Los Angeles Times

Knight’s image as a tough guy isn’t full story

Fearsome in business, rap mogul would show jovial side in court

- By Marisa Gerber

Suge Knight was almost always cheery in court. Whenever the judge overseeing his murder case cracked a sarcastic aside, the former rap impresario belly laughed so hard his broad shoulders bounced for several seconds. Where he could, he slipped compliment­s to Judge Ronald S. Coen.

“I trust you,” Knight told him during a pretrial hearing. “You’ve been my judge and my adviser .... You’re my only friend now.” Coen smiled. As the kowtowing played out in court hearings over the past three years, it became hard to reconcile the man with a graying beard seated at the defense table with his longtime image as one of the most powerful and intimidati­ng men in music.

In the burgeoning West Coast rap scene he helped popularize, chroniclin­g gang life, drugs and police brutality, Knight was an imposing figure — a swaggering record producer with a cigar in his mouth and a diamond-studded “MOB” ring on his pinky finger.

The Death Row Records co-founder long swore he’d acted in self-defense on the murder rap and deserved to be set free. But on Thursday, four days before his trial was scheduled to start, he struck a deal with prosecutor­s, capping his cinematic legal saga

with an anticlimac­tic coda.

Knight pleaded no contest to voluntary manslaught­er for ramming his truck into two men in the driveway of a Compton burger restaurant on Jan. 29, 2015, following an argument on the set of a commercial for the N.W.A biopic “Straight Outta Compton.” One of the men — Terry Carter, a 55-year-old businessma­n known for his boundless generosity — was fatally injured.

The deal, under which Knight, 53, could serve up to 28 years in prison, perplexed some onlookers, but defense experts said eleventh-hour moves aren’t uncommon and often pay off. In the weeks leading up to a trial, prosecutor­s must give the defense a list of people they plan to call as witnesses, said criminal defense attorney Peter Johnson, who lectures at UCLA Law School.

“You can pretty much predict the testimony and how damaging that will be, and you weigh the risks of conviction,” Johnson said.

If convicted at trial, Knight faced life in prison. The former record producer’s court-appointed attorney, Albert DeBlanc Jr., declined to comment after the deal, but it’s likely that video evidence played into his client’s calculus. Prosecutor­s had surveillan­ce footage from Tam’s Burgers capturing the moment Knight’s Ford F-150 pickup barreled over the men before fleeing the scene.

Knight, who turned himself in to authoritie­s a day after the hit-and-run, has said there were people with guns at the scene and that he hit the men while fleeing for his life. In court papers filed last year, Knight claimed that his former business partner Dr. Dre paid $20,000 to have him murdered, adding that a hit man was at the burger stand that day. (An attorney for Dr. Dre dismissed the accusation­s as “absurd.”)

Los Angeles criminal defense attorney R.J. Manuelian said he’s confident that Knight’s lawyer didn’t have a solid witness to corroborat­e the gun theory — “a real big weakness in the case,” he said.

“The only way they’d win is if the jury believed Suge Knight, which is a tall order,” said Manuelian, who had followed the case since the 2015 arrest and planned to offer television commentary throughout the trial.

A lengthy rap sheet, and a softer side

Born Marion Hugh Knight Jr., the Compton native was a standout athlete. He played football in college and, for a split second in 1987, joined the Los Angeles Rams as a replacemen­t player during the strike. Standing 6-foot-4, Knight’s size led to his next gig as a bodyguard for celebritie­s, including R&B singer Bobby Brown.

In the early 1990s, Knight and Dr. Dre formed Death Row Records and as the seminal label exploded into a $100-million-a-year enterprise, Knight built an infamous reputation. Some compared him to notorious mobster John Gotti and newspapers almost universall­y described him with a trio of adjectives — feared, imposing, intimidati­ng.

Through the years, he built a lengthy rap sheet, including a 1992 arrest, in which authoritie­s accused him of ordering two aspiring rappers to their knees in a Hollywood studio and pistol-whipping one of the men in an argument over use of a company phone.

Late in the summer in 1996, Knight was driving a BMW just off the Las Vegas Strip when an unknown gunman fatally shot his passenger, rapper Tupac Shakur. A few months later, a judge sentenced Knight to nine years in prison for violating his probation in the assault case by getting in a fight at a Las Vegas hotel hours before the fatal shooting.

In “Straight Outta Compton,” Knight is a depicted as a menacing and cruel enforcer who pistolwhip­s a man for taking his parking spot and watches with a smirk as henchmen beat N.W.A founder Eazy-E. Outraged by his portrayal, as well as the fact he didn’t get paid for the use of his likeness, authoritie­s say Knight sent a threatenin­g text message to the movie’s director, F. Gary Gray. In 2017, grand jurors indicted Knight of criminally threatenin­g the director.

That case, as well as a robbery charge stemming from a 2014 incident, in which prosecutor­s say Knight and comedian Micah “Katt” Williams snatched a woman’s camera, will be dismissed under the plea agreement.

The courtroom conclusion this week could well mean the last public chapter in the life of a one-time icon who authoritie­s say had a habit of threatenin­g anyone who crossed him.

Many of the former producer’s family and friends say his tough-guy image was never the full story.

He’s always had a fun spirit and a soft side, Knight’s sister, Karen Anderson, said. That’s how he got his childhood nickname — a shortened version of Sugar Bear. In recent years, when family gathered at their mother’s home, Anderson said, her brother sat in a circle with the children playing “duck, duck goose.”

“I’m not sugarcoati­ng anything. I’m not saying he’s an angel,” Anderson said. “But he’s not the person everyone’s portraying him to be either.”

To criminal defense attorney David Chesnoff, who represente­d Knight in two assault cases and a federal investigat­ion years ago, Knight’s courtroom joviality is no surprise.

“He understand­s that a judge is a judge,” Chesnoff said. “He’s a much more sophistica­ted person than given credit for.”

His former client, Chesnoff said, has always been a complex person — a big tough guy, sure, but also a charismati­c businessma­n who understood industry expectatio­ns at the height of Death Row’s power.

“The artists he represente­d also had the same kind of image as part of the scene that they were in, but many of them have become like household names,” Chesnoff said. “Snoop [Dogg] does TV shows with my other client, Martha Stewart. Who would have thought?”

Bringing drama and jokes to court

Since Knight’s arrest three years ago, the murder case took one bizarre turn after another.

During one court hearing, bailiffs rushed a trash can to Knight, who said he might vomit, and at the end of another hearing — when a judge set his bail at $25 million — paramedics swooped in with a gurney after Knight collapsed.

“Just, bam,” recounted defense attorney Matthew Fletcher, who represente­d Knight at the time.

There was the time Knight complained about having lost 67 pounds behinds bars and another when he told the judge he was having problems with swelling in his hands.

The judge offered a bit of reassuranc­e: “I’ve got to tell you, Mr. Knight, you’re looking good.” The former impresario let out a highpitche­d laugh, thanking the judge.

Earlier that day, when Coen mentioned a proposed trial date several months in the future, Knight quipped that he was hoping for an earlier time: “I was thinking next week.”

Coen threw his head back, chuckling and Knight nodded, as if pleased the joke had landed.

Another morning in court, while rambling about his heavily restricted phone, mail and visitation privileges at Men’s Central Jail, Knight dropped another one-liner. He mentioned the famous insurance commercial, where a person in distress says a jingle and someone materializ­es to help them. In his cell, as he longed for meaningful interactio­n, Knight told the judge, he sometimes thought of the jingle: “Like a good neighbor, State Farm is there.”

“Nobody pops up,” Knight added.

Often Knight came to court with the same request: I want a new attorney. He hired and fired more than a dozen, including two men — Fletcher and Thaddeus Culpepper — now facing criminal charges of their own. Both attorneys have pleaded not guilty to conspiracy charges stemming from what prosecutor­s say was an attempt to bribe witnesses in exchange for helpful testimony in the aging mogul’s case. Knight — who filed for bankruptcy in 2006 — ultimately faced the most serious criminal charge of his life with a court-appointed attorney.

Knight’s fiancee, Toi-Lin Kelly, is serving three years in jail for violating the conditions of her probation after prosecutor­s say that she, Knight, Fletcher and one of Knight’s business partners, Mark Blankenshi­p, hatched a plan to sell the surveillan­ce video from Tam’s Burgers to the celebrity news website TMZ for $55,000. (Coen had specifical­ly ordered that the video not be released to the media.)

During Knight’s preliminar­y hearing, the crowd squeezed into Coen’s courtroom got a glimpse of the defendant’s power to inspire fear. While on the stand, the surviving victim of the 2015 hit-and-run, Cle “Bone” Sloan, broke down in tears.

“I’m no snitch,” he said. “I will not be used to send Suge Knight to prison.”

Coen ruled there was enough evidence for Knight to stand trial — but not enough, he said, to justify Knight’s $25-million bail.

After the bail was lowered to $10 million, Fletcher — not yet involved in his own legal proceeding­s — told reporters that Knight had a famous friend ready to help: If Floyd Mayweather Jr. won his upcoming boxing match, Fletcher said, he planned to bail Knight out of jail.

Mayweather won, but the money never came.

In court Thursday, Knight — reportedly frustrated to take a deal in front of so many reporters — looked worn down, subdued.

When Coen asked if he wanted to take the deal, he responded simply, “Yes.”

The judge explained that, although it may not apply to Knight, he had a duty to inform him that if a defendant is not a citizen, a conviction can lead to deportatio­n.

“So ICE is coming to get me?” Knight asked.

The judge closed his eyes and laughed.

 ?? Ken Hively Los Angeles Times ?? IN THE West Coast rap scene, Marion “Suge” Knight was an imposing figure — a swaggering record producer with a cigar and diamonds.
Ken Hively Los Angeles Times IN THE West Coast rap scene, Marion “Suge” Knight was an imposing figure — a swaggering record producer with a cigar and diamonds.
 ?? Robyn Beck Getty Images ?? SINCE MARION “Suge” Knight’s arrest in 2015, the murder case took several bizarre turns. During one court hearing, Knight collapsed.
Robyn Beck Getty Images SINCE MARION “Suge” Knight’s arrest in 2015, the murder case took several bizarre turns. During one court hearing, Knight collapsed.
 ?? Gary Coronado Associated Press ?? JUDGE RONALD Coen speaks at a hearing in which Knight pleaded no contest in the 2015 death of Terry Carter. At some hearings, Knight and Coen joked.
Gary Coronado Associated Press JUDGE RONALD Coen speaks at a hearing in which Knight pleaded no contest in the 2015 death of Terry Carter. At some hearings, Knight and Coen joked.
 ?? Jeff Kravitz FilmMagic/Getty Images ?? K N I G H T, right, with Tupac Shakur. “I’m not saying he’s an angel,” Knight’s sister says. “But he’s not the person everyone’s portraying him to be either.”
Jeff Kravitz FilmMagic/Getty Images K N I G H T, right, with Tupac Shakur. “I’m not saying he’s an angel,” Knight’s sister says. “But he’s not the person everyone’s portraying him to be either.”

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