Los Angeles Times

Time’s Up beat continues

Though there was no Oprah moment, the show carries on where the Globes left off.

- By Sonaiya Kelley

After the speech by Oprah Winfrey that nearly set off a presidenti­al campaign and the many sharp comments about sexual harassment and pay inequality spoken by movie and TV stars at Sunday’s Golden Globe Awards, many observers watched the usually low-key Critics’ Choice Awards on Thursday for clues about whether the Time’s Up movement would continue to shape Hollywood’s self-celebrator­y season. In a word: yes. And yet the week’s second major award show, hosted by the Broadcast Critics Assn. in Santa Monica Airport’s Barker Hangar, struggled to find the right

tone in the wake of the blatantly political Globes.

Host Olivia Munn, one of several women to accuse Brett Ratner of sexual impropriet­y, kicked off the night with a cringe-inducing “I can’t rap” rap featuring former “Saturday Night Live” cast member and “White Famous” star Jay Pharaoh.

Later, though, Munn was joined onstage by “Claws” star Niecy Nash to raise a glass to “all the good guys in Hollywood,” including “the male casting directors who didn’t ever say anything derogatory” in an audition and “that famous actor who didn’t treat me like crap after I said I didn’t want to get drinks with him after the show.”

“Thank you to all of the men for speaking up at the Golden Globes and joining us —” began Nash before Munn cut her off to remind her that there hadn’t been any.

Usual dress code

The joke that hit hardest was one about Mark Wahlberg: “Thank you to the producers for paying Niecy and I the same amount of money and Mark Wahlberg a million dollars,” Munn said, a nod to his pay controvers­y for “All the Money in the World” reshoots. “He took a pay cut so it’s really nice of him.” The joke received a combinatio­n laugh-groan from the crowd, which had reverted from the Globes’ all-black dress code to the usual colorful array of stylist-chosen gowns and tuxes.

James Franco, recently accused of sexual misconduct by five women, won the award for actor in a comedy, to muted applause. Presenter Walton Goggins accepted the award on behalf of the noticeably absent star.

“The Big Sick” took home the award for comedy, beating out films like “Girl’s Trip” and “I, Tonya.” Star Kumail Nanjiani, who wore a Time’s Up pin, thanked “all the white men who allowed us to stand here today.”

“Men have been talking too much for centuries,” he said. “We need to shut up, listen and amplify.”

Supporters thanked

Amazon Prime’s “The Marvelous Mrs. Maisel,” a surprise double winner at Sunday’s Golden Globes, continued to show its strength by taking the award for comedy series. Star Rachel Brosnahan won the award for actress in a comedy series and thanked the critics for “fast and furious support of our new show.”

Gal Gadot won the second annual #SeeHer award, an honor awarded to actresses for accurately portraying women onscreen.

She was presented the award by “Wonder Woman” director Patty Jenkins and received a standing ovation as she made her way to the stage.

“Throughout my career, I was always asked to describe my dream role,” said Gadot. “It was clear to me that I wanted to portray a strong and independen­t woman, a real one. The irony of this is that later I was cast as Wonder Woman, and all of these qualities I looked for, I found in her.”

“In the past weeks and months we’ve been witnessing a movement in our industry and society,” she said. “And I want to share this award with all the women and men who stand to support what’s right.”

“Wonder Woman” also won for action movie later in the night.

“Big Little Lies” and “The Handmaid’s Tale” were big winners in television during the pre-telecast, setting the tone for the rest of the show. “Big Little Lies” took home four awards, including for limited series.

Alexander Skarsgard, who won supporting actor in a movie made for TV or limited series during the pretelecas­t, was the first “Big Little Lies” cast member of the night to win.

The 6-foot-4 actor had to squat to speak into the mike, which elicited huge laughs from the room. Costar Laura Dern won immediatel­y afterward, taking home the award for supporting actress in the same category. The 5-foot-10 actress also had to bend to deliver her acceptance speech.

“This is so interestin­g,” she said, adjusting her squat.

Dern thanked her fellow nominees and was one of few stars to speak on behalf of Time’s Up and the Legal Defense Fund.

“I feel so privileged to join your company,” she said. “To be a fellow worker, and at a time, particular­ly recently, in support of the Legal Defense Fund working with so many actors and actresses to support people from all industries, it’s been a great privilege to be in unity.”

Nicole Kidman won for actress in a movie made for TV or limited series award, beating out costar Reese Witherspoo­n.

“I humbly accept this on behalf of all of the women in this cast,” said Kidman. “This is about the ensemble. Any actor in this room knows you’re only as good as the actors you work with. So this is to all of you.”

“The Handmaid’s Tale” won three awards: drama series, actress in a drama series for Elisabeth Moss, and supporting actress in a drama series for Ann Dowd.

“I used to be afraid of critics,” she said. “Not so much anymore. Thank you.… When I started my career, I couldn’t get to the reviews fast enough. Until I got my first bad one, and then I hated you all.”

Shoutout to hubby

Dowd adorably shouted out her husband, saying, “I love my husband; his name is Larry” and later admitted that she calls Moss “my favorite slut” (“I mean, in the show, you know,” she clarified).

Margot Robbie and Allison Janney won actress and supporting actress in a comedy awards, respective­ly, for their performanc­es in “I, Tonya.” Janney, who was nominated alongside Mary J. Blige (“Mudbound”), offered to gift her award to Blige, whose birthday it was that day.

“Three Billboards Outside Ebbing, Missouri” won three awards: actress for Frances McDormand, supporting actor for Sam Rockwell and ensemble.

“Get Out” won awards for original screenplay and sci-fi/horror movie during the hourlong pre-telecast, beating out nominees like “Blade Runner 2049,” “It” and “The Shape of Water.” Of the three nomination­s for Sean Baker’s “The Florida Project” — best picture, Willem Dafoe for supporting actor and Brooklynn Prince for young performer — only 7-year-old Prince came away with an award, charming the audience with a tearful speech and telling her fellow nominees, “We should go and get ice cream after this!”

“The Shape of Water,” which received the most nomination­s of any film, took home only four of 14 nomination­s: production design, score, picture and director for Guillermo del Toro.

As the network began to play him offstage half-way through his acceptance speech, Del Toro said, “This music is very nice. I like it. It goes well with the words.”

 ?? Genaro Molina Los Angeles Times ?? DIRECTOR JORDAN PEELE accepts the sci-fi/horror award for “Get Out.”
Genaro Molina Los Angeles Times DIRECTOR JORDAN PEELE accepts the sci-fi/horror award for “Get Out.”
 ?? Photograph­s by Genaro Molina Los Angeles Times ?? OLIVIA MUNN, left, the show’s host, and Niecy Nash saluted women and “all the good guys in Hollywood.”
Photograph­s by Genaro Molina Los Angeles Times OLIVIA MUNN, left, the show’s host, and Niecy Nash saluted women and “all the good guys in Hollywood.”
 ??  ?? KUMAIL NANJIANI and his wife, Emily V. Gordon, took the comedy award for their film, “The Big Sick.”
KUMAIL NANJIANI and his wife, Emily V. Gordon, took the comedy award for their film, “The Big Sick.”
 ??  ?? ANGELINA JOLIE directed the foreign language film nominee “First They Killed My Father.”
ANGELINA JOLIE directed the foreign language film nominee “First They Killed My Father.”
 ??  ?? GAL GADOT accepts the #SeeHer award, which honors accurate portrayals of women on-screen.
GAL GADOT accepts the #SeeHer award, which honors accurate portrayals of women on-screen.

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