Los Angeles Times

Producer of ‘Platoon’ dies

Arnold Kopelson, who also remade “The Fugitive,” was 83.

- By Nardine Saad and Meg James nardine.saad@latimes.com meg.james@latimes.com

Arnold Kopelson, the Oscar-winning producer of “Platoon” and “The Fugitive” and former longtime CBS board member, has died. He was 83.

Kopelson, who recently made headlines for secretly recording aging CBS mogul Sumner Redstone, died at 6 a.m. Monday in his Beverly Hills home, his wife and longtime producing partner, Anne Kopelson, told The Times.

The producer died of natural causes after battling health issues, she said.

“Our lives were intertwine­d,” his wife told The Times. “We were lifelong partners in love and business. We finished each other’s sentences. We were a unit. One person. We had a successful career because we understood each other.”

While she handled the financial side of Kopelson Entertainm­ent, he handled the creative side.

Before becoming the maker of big-budget action movies such as “Se7en,” “The Devil’s Advocate” and “U.S. Marshals,” Kopelson worked in entertainm­ent and banking law, where he specialize­d in motion-picture financing. He and his wife formed a foreign-distributi­on company called Inter-Ocean Film Sales in 1972 that would later become Kopelson Entertainm­ent.

“Without him it’s not Kopelson Entertainm­ent,” she said, confirming that she would probably not carry on with their decades-old company after his death.

Their breakout film, 1981’s raunchy comedy “Porky’s,” turned Kopelson’s $20,000 investment into a whopping $2 million.

The key to their success, however, was that they learned early on that thrillers and action films translated to foreign markets better than comedies, providing audiences with “true popcorn entertainm­ent,” she said.

Then came Oliver Stone’s 1986 Vietnam War drama “Platoon,” which earned four Academy Awards. Kopelson was a young producer when he got the script.

“He read five pages of it and he said, ‘I’m gonna make this movie,’ ” Anne Kopelson said. “He was a man of incredible passion.”

The film’s watershed success made Arnold Kopelson endeavor to produce films that blended social statements with entertainm­ent.

“Financial reward is no longer enough. I caught Oliver’s passion and want, at least, some of my films to say something,” Kopelson told The Times in 1993.

And he saw a mix of that in the following years while he released a series of films to varied box-office results.

Kopelson remade the 1960s serial “The Fugitive” into a 1993 blockbuste­r starring Harrison Ford and Tommy Lee Jones. The film, about a man wrongly accused of murdering his wife, racked up six Oscar nomination­s and a supporting-actor win for Jones.

Kopelson was born Feb. 14, 1935, and grew up poor in wartime Brooklyn, where he waited on tables to put himself through college and law school at New York University and New York Law School, respective­ly.

Before moving on to Hollywood, he worked as counsel in entertainm­ent lending transactio­ns and became an expert in motion-picture financing.

“Arnold was a man of exceptiona­l talent whose legacy will long survive him. He also, of course, was a highly dedicated CBS board member for more than 10 years. Our hearts go out to Anne and his family,” CBS said in a statement.

Kopelson was a longtime friend of Redstone, the controllin­g shareholde­r of CBS and Viacom Inc.. He and his wife were regulars at Redstone’s Beverly Park mansion for Redstone’s weekly movie screenings before the media mogul’s health deteriorat­ed.

The veteran producer also was a staunch ally of former CBS Chairman and Chief Executive Les Moonves, and he was instrument­al in CBS’ recent court case to try to pry the company loose from the Redstone family. That effort, however, collapsed last month as part of a sweeping settlement that included the ouster of Kopelson and other board members.

In late January, Kopelson used his iPhone to make a surreptiti­ous recording of Redstone, who is 95 and can barely speak. The recording, which hasn’t been made public, revealed that Redstone was a shell of his former self and could not answer basic questions, such as who controlled CBS, according to people who have seen the recording.

Kopelson said in a court filing that he made the recording to “memorializ­e Mr. Redstone’s physical state.” The contents of the recording alarmed a Delaware judge who was presiding over CBS’ short-lived lawsuit targeting the Redstone family.

His wife said that the stress of the case weighed on him during his last few months.

“It was not a pleasant time,” she said.

Kopelson is survived by his wife and children (two sons and a daughter), whom Anne Kopelson adopted after Arnold’s first wife died of breast cancer.

Funeral services have been arranged at Mount Sinai Memorial Park in Los Angeles for Wednesday at 12:30 p.m.

 ?? Lennox McLendon Associated Press ?? ‘A MAN OF INCREDIBLE PASSION’ Producer Arnold Kopelson, left, editor Claire Simpson and director Oliver Stone celebrate their Oscars for the 1986 Vietnam War drama “Platoon.”
Lennox McLendon Associated Press ‘A MAN OF INCREDIBLE PASSION’ Producer Arnold Kopelson, left, editor Claire Simpson and director Oliver Stone celebrate their Oscars for the 1986 Vietnam War drama “Platoon.”

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