Los Angeles Times

Making it her moment

The path to Kesha’s emotional ‘Praying’ performanc­e started at the Palladium.

- By Gerrick D. Kennedy gerrick.kennedy @latimes.com

The roots of Kesha’s emotional performanc­e began late last year.

Kesha’s emotional performanc­e at this year’s Grammys was in the works long ahead of Sunday’s ceremony, with its origins tracing back to late last year when the pop singer-songwriter played to a sold-out crowd at the Hollywood Palladium.

It was the final stop of her Rainbow tour — a trek that for the singer and her fans seemed improbable after a tumultuous legal battle with her onetime mentor and collaborat­or Dr. Luke stalled her career for a number of years.

In the audience was Ken Ehrlich, the Grammy telecast’s longtime executive producer. Ehrlich had watched Kesha rise to pop stardom with boozy party anthems such as “Tik Tok,” “Your Love Is My Drug” and “Die Young” and was never sold on the singer — until that night in November at the Palladium.

“I’d seen her years ago and I was impressed, but thought she had some growing to do. When I saw her at the Palladium, she was at the top of her game,” he recalled. “She was strong, humble and a great showman. That’s what got me.”

Ehrlich wanted the singer on this year’s telecast, especially after hearing the Grammy-nominated “Rainbow,” the first body of work she released since stunning the pop world in 2014 by alleging a decade of sexual, physical and mental abuse at the hands of Luke. He vehemently denied the claims.

When Ehrlich approached the singer about performing, she chose her stunning, redemptive ballad “Praying” — a cathartic record that many have resounding­ly seen as the singer’s response to the turmoil that put her life and career on pause — and sent Ehrlich a reference track to the version she planned on staging.

“It gave me goosebumps,” Ehrlich said. “It was powerful … and in context with what’s happening.”

As the #MeToo and Time’s Up movements have brought the worlds of Hollywood, politics and the media to their knees in recent months, there’s been increased scrutiny for the music world to make change.

Although Kesha’s case garnered high-profile coverage, it took more than a year of litigation before the singer saw a windfall of support from her peers and the public after video of the singer sobbing on the stand during a 2016 hearing made the industry pay attention.

In the 2014 suit filed in Los Angeles County Superior Court, she alleged years of abuse resulted in an eating disorder and a stint in rehab that sidelined her career.

According to the lawsuit, on one occasion, “Dr. Luke instructed [her] to take what he described as ‘sober pills.’ ... [Kesha] took the pills and woke up the following afternoon, naked in Dr. Luke’s bed, sore and sick with no memory of how she got there.”

The suit continued with similar, detailed claims dating back to when she was 18 and first moved to L.A., opening a legal battle in which Dr. Luke, whose full name is Lukasz Sebastian Gottwald, countersue­d in New York for defamation and breach of contract. Kesha’s L.A. lawsuit was dismissed in 2016 after a judge ruled that even if the allegation­s were true, the statute of limitation­s had run out.

“Kesha is very brave,” Cyndi Lauper said after rehearsing with the singer for Sunday’s performanc­e.

Lauper, Camila Cabello, new artist nominee Julia Michaels, Andra Day, Bebe Rexha and members of the Resistance Revival Chorus — a collective of women who come together to sing protest songs — joined Kesha for the performanc­e that was an explicit nod to #MeToo and Time’s Up.

Lauper was one of the first calls Kesha made to join her for Sunday’s performanc­e; the women have been friends for years. “We actually asked her to do [a run in the musical] ‘Kinky Boots’ but she couldn’t because of contractua­l issues,” Lauper said. “I’m so glad she didn’t do it because … she needed to go away and make this record.”

Kesha’s performanc­e added to a call to action for the music industry that began in the days before the telecast when an open letter was circulated among the music industry by a group calling itself the “Voices of Entertainm­ent.”

Taking its cues from the Time’s Up campaign that defined the Golden Globes, the group requested attendees and nominees wear white roses in support of “equal representa­tion in the workplace, for leadership that reflects the diversity of our society, workplaces free of sexual harassment and a heightened awareness of accountabi­lity.”

At a private rehearsal on Friday, Kesha was overcome with tears during a run through of “Praying” alongside her choir of activists and pop star peers.

With encouragem­ent from Lauper and Cabello, Kesha tilted her head back and let out a roaring vocal that stilled the dozen or so people who were seated in the audience during rehearsals.

“This is a powerful moment of women coming together,” Lauper said. “We need equality in the workspace. We need a safe workspace. We need more women in the workspace.

“We need to equalize the power, and men have to be taught that women aren’t to be treated unfairly,” she continued. “End of … story.”

 ?? Jeff Kravitz FilmMagic ?? KESHA, center, and artists including Cyndi Lauper, left, and Camila Cabello, right, perform “Praying” at the Grammys on Sunday.
Jeff Kravitz FilmMagic KESHA, center, and artists including Cyndi Lauper, left, and Camila Cabello, right, perform “Praying” at the Grammys on Sunday.

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