Los Angeles Times

A WHYDUNIT STORY

Jessica Biel figures it out.

- By Hugh Hart calendar@latimes.com

Two years ago, Jessica Biel was raising her baby boy with husband Justin Timberlake in their Hollywood Hills home when the actress got hooked on a book. Universal Cable Production­s sent her a thriller by German crime novelist Petra Hammesfahr, and once Biel started reading “The Sinner,” she couldn’t put it down. “Every time I thought I knew where the story was going, it surprised me,” she says. “I liked the book’s subversive quality. It was an impressive read.”

Those subversive elements, embodied in the deeply damaged title character, proved irresistib­le to Biel. She explains, “I hadn’t worked on screen for a year, so I was ready to take the knife and let my guts spill out everywhere because I had all this creative energy that needed to be expelled. This was a leap into the darkest of the dark.”

On this day, the sun streaming into a penthouse at AKA Beverly Hills, where Biel, wearing a violet pantsuit with a cream coat draped over her shoulders, cheerfully details her deep dive into “The Sinner.” “It was exciting to play this unreliable character who lies out of self-preservati­on and because she’s afraid to expose parts of herself she believes are heinous and shameful.”

A hit for USA Network last summer, the limited series earned Biel a Golden Globe nomination for her nuanced portrayal of mom/wife/shattered soul Cora. The character’s psychotic break happens in the first episode. During a picnic by the lake with her husband and young son, Cora gets enraged by a loud song and abruptly stabs a stranger to death in a blood-spattered rage. Why’d she do it? Seeking answers, the eight-episode thriller gradually reveals Cora’s toxic back story, contaminat­ed with psychologi­cally abusive parents, a sickly sister and predatory men in masks. “Other people can do whodunit really well,” Biel says. “We’re interested in the conceit of the ‘whydunit,’ so we peel, peel, peel away. It’s about the psychologi­cal peel.”

Biel’s star turn in “The Sinner” represents a startling departure for the 36-yearold actress, first introduced to TV audiences as a minister’s wholesome teenage daughter in The WB’s long-running family drama “7th Heaven.” She later appeared in the 2003 horror reboot of “The Texas Chainsaw Massacre” followed by an eclectic mix of action flicks, rom-coms, guest roles and voice-over gigs.

With “The Sinner,” Biel broke new ground by probing a character she has almost nothing in common with. “Growing up totally normal, I had cool, loving parents, went to school. I worked profession­ally, which was a little bit unusual, but in

terms of dynamic, there’s nothing to really say except ‘Thumbs up.’ And I don’t want to play that! It’s boring! I want to find characters I’m terrified to portray.”

Biel did manage to identify with Cora in one regard. “My entry point for Cora was partly that we’re both moms, so I had compassion for her in that way,” she says. “But the attraction also had to do with the fact that Cora has so many layers. Putting together all this trauma and religious zealousnes­s and abuse that I don’t know anything about, that really intrigued me as an actress.”

Cora’s fitfully remembered past includes a complicate­d relationsh­ip with her bossy younger sister Phoebe (Nadia Alexander), whose options are constraine­d because of a congenital heart defect. Incest ensues. Biel says, “That scene was odd to film and uncomforta­ble to watch. But Phoebe needs that physical release because she doesn’t feel that she’ll ever be touched or loved or caressed. Cora can’t say no. She did it out of love.”

Beyond her contributi­ons as an actress, Biel exercised a considerab­le measure of creative control over “The Sinner” through her Iron Ocean Production­s company. She and producing partner Michelle Purple enlisted showrunner Derek Simonds (“The Astronaut Wives Club”) to create the series and personally pitched their concept to network execs. Biel, who continues as an executive producer for “The Sinner” Season 2, which will star Carrie Coon, liked being listened to.

“It’s such a powerful feeling to have people look to you and say ‘What do you think?’ Actors often don’t have any input at all, but I’d been living with ‘The Sinner’ longer than almost anybody, so I had a point of view about the material. This show definitely felt like my baby.”

‘I had all this creative energy that needed to be expelled. This was a leap into the darkest of the dark.’ — JESSICA BIEL,

on returning to the small screen in “The Sinner,” playing a young mom who has a psychotic break and stabs a stranger to death

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 ?? Kirk McKoy Los Angeles Times ??
Kirk McKoy Los Angeles Times

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