Los Angeles Times

‘Lego 2’ tops a sluggish group

The sequel and three other new films have no answer to lingering early-year doldrums.

- By Sonaiya Kelley

Four new wide releases could not incentiviz­e moviegoers to hit theaters this past weekend in the lowest post-Super Bowl box office in 10 years.

Warner Bros.’ “The Lego Movie 2: The Second Part” opened in first place with $35 million, well below analyst projection­s of $50 million to $55 million, according to estimates from measuremen­t firm Comscore.

The $99-million postapocal­yptic animation, which earned an 84% “fresh” rating on Rotten Tomatoes, is a sequel to 2014’s “The Lego Movie.” That film opened with $69 million before taking in $469 million globally.

This past weekend’s result seems to indicate that audiences are fatigued by the franchise after the spinoff “The Lego Ninjago Movie” (which took in a disappoint­ing global haul of $123 million) failed to achieve the success of its predecesso­r “The Lego Batman Movie,” which grossed $312 million worldwide.

Paramount’s “What Men Want” debuted at No. 2 with $19 million, within range of analyst prediction­s of $18 million to $20 million.

A twist on 2000’s Mel Gibson-led “What Women Want,” the $20-million “What Men Want” stars Taraji P. Henson as an ambitious sports agent who is suddenly plagued with the ability to hear men’s thoughts. It earned a 48% “rotten” rating on Rotten Tomatoes but provides a nice comeback for Henson whose last picture, 2018’s “Proud Mary,” opened with a disappoint­ing $9.9 million.

In third place, Lionsgate’s Liam Neeson-led drama “Cold Pursuit” premiered with $10.8 million, slightly below the action star’s most recent films “The Commuter” ($13.7 million last year) and “Run All Night ($11 million in 2015).

Neeson recently came under fire after admitting during the film’s press run to having considered engaging in a hate crime in retaliatio­n for a friend’s rape 40 years ago. However, the controvers­y doesn’t seem to have affected the film’s box office, which slightly exceeded expectatio­ns and earned a 74% “fresh” rating on Rotten Tomatoes.

At No. 4, STX Entertainm­ent’s “The Upside” remained one of the few bright spots in the new year, dropping only 17%. It added $7.2 million in its fifth weekend.

Rounding out the top five, Universal’s “Glass” added $6.4 million in its fourth weekend for a cumulative $98.5 million. The final new release of the week, Orion Pictures’ “The Prodigy,” came in at No. 6 with $6 million, just below prediction­s of $7 million to $9 million.

Sony’s “Miss Bala” dropped to No. 10 after just two weekends in theaters, adding $2.7 million.

ShortsTV and Magnolia Pictures’ “2019 Oscar-Nominated Short Films” earned $912,000 on 265 screens (a per-screen average of $3,442), the distributo­r’s widest and highest-grossing opening weekend in 14 years of releasing the shorts.

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