Capturing the clouds
If you ever wondered if cows can f ly, just ask photographer Camille Seaman. The storm chaser has witnessed a f lying four-legged animal, hail the size of baseballs and an entire roof blown off during her years of photographing sometimes menacing, sometimes magical clouds.
The Bay Area photographer began chasing storms at the urging of her daughter, 8. Seaman had finished a 10-year project documenting melting icebergs. Three days later, she was in Oklahoma chasing a 50-mile-wide supercell.
In her new book, “The Big Cloud,” Seaman continues her exploration of nature by capturing the heavenly beauty and darkest dangers of these vast, constantly transforming bodies. Whether a half-mile-long wedge tornado, a f luffy cumulus field or multitiered shelf clouds, her subjects required an extreme amount of patience. “The key to storm chasing is to not end up being chased by the storm,” she said. Her goal: to photograph the entire structure. That often meant standing 15 to 20 miles away. Rotating clouds, called “barber poles” for their vertical swirls, are often mistaken for tornadoes. In the Nebraska plains, Seaman captured such a formation hovering over a distant farm. Twenty minutes later, the cloud had morphed into a spaceship, ominously suspended above the land. In the foreground, a windmill stands tall against a bright sky. Smoke from a wildfire in Fort Collins, Colo., added a strange, reddish haze to an image backlit by the setting sun.
In the rolling hills of South Dakota, a mass of clouds moved in like apparitions reaching out and touching the earth. These moving formations are especially challenging to capture. For Seaman, it’s a visceral, multisensory experience.
“It’s the smell of the charged particles, the sweetness of the grass, the scent of pavement just before it rains and the sight of the wind blowing through cornfields,” said Seaman, adding how just before charges become lighting, a palate of turquoise and green can be seen inside the clouds.