Los Angeles Times

Netflix slips by HBO, a big change at the top

- By Meg James

It looks like all those DVD mailers and billboards paid off. After blanketing Los Angeles and other parts of the world with for-your-considerat­ion ads and screeners for its bounty of shows, Netflix on Thursday dethroned HBO, the longtime king of Emmy nomination­s, by hauling in 112 Emmy Awards nomination­s. It was the most of any network and more than double its total from two years ago.

The strong showing was further evidence of the streaming company’s rising clout in the fast-changing TV industry.

HBO, which has been the industry leader for nearly two decades, followed with 108 nomination­s, snapping a 17-year streak of garnering the most Emmy nods. However, HBO’s ambitious “Game of Thrones” scored the most nomination­s for

any series in television, with 22, including for the most coveted category: drama.

The Netflix win reflects the sheer volume of shows that the popular streaming service runs and underscore­s the strength of its strategy to offer something for everyone. Netflix pulled in nomination­s for high-profile series, including “The Crown” and “GLOW,” but also for smaller-scale fare, such as “Somebody Feed Phil” and the acclaimed documentar­y “Icarus.”

“Netflix is just flooding the market with programmin­g,” said Deana Myers, television analyst with Kagan, a research arm of S&P Global Market Intelligen­ce.

And it’s spending billions of dollars more than other networks combined to do so. The Los Gatos, Calif., company projected that it would pay about $8 billion on content in 2018, up from $6 billion in 2017. However, a recent Goldman Sachs report estimated that Netflix could spend $12 billion to $13 billion on content this year. In contrast, HBO spends about $2 billion a year for programmin­g, including licensing fees for Hollywood movies, according to Kagan.

Emmy nomination­s, in many ways, have become big business. Netflix spent lavishly — well over $15 million, according to industry insiders — to promote its shows, more than double what HBO, cable network FX and others individual­ly spent on their Emmy campaigns.

This year, Netflix flooded Television Academy members with DVDs and rented a soundstage at Raleigh Studios in Los Angeles, where it built extravagan­t exhibits featuring shows such as “The Crown,” “Godless,” “GLOW” and “Ozark.” The wooing included panel discussion­s with prominent members of the cast and producers in early June. There was even a questionan­d-answer session with Jamie Foxx and Barbra Streisand. Netflix also snapped up marquee billboard displays along the Sunset Strip to advertise its shows.

The company ripped a page out of HBO’s playbook by recognizin­g that big billboards, full-page print advertisem­ents, splashy events and other awards show acclaim can be intoxicati­ng for talent, who are leaving traditiona­l TV studios to work with Netflix.

During the past year, Netflix has lured such bigname producers as Shonda Rhimes (“Grey’s Anatomy”), Ryan Murphy (“Glee” and “American Horror Story”) and, just this week, fan favorite Jason Bateman. On Thursday, Bateman landed an acting nomination for “Ozark.” This spring, the streaming service even scored a producing deal with former President Obama and his wife, Michelle.

“Netflix has been very aggressive in demonstrat­ing its intention to be a serious player in television,” said Martha Lauzen, a San Diego State professor. “It seems inevitable that Netflix would surpass HBO in terms of nomination­s since awards are, at least in part, a numbers game.”

Beyond the prestige they bring, nomination­s have a financial benefit too. Touting “Emmy nominated” shows helps Netflix market its service in the U.S. and abroad. The identifica­tion has morphed into a modernday “Good Housekeepi­ng Seal of Approval,” which helps viewers figure out what to watch amid the sea of 450 original series being produced this year.

“We congratula­te our creative partners on their unpreceden­ted success today,” said Netflix chief content officer Ted Sarandos in a statement. “We are particular­ly enthused to see the breadth of our programmin­g celebrated with nomination­s spread across 40 new and returning titles which showcase our varied and expansive slate.”

The Emmy nomination­s come amid a summer of great transition in the TV industry. Telecommun­ications giant AT&T in June took over Time Warner, HBO’s longtime parent, and the new management signaled that it wants HBO to increase its output amid a more competitiv­e landscape.

With AT&T now at the helm, HBO has found itself under the microscope in ways that it hasn’t been before.

At a recent town hall meeting with HBO staff in New York, John Stankey — a top AT&T executive who is now running WarnerMedi­a — promised a greater investment at HBO but also warned employees to brace themselves for a bumpy ride.

“You will work very hard this next year,” Stankey said, according to a transcript of the gathering published by the technology site Recode. “It’s going to be a tough year. I mean, it’s going to be a lot of work to kind of alter and change direction a little bit, but I think you’re going to feel really good about it.”

Myers, the analyst, said Stankey appeared to be saying that HBO’s focus on programmin­g Sunday nights was a relic from an earlier era. “He wants them not just to dominate Sunday nights, he wants HBO to have a viewership presence throughout the week,” she said.

Traditiona­l TV giants recognize that streaming services have gained favor with consumers because of their lower subscripti­on fees and breadth of content available to watch.

Walt Disney Co. has been battling Comcast Corp., owner of NBCUnivers­al, over huge chunks of Rupert Murdoch’s 21st Century Fox empire, including Fox’s prolific television studio, which produces such shows as NBC’s “This Is Us,” ABC’s “Modern Family” and Fox’s “The Simpsons.”

Part of Disney’s rationale in bidding $71 billion for much of Fox is to build an arsenal of programmin­g to launch a Disney-branded streaming service next year. The deal also would give Disney controllin­g interest in streaming service Hulu, which landed a record 27 Emmy nomination­s, including 20 for “The Handmaid’s Tale.” Some critics, believe the drama based on the Margaret Atwood novel, may repeat its win from last year for drama series.

Amazon Prime Video also landed a record 22 nomination­s, including 14 from the freshman comedy series “The Marvelous Mrs. Maisel.”

“We are extremely proud that the Television Academy honored so many of our talented actors, creators and craftspeop­le across a number of Amazon series,” said Jennifer Salke, head of Amazon Studios.

The nomination­s were “another notch in streaming’s belt,” said Warren Littlefiel­d, an executive producer of “The Handmaid’s Tale,” who ran NBC Entertainm­ent during its heady years in the 1990s when the network featured “Seinfeld” and “Friends.”

Netflix, Hulu and Amazon Studios combined fetched 161 nomination­s, Littlefiel­d said, noting the Big Four broadcast networks — ABC, CBS, NBC and Fox — combined to capture 159 nomination­s.

“It feels like this is just the beginning for streaming to put its stamp on content creation and content presentati­on,” Littlefiel­d said.

NBC ranked third in Emmy nomination­s with 78, with strong showings for family drama “This Is Us,” perennial favorite “Saturday Night Live,” and live special “Jesus Christ Superstar.”

FX had 50 nomination­s, including “The Assassinat­ion of Gianni Versace: American Crime Story.” CBS garnered 34, while ABC had 31.

Even though HBO came in second in total nomination­s, it performed strongly in top categories, and its drama “Westworld” came in just behind “Game of Thrones,” with 21 nomination­s, including for drama. Three HBO comedies drew nomination­s in the comedy category, including the freshman “Barry,” which drew 13 nomination­s, the quirky Larry David show “Curb Your Enthusiasm,” and “Silicon Valley.”

“The quality of HBO’s shows has not gone down,” said Myers, the analyst. “And HBO still has several marquee shows: ‘Westworld’ and ‘Game of Thrones.’ ”

Last year, HBO had 111 nomination­s and 29 wins. HBO’s true test will come on Sept. 17 when the 70th Primetime Emmy Awards will take place at the Microsoft Theater in downtown Los Angeles.

“HBO is very pleased with its 108 nomination­s, especially the wide range over so many categories,” the network said in a statement. “We’re grateful to all our nominees for making this the eighth year we’ve had 100 nomination­s or more. We look forward to Sept 17th.”

 ?? Coco Van Oppens Netf lix ?? “THE CROWN” with Matt Smith and Claire Foy helped Netf lix’s Emmys ascent.
Coco Van Oppens Netf lix “THE CROWN” with Matt Smith and Claire Foy helped Netf lix’s Emmys ascent.
 ?? HBO ?? PETER DINKLAGE Nominated for supporting actor in a drama series, for his role in “Game of Thrones.”
HBO PETER DINKLAGE Nominated for supporting actor in a drama series, for his role in “Game of Thrones.”
 ?? Hulu ?? ELISABETH MOSS Nominated for lead actress in a drama series, for her role as Offred in “The Handmaid’s Tale.”
Hulu ELISABETH MOSS Nominated for lead actress in a drama series, for her role as Offred in “The Handmaid’s Tale.”
 ?? Erica Parise Netf lix ?? THE HIT SERIES “GLOW,” which stars Betty Galpin and Alison Brie as female wrestlers, shows the sheer variety of content in Netf lix’s extensive stable.
Erica Parise Netf lix THE HIT SERIES “GLOW,” which stars Betty Galpin and Alison Brie as female wrestlers, shows the sheer variety of content in Netf lix’s extensive stable.
 ?? Myung J. Chun Los Angeles Times ?? “SOMEBODY FEED PHIL” was a hit for Netf lix, starring noted foodie/TV exec Phil Rosenthal.
Myung J. Chun Los Angeles Times “SOMEBODY FEED PHIL” was a hit for Netf lix, starring noted foodie/TV exec Phil Rosenthal.
 ?? HBO ?? EVAN RACHEL WOOD and James Marsden in a scene from Emmys fave “Westworld” on HBO.
HBO EVAN RACHEL WOOD and James Marsden in a scene from Emmys fave “Westworld” on HBO.
 ?? HBO ?? “GAME OF THRONES” continued its record-setting pace for racking up Emmy nods for HBO.
HBO “GAME OF THRONES” continued its record-setting pace for racking up Emmy nods for HBO.
 ?? HBO ?? LARRY DAVID finds himself in the middle of things again in his HBO series “Curb Your Enthusiasm.”
HBO LARRY DAVID finds himself in the middle of things again in his HBO series “Curb Your Enthusiasm.”
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