Los Angeles Times

Reznor & Co. a potent tonic for these times

- august.brown@latimes.com Twitter: @augustbrow­n

anxiety about life in late-techno-capitalism, there’s need for the brutal side of NIN all over again. They delivered it on Friday night.

In June, the band released the short, cutting LP “Bad Witch” after a flurry of EPs highlighti­ng the duo’s more serrated, noisy interests. The band — Reznor, Ross, drummer Ilan Rubin, guitarist Robin Finck and multi-instrument­alist Alessandro Cortini — put the violence of NIN up front on Friday. In a time when musicians from hip-hop to techno are rediscover­ing distortion and loathing as virtues, the band read the room perfectly. (A warm-up set from pioneering Scottish noise-rockers the Jesus and Mary Chain, a huge influence on Reznor, primed the crowd for it.)

The cuts they played from “Bad Witch,” including “S- Mirror” and “God Break Down the Door,” had the trebly churn of ’80s crust- and post-punk.

When Reznor broke out his saxophone for the latter cut, it was a reminder of how anger and artiness have pushed and pulled throughout his whole career. Sometimes he emphasized more of one or the other, but that tension is what makes NIN so important, then and now.

Reznor completist­s were likely thrilled at a cameo from the singer Mariqueen Maandig, Reznor’s partner in the band How To Destroy Angels (and his wife). They played a trio of tracks from that band’s catalog, and the foray into more textural beauty and atmosphere was a nice release from all the fury before and after.

But even the now-canonical NIN hits — “Head Like a Hole,” “Reptile,” “Closer” — had a new venom that seemed to speak right to this moment. All the disappoint­ment, confusion and rage of the last couple of years had these old, beloved songs as a backdrop, and they felt vital and invigorati­ng all over again.

Of course, the band closed with “Hurt,” the mournful death ballad that Johnny Cash made his own. It was hard not to read it as a bit of an elegy for the optimism that’s been drained out of America.

But in the hands of this era of NIN, it also felt kind of reassuring. Anger can heal, anger can drive. If you selfdestru­ct, you can still come back even better.

 ?? Luis Sinco Los Angeles Times ?? TRENT REZNOR, left, and Nine Inch Nails in the first of their six-night stand at the Hollywood Palladium on Friday night.
Luis Sinco Los Angeles Times TRENT REZNOR, left, and Nine Inch Nails in the first of their six-night stand at the Hollywood Palladium on Friday night.

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