Los Angeles Times

More stoner cops? Uh, no

The world doesn’t need ‘Super Troopers 2.’ Yesterday’s silly is today’s offensive.

- By Katie Walsh Walsh is a Tribune News Service film critic.

Like many of a certain age, I was a fan of Broken Lizard’s 2001 stoner cop cult classic “Super Troopers,” which circulated smoky dorm rooms in the early aughts. The energetic, silly and wordy comedy of the then-unknown troupe was absurd, naughty and endlessly quotable.

Seventeen years later, the crowdfunde­d sequel, “Super Troopers 2,” is a whole lot more of the same, resplenden­t mustaches and all. But have I grown up? Or is it that Broken Lizard hasn’t? Because the second time around is an exercise in diminishin­g returns.

The wildly successful Kickstarte­r campaign that funded the sequel proves the audience is still there for “Super Troopers,” but will fans get a return on their investment? The members of Broken Lizard might still squeeze into their uniforms, but the years of wear and tear on their shtick is really starting to show.

This time, the boys of the Vermont Highway Patrol, disgraced and working constructi­on after something referred to as the “Fred Savage incident,” are tapped by the governor (Lynda Carter) to head up a transition team to bring a small Canadian village under the American flag after a border reassessme­nt. When the prankobses­sed crew members meets their mounted Canadian rivals, an all-out war ensues. They also stumble on some smuggled contraband items, so the story has a modicum of “police work.”

Costar and director Jay Chandrasek­har and his costars and cowriters — Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske — apply a loose formula to “Super Troopers 2”: wordplay, physical comedy, drugs, nudity, a brawl every 15 minutes and a cacophonou­s rock soundtrack that jackhammer­s away annoyingly in every scene.

The complicate­d sexual politics of the Broken Lizard style come fully to the surface in “Super Troopers 2” — perhaps watching it now offers a different lens with which to see it, or perhaps the troupe just leaned way too hard on homophobic and sexist material.

So the film is rife with gay panic; come on, guys — it’s 2018. We have marriage equality. “Queer Eye” is a hit, “RuPaul’s Drag Race” is on VH1. Did you think “CPR is kissing” jokes were going to fly? Every prank is some male-on-male sexual violation to squeal and scream “eww!” in some sort of bizarre heterosexu­ality contest. It’s like being trapped in a dark room with a bunch of very loud eighth-grade boys. Except eighth-grade boys these days are probably way more enlightene­d.

The rampant sexism is also worthy of note. We start off with some aggressive jokes about ogling women’s bodies, move on to sex bets and end up with a running gag about Thorny (Chandrasek­har) developing a dependence on Canadian female Viagra. Side effects include lactation, hair loss, unreasonab­le crankiness and a bad sense of direction while driving. Yes, it’s wildly offensive, but it’s also so corny and outdated that you almost feel bad for the troupe.

However, the Canadians get it the worst. Broken Lizard take a page from Kevin Smith’s book and uses Canada as the country “safe” enough to pillory with national stereotype­s and horrible accents. If it were any other country, the film would be boycotted. But even before the bad French accents are trotted out, it’s almost impossible to decipher the language of “Super Troopers 2,” a rapid-fire jumble of groan-worthy puns, vulgaritie­s and insults, delivered with the highest level of sarcasm — with the exception of Heffernan, who remains fully committed to inhabiting the antagonist Farva, and the only performer worth watching.

Have I changed so much that I can’t find this funny anymore? Nah. Broken Lizard hasn’t changed enough to keep up with the times, turning in a badly degraded copy of the original. Stale, unfunny and offensive is quite the hat trick.

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