Los Angeles Times

Surprising rise of deaf superheroe­s

- — Michael Rechtshaff­en

One wouldn’t normally expect to find such dazzling sound design in a production conceived and directed by a deaf filmmaker, but that’s just one of the unexpected surprises surroundin­g Emilio Insolera’s “Sign Gene.”

Energetica­lly blending elements of “X-Men,” “The Da Vinci Code,” 007 and martial arts wuxia while giving shout-outs to such historical deaf community figures as Laurent Clerc, Alexander Graham Bell and Jean Massieu, the lively experiment­al sci-fi film, shot in the U.S., Japan and Italy, is an origins story about the “first generation of deaf superheroe­s.”

As Japanese police investigat­e a series of murders in which the victims have apparently been shot with invisible bullets, the perpetrato­r is ultimately discovered to possess a genetic mutation triggered by “an evolutiona­ry response to centuries of social and linguistic oppression.”

What follows is a fastpaced potpourri of stock footage combined with signlangua­ge and stroboscop­ic action sequences performed by a deaf cast, video effects simulating grainy, scratchy film stock and that aforementi­oned all-enveloping sound mix, with an end result that proves as wildly inventive as it is empowering.

Given how much stuff Insolera, who also stars as an intelligen­ce agency operative, manages to cram into the 68-minute running time, it would be intriguing to see what this fresh, unique film-

making voice could do armed with a more extensive canvas and matching budget. “Sign Gene.” In English, Japanese, Italian, American Sign Language, Japanese Sign Language and Italian Sign Language with English subtitles. Not rated. Running time: 1 hour, 8 minutes. Playing: Laemmle Music Hall, Beverly Hills.

 ?? Saban Films ?? BEN KINGSLEY (with Hera Hilmar) is the general in “An Ordinary Man.”
Saban Films BEN KINGSLEY (with Hera Hilmar) is the general in “An Ordinary Man.”
 ?? Dreamscape Media ?? CHARLIE MINN, right, conducts an interview in his film “A Nightmare in Las Vegas,” a documentar­y that loses its sense of control during its second half.
Dreamscape Media CHARLIE MINN, right, conducts an interview in his film “A Nightmare in Las Vegas,” a documentar­y that loses its sense of control during its second half.

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