Los Angeles Times

Historic status for CBS site?

L.A. commission approves a plan to name Television City a cultural monument.

- By Meg James meg.james@latimes.com Twitter: @MegJamesLA­T Times staff writer Roger Vincent contribute­d to this report.

L.A. commission approves a plan to designate Television City as a cultural landmark.

Los Angeles’ Cultural Heritage Commission has approved a plan to declare CBS’ Television City studio complex on Beverly Boulevard a historic and cultural monument.

Over the years, such shows as “All in the Family,” “The Smothers Brothers Comedy Hour,” “The Carol Burnett Show” and “Dancing With the Stars” were produced at Television City, which opened in 1952 as a model of state-of-the-art technology. The complex helped accelerate the migration of television production to Los Angeles from New York and build one of the region’s signature economies.

“It’s an important touchstone .... It’s part of the identity of Los Angeles,” Adrian Scott Fine, director of advocacy for the nonprofit Los Angeles Conservanc­y, said Thursday in an interview after the commission’s vote, which was unanimous.

The plan still needs approval from the Los Angeles City Council, and the council could take it up as early as next month.

Last fall, the conservanc­y mobilized to win the landmark designatio­n for the complex after news surfaced that CBS was considerin­g selling the property, which is in the heart of the increasing­ly desirable Fairfax district. Television City has eight soundstage­s, the majority of which CBS leases to other companies. CBS is planning to retain the 25acre site, at least for now, and could eventually develop the space itself.

“CBS wanted to retain its option to develop on the site while also saving what is historical about it,” said architect and historian Alan Hess, who prepared the nomination for the conservanc­y and participat­ed in the process.

CBS wanted to ensure that the landmark status did not interfere with daily production activities at the busy complex. The company worked closely with the preservati­on group and agreed to keep intact the midcentury architectu­ral elements. CBS also made a commitment that views of the building from Beverly Boulevard would not be obscured by further developmen­t, which had been a priority of the conservanc­y, Fine said.

A signature element — a walkway over a bridge covered by a Googie-style canopy made of corrugated steel and painted red with lettering that reads “Television City” — also will be preserved.

“The unified nomination with the conservanc­y recognizes the cultural and historical significan­ce of the building, while preserving our ability to operate CBS Television City as a modern television production facility,” CBS said in a statement. “This is a very good outcome.”

CBS long has been proud of its role as a pioneer of television. And it recognized the cultural significan­ce of the complex to Los Angeles, so it worked collaborat­ively with the group, Fine and Hess said.

“This was a great example of a good corporate citizen doing the right thing for the city — and that doesn’t always happen,” Hess said.

Television City sprang to life two years after CBS’ founder, William S. Paley, decided in 1950 to relocate much of his company’s entertainm­ent operations to Los Angeles from New York.

It was clear that television would eclipse radio, so that year CBS purchased the property at Fairfax Avenue and Beverly Boulevard to construct cavernous studios that could be equipped with cameras, lighting and studio audiences. The company did not have enough space at its Columbia Square property on Sunset Boulevard, so it spent a reported $7 million to build the futuristic complex with its midcentury design by noted architect William Pereira.

Viewers at home also recognized the facility. For decades, at the beginning of a program, an announcer would intone: “From Television City in Hollywood...”

The conservanc­y also wanted to preserve the building because it represente­d the work of Pereira.

“This is one of his first buildings to receive a landmark status,” Hess said.. “Pereira has not been well appreciate­d, but he really was one of the main architects to shape Los Angeles in the midcentury boom years.”

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