Los Angeles Times

Throwback lacks comedic punch

- — Gary Goldstein

“Angels on Tap” is an illconceiv­ed comic-fantasy filled with strained and creaky humor, cardboard characters, an inane framing device and, as directed by Trudy Sargent, zero cinematic style.

Veteran TV writer Burt Prelutsky scripted this dud about “Hollywood Schlockmei­ster” Sammy Bachman (Corey Allen Kotler) — a hoary throwback of crass malaproppi­ng Jewishness — who bests Harvey Weinstein (this was shot in 2015) for the rights to a bestseller called “Angels on Tap,” the story of which Sammy relates in a chat with a slick entertainm­ent reporter (Kyle Walters).

The action then flips to Gabriel’s, a humble tavern where angels (wearing giant wings, in white or more “slenderizi­ng” black — haha) relax between their duties overseeing such areas of responsibi­lity as food, show biz, politics, romance and travel. Who knew?

In stumbles a journalist meta-named Prelutsky (a dull Howard Osias), the eventual author of “Angels on Tap,” who interviews these age-old angels (Ed Asner, Alan Rachins, Jamie Farr and others) about their work, humanity, world history, inventions and famous figures. It all plays like a second-rate take on Mel Brooks’ and Carl Reiner’s “The 2000 Year Old Man.”

The unifying thread from these flatly shot sit-downs, aside from lame punchlines and dated references, is a dreary longing for “the good old days” (oh, that rap music!). Viewers, however, will likely just pine for a better comedy.

“Angels on Tap.” Not rated. Running time: 1 hour, 14 minutes. Playing: Arena Cinelounge Sunset, Hollywood.

 ?? Indie Rights ?? ALAN RACHINS, left, is among the old-timer angels who hang out in a tavern in between their duties.
Indie Rights ALAN RACHINS, left, is among the old-timer angels who hang out in a tavern in between their duties.

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