Los Angeles Times

Filthy or rich: Puppets to battle ‘Asians’ for the top

A so-so opening is expected for ‘The Happy time Murders.’ ‘A.X.L.,’ also new, may not have much bite.

- By Ryan Faughnder ryan.faughnder@latimes.com

The libidinous, drug snorting puppets of “The Happy time Murders” will try to make a killing at the box office this weekend.

But the R-rated farce, from STX films and Jim Henson Co. (yes, really), will face stiff competitio­n from Warner Bros.’ “Crazy Rich Asians” and “The Meg,” which have dominated August ticket sales as the summer film season draws to a close.

“The Happy time Murders,” set in an underbelly of Los Angeles in which humans and puppets coexist, is expected to debut with a so-so $13 million to $15 million in ticket sales in the United States and Canada this Friday through Sunday, according to people who have reviewed pre-release audience surveys. It cost about $40 million to make.

Its grosses may not be enough to unseat “Crazy Rich Asians,” the well-received romantic comedy that opened with a strong $35 million in its first five days of release last weekend. Jon M. Chu’s film, about a Chinese American New Yorker who must contend with her boyfriend’s astounding­ly wealthy family in Singapore, is benefiting from substantia­l buzz because of its nearly all-Asian and Asian American cast.

Prehistori­c shark movie “The Meg,” meanwhile, has collected a solid $318 million worldwide, including $86 million in the U.S. and Canada.

Here’s what to watch.

Rated R for raunch

“The Happy time Murders,” in which a human cop (Melissa McCarthy) and a puppet investigat­e the slaughter of a classic children’s show’s former cast members, is the latest attempt to use outrageous, irreverent humor to draw audiences to the multiplex. It’s a strategy that worked well for Sony Pictures’ bawdy cartoon “Sausage Party” in 2016.

However, dirty Hollywood comedies have struggled to compete with major film franchises on the big screen in recent years, as audiences gravitate to streaming services such as Netflix for their R-rated laughs.

A $15-million opening for “Happy time” would be similar to recent studio efforts such as Warner Bros.’ “Game Night” and “Tag.” The last R-rated comedy to open above $20 million was Universal Pictures’ “Blockers” in April (not counting Fox’s superhero blockbuste­r “Deadpool 2”).

Though “The Happy time Murders” may seem blasphemou­s to fans of Kermit and Big Bird, the raunchy sendup boasts Muppet family lineage. The new film was directed by Brian Henson, the son of late Muppets creator Jim Henson and director of the G-rated 1990s efforts “The Muppet Christmas Carol” and “Muppet Treasure Island.”

Controvers­y has boosted publicity for “Happy time.” “Sesame Street” production company Sesame Workshop sued STX earlier this year to stop the studio from using the tagline “No Sesame. All Street” in its marketing campaign. A New York judge ruled against Sesame Workshop in May.

In a recent marketing stunt, STX and Henson Co. created the Ink-Hole, a Los Angeles-based pop-up tattoo parlor and speakeasy with an open bar, comedy club, casino and peep show.

Dog days of summer

This weekend’s other wide release isn’t expected to take a major bite out of the domestic film market.

Global Road Entertainm­ent’s latest effort, “A.X.L.,” about a boy who befriends a robot dog on the run, is expected to gross a tepid $5 million in the U.S. and Canada through Sunday. The movie, which boasts a premise similar to “Transforme­rs” and “Monster Trucks,” is likely to become the latest dud for Global Road, which has struggled to compete at the box office.

Tang Media Partners, run by entreprene­ur Donald Tang, launched Global Road in 2017 as the combinatio­n of indie distributo­r Open Road Films and foreign sales agent IM Global, which Tang acquired.

The company’s recent releases include the flops “Show Dogs” and “Hotel Artemis.”

 ?? Hopper Stone STX Entertainm­ent ?? THE HUMOR is outrageous and irreverent in “The Happytime Murders,” which opens this weekend.
Hopper Stone STX Entertainm­ent THE HUMOR is outrageous and irreverent in “The Happytime Murders,” which opens this weekend.

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