Wes Studi and Rosamund Pike, this western revival grabs you by the throat and holds on for the duration. (Kenneth Turan) R.
Lady Bird
As warm as it is smart, and it is very smart, this portrait of a high school senior year marks actor-screenwriter Greta Gerwig’s superb debut as a solo director and yet another astonishing performance by star Saoirse Ronan. (Kenneth Turan) R.
The Post
Director Steven Spielberg and stars Meryl Streep and Tom Hanks combine for a thriller cum civics lesson showing the value of newspapers hanging together and holding government accountable for deception. (Kenneth Turan) PG-13.
The Shape of Water
Magical, thrilling and romantic to the core, a sensual and fantastical “Beauty and the Beast” tale with moral overtones, Guillermo del Toro’s film plays by all the rules and none of them, going its own way with fierce abandon. (Kenneth Turan) R.
Star Wars: The Last Jedi
Building and improving on “The Force Awakens,” writer-director Rian Johnson’s grand space opera is the first flat-out terrific “Star Wars” movie since “The Empire Strikes Back,” full of dramatic echoes of George Lucas’ original trilogy but also rich in surprise and imagination. (Justin Chang) PG-13.
Three Billboards Outside Ebbing, Missouri
Uncommon writer-director Martin McDonagh and a splendid cast top-lined by Frances McDormand, Woody Harrelson and Sam Rockwell present a savage film, even a dangerous one — the blackest take-noprisoners farce in quite some time. (Kenneth Turan) R.