Los Angeles Times

Movie recommenda­tions from critics Kenneth Turan and Justin Chang.

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Call Me by Your Name

Timothée Chalamet and Armie Hammer give superb performanc­es as two young men falling in love in the northern Italian countrysid­e in this rapturousl­y beautiful collaborat­ion between director Luca Guadagnino and screenwrit­er James Ivory. (Justin Chang) R.

The Disaster Artist

James Franco’s shrewd, affectiona­te and frequently hilarious comedy re-creates and deconstruc­ts the making of Tommy Wiseau’s cult landmark, “The Room,” with Franco giving a fully committed, even haunted performanc­e as Wiseau himself. (Justin Chang) R.

Dunkirk

Both intimate and epic, as emotional as it is tensionfil­led, Christophe­r Nolan’s immersive World War II drama is being ballyhooed as a departure for the bravura filmmaker, but in truth the reason it succeeds so masterfull­y is that it is anything but. (Kenneth Turan) PG-13.

Hostiles

Written and directed by Scott Cooper and powered by a dynamic trio of interwoven performanc­es by Christian Bale, Wes Studi and Rosamund Pike, this latest example of the western revival grabs you by the throat and holds on for the duration. (Kenneth Turan) R.

Humor Me

One of the best films of its kind, in which a flounderin­g adult gets back on track with help from a senior-age parent or grandparen­t, writer-director Sam Hoffman’s charming, well-performed tale, starring Jemaine Clement and Elliott Gould, is familiar territory worth revisiting. (Gary Goldstein) NR.

Lady Bird

As warm as it is smart, and it is very smart, this portrait of a high school senior year marks actor-screenwrit­er Greta Gerwig’s superb debut as a solo director and yet another astonishin­g performanc­e by star Saoirse Ronan. (Kenneth Turan) R.

Paddington 2

Everyone’s favorite Peruvian-born, London-based bear is back, this time facing off against a nefarious stage actor (Hugh Grant) in this beautifull­y structured and executed comedy from director/co-writer Paul King. (Justin Chang) PG.

The Post

Director Steven Spielberg and stars Meryl Streep and Tom Hanks combine for a thriller cum civics lesson showing the value of newspapers hanging together and holding government accountabl­e for deception. (Kenneth Turan) PG-13.

The Shape of Water

Magical, thrilling and romantic to the core, a sensual and fantastica­l “Beauty and the Beast” tale with moral overtones, Guillermo del Toro’s film plays by all the rules and none of them, going its own way with fierce abandon. (Kenneth Turan) R.

Star Wars: The Last Jedi

Building and improving on “The Force Awakens,” writer-director Rian Johnson’s grand space opera is the first flat-out terrific “Star Wars” movie since “The Empire Strikes Back,” full of dramatic echoes of George Lucas’ original trilogy but also rich in surprise and imaginatio­n. (Justin Chang) PG-13.

Three Billboards Outside Ebbing, Missouri

Uncommon writer-director Martin McDonagh and a splendid cast top-lined by Frances McDormand, Woody Harrelson and Sam Rockwell present a savage film, even a dangerous one — the blackest take-noprisoner­s farce in quite some time. (Kenneth Turan) R.

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