Los Angeles Times

Rich, productive, but not fully in control of her life

#FreeBritne­y calls abound after decade-plus in conservato­rship

- By Laura Newberry

In late April, Britney Spears delivered a plea to her 22 million Instagram followers. “Don’t believe everything you read and hear,” she wrote in a caption. “Your love and dedication is amazing,” she went on, “but what I need right now is a little bit of privacy to deal with all the hard things that life is throwing my way.”

It had been three weeks since the pop star had checked into a mental health facility and three months since she canceled her Las Vegas residency. A particular­ly skeptical contingent of her fans wasn’t buying the official reasons for these developmen­ts: that she went to the facility by choice, that her dad was sick and she needed the space and time to be there for her family. Theories of what was actually happening inside Spears’ guarded private life were growing more numerous and more frenzied, but ultimately shared one notion: that she was being silenced and manipulate­d, and had been for years.

The Los Angeles Times spent three months examining Spears’ conservato­rship and reaching out to those who might have seen firsthand how it has affected her; no one in her inner circle responded to requests for comment. The paper could find no independen­t evidence that Spears was being harmed by the arrangemen­t.

Spears is a celebrity like no other — an A-list performer who pulls in millions of dollars a year but does not have full control over her life or business affairs. Since her public unraveling in 2008, she has been subject to a court-approved conservato­rship — known in other states as a legal guardiansh­ip — that gives her father authority over her finances and many personal decisions. Fans who believe the arrangemen­t is intended to exploit rather than help her have adopted a hashtag and rallying cry: #FreeBritne­y.

The legal oversight is highly unusual. Conservato­rships are designed to protect people who cannot take care of themselves, but Spears, now 37, has worked nonstop over the course of hers, producing four albums and going on as many world tours.

Despite Spears’ insistence on social media that she is fine and in control of her life, the #FreeBritne­y machine has developed in ways neither the superstar nor her team can control. It’s become a tabloid staple, a social media obsession. With fans often interpreti­ng celebritie­s’ actions through a personal lens, Spears has become a vessel for discussing the place of women in entertainm­ent, mental illness and fatherdaug­hter relationsh­ips.

Her attorney Stanton Stein, whom Jamie Spears had hired for #FreeBritne­y damage control, rejected the idea that Spears had been coerced or manipulate­d in any way. “She’s always involved in every career and business decision,” he said. “Period.”

Spears didn’t mince words in her April Instagram post. In that moment, she appeared determined to show that she does, in fact, have a say over her life.

“You may not know this about me,” she wrote, “but I am strong, and stand up for what I want!”

They are images not easily forgotten: Spears driving with a baby in her lap. Shaving her head. Speaking in a British accent. Being wheeled out of her Beverly Hills mansion on a stretcher.

For many, it was alarming to see the vulnerabil­ity of someone who — when judged by the metrics of money and fame — had attained unfathomab­le status. Spears topped Forbes’ list of the world’s highest-paid celebritie­s in 2002 and again in 2012.

In 2008, she twice was committed to a psychiatri­c ward, known in California as a 5150 hold. After the second hold, her father, Jamie Spears, petitioned L.A. County Superior Court for an emergency “temporary conservato­rship.” The arrangemen­t was made permanent by the end of the year.

Jamie Spears was appointed to watch over his daughter’s estate and physical well-being, while L.A. attorney Andrew Wallet was brought on as a co-conservato­r to help manage the singer’s financial assets. Court documents show that Jamie Spears has the power to negotiate business opportunit­ies, sell her property and restrict her visitors. He can file for restrainin­g orders against those he believes threaten his daughter’s stability.

And he oversees much of the minutiae of Spears’ life. Every purchase she makes must be logged in annual court reports of her spending.

According to law experts, it is unusual for someone as young and productive as Spears to be in a probate conservato­rship, typically used to protect the old, infirm and mentally disabled. They are intended for people who are not likely to get better and often remain in effect until the person dies.

But Spears is not a typical person. Her estate is immense and complicate­d to manage, so she could be subject to “undue influence“— a factor judges consider, along with mental capacity, when deciding whether a conservato­rship is a good fit.

“I imagine a person with that kind of wealth would be attracting a lot of people toward them, many of whom may not have their best interest in mind,” said psychologi­st Stacey Wood, an expert witness in probate conservato­rship cases. “This could protect them from that.”

For example, in June, Spears’ father sought to extend a restrainin­g order against her former friend and manager Sam Lutfi, who the family alleged had encouraged Spears down her destructiv­e path and attempted to benefit from her fame. More recently, Lufti has been a vocal supporter of the #FreeBritne­y movement.

The next status hearing on her conservato­rship is set for Wednesday.

While lacking full authority over her life, Spears for 10 years has worked relentless­ly, releasing albums every two to three years and landing lucrative gigs such as her stint as a judge on the TV show “The X Factor.” She played 248 shows for her “Piece of Me” residency in Las Vegas between 2013 and 2017, each performanc­e banking her $500,000. No more public meltdowns, no more outlandish behavior.

Then in January 2019, Spears announced she was canceling her new Las Vegas residency, “Domination.” She pinned the decision on the health of her father, who nearly died after his colon ruptured in November 2018.

“We’re all so grateful that he came out of it alive, but he still has a long road ahead of him,” Spears wrote on Instagram. “I had to make the difficult decision to put my full focus and energy on my family at this time. I hope you all can understand.”

In the eyes of some fans, it was a sign that not all was well in Spears’ universe. Another came in March, when Wallet resigned as co-conservato­r.

In court filings, Wallet wrote that the “conservato­rship is engaged in numerous ongoing business activities requiring immediate attention,” and that it would be in Spears’ best interest if his resignatio­n were accepted swiftly. He did not provide a specific reason for his resignatio­n.

The singer, Wallet said, would suffer “substantia­l detriment, irreparabl­e harm and immediate danger” if he didn’t step down.

Wallet had been granted a significan­t raise in November — to $426,000 a year — after arguing he had brought “stability and leadership” to Spears’ estate, which under his guidance had grown by $20 million. He claimed to have kept “the many hundreds” of people working with her from giving her drugs, thereby preventing financial ruin.

Adam Streisand, a lawyer Spears spoke with when she considered contesting the conservato­rship in 2008, told The Times that Wallet’s “noisy withdrawal” might signal a disagreeme­nt with Jamie Spears over how the arrangemen­t was handled. Neither Wallet nor Spears returned calls seeking comment.

When Britney Spears checked into a mental health facility for a monthlong stay on April 3, her fans were on high alert.

L.A.-based comedians Tess Barker and Barbara Gray had long been tracking the conservato­rship with great interest. They host “Britney’s Gram,” a podcast that usually dissected the singer’s Instagram posts. But after Spears canceled her residency, the hosts dropped their lightheart­ed tone.

In an “emergency episode” in mid-April, Barker and Gray asserted that Spears was being micromanag­ed by her handlers and held captive by the conservato­rship.

What really gave #FreeBritne­y momentum, though, was a voicemail left on the podcast hotline.

In the message, a man identifyin­g himself as a former paralegal for an attorney who worked with Spears’ conservato­rship claimed that the singer’s father was involved in getting her to drop her Las Vegas residency. He also made a series of other allegation­s and raised concerns about her personal autonomy. The podcasters said they confirmed the source’s identity and his alleged position at the firm. The Times could not independen­tly verify that the voicemail was authentic or that the claims were true.

#FreeBritne­y was trending on Twitter the day after the podcast dropped. Fans stormed Spears’ social media accounts with the hashtag, demanding she be released from what they were convinced was a court-sanctioned prison.

It’s hard to assess the size of the movement. But #FreeBritne­y was enough of a problem for her camp that in June, Jamie Spears sued “Absolute Britney” blogger Anthony Elia, accusing him of spreading false and defamatory informatio­n in the name of the #FreeBritne­y movement.

“Enough is enough,” the complaint declared.

A week after the podcast was released, Spears attempted to reassure her fans through an Instagram post that all was well. She just needed some privacy, she said.

“There’s rumors, death threats to my family and my team, and just so many ... crazy things being said,” she wrote. “I am trying to take a moment for myself, but everything that’s happening is just making it harder for me. Don’t believe everything you read and hear.”

Some of her followers weren’t convinced. Miley Cyrus yelled “Free Britney!” during one of her concerts. Dozens rallied outside West Hollywood City Hall, carrying signs with slogans like “Britney Isn’t a Slave for You.”

On May 10, Spears and her parents attended a conservato­rship status hearing in L.A. County Superior Court. The star usually doesn’t show up for such meetings. Members of the public and media were cleared from the courtroom.

After the hearing, Judge Brenda A. Penny ordered an independen­t expert evaluation of the case.

A few days later, Spears’ manager, Larry Rudolph, said in an interview with TMZ that the singer would not perform in the near future, and “possibly never again.” He later clarified his statement, saying he was “not sure if or when she will ever want to work again.”

In May, Jamie Spears filed a petition to extend the conservato­rship to Hawaii and Florida, where his daughter likes to vacation, and to her home state, Louisiana (he added nine more states to the request in August).

In recent Instagram posts, Spears projects a happy and healthy existence: breakfast with her boyfriend, Disneyland with her sons, shopping at Bloomingda­le’s. Neither she nor her family have clarified the state of her mental health struggles and diagnosis, or how she feels about the terms of her conservato­rship.

To many, fans’ claims that one of the world’s most recognizab­le celebritie­s could be taken advantage of in some way is both horrifying and tantalizin­g. Law experts point out that while conservato­rships can be corrupted, as some Spears fans allege, there is probably good reason the constraint­s still stand.

“The fact that she’s been under conservato­rship for a dozen years should tell you something about the state of her mental impairment and her vulnerabil­ity,” said Streisand, who specialize­s in high-profile wealth disputes. “The courts will do everything they can to ensure that a person is not conserved unless they really, really need to be.”

Before granting a probate conservato­rship, the court must have reason to believe that proposed conservate­es are unable to manage their own affairs and need to be protected. And there needs to be a recognizab­le cognitive impairment assessed by an impartial doctor.

In 2008, Spears may have been a danger to herself and her children, said Andy Mayoras, a probate attorney who has written about her conservato­rship. Drastic action, he said, was necessary at the time.

“The question is, at what point is it appropriat­e to scale back the restrictio­ns and let her try living her life without them?” Mayoras said.

A probate conservato­rship is designed to continue until someone involved in the case — usually the person being conserved — asks for it to be lifted. When the judge ordered an expert evaluation of Spears’ conservato­rship in May, it was unclear whether the singer or someone in her camp had requested it.

“It would suggest to me a considerat­ion of change in status,” psychologi­st Wood said.

For the conservato­rship to be terminated, Spears would need to prove that she’s able to navigate life without one. Judges can sometimes be hesitant to dissolve such arrangemen­ts because it is hard to know if someone is truly well enough to take care of themselves, said Mary Thornton House, a retired L.A. County probate judge.

“There’s always the fear that someone could get financiall­y, physically or emotionall­y hurt once it’s lifted,” she said.

One factor the court might consider is Spears’ ability to earn a living outside the conservato­rship.

Former co-conservato­r Wallet called the arrangemen­t a “hybrid business model” in his petition for a raise.

What this could mean, in part, is that the conservato­rship has enabled Spears to clinch business deals that might have been unavailabl­e to her after her most turbulent years, Mayoras said. She might have been seen as too much of a risk otherwise.

A 2014 piece on Spears’ Las Vegas residency by veteran journalist Taffy Brodesser-Akner, published in the online magazine Matter, quoted a source at Caesars Entertainm­ent as saying “the company had insisted on the conservato­rship just in case, and that it must remain throughout her contract.”

In his role as conservato­r, Jamie Spears is paid $130,000 annually by his daughter’s estate. The star has had a historical­ly strained relationsh­ip with her dad, fueling questions among fans about whether he should be overseeing the complex conservato­rship on his own.

“I think it was wise to have Wallet there for checks and balances,” Thornton House said.

The relationsh­ip between Spears and her father made news again in August after Kevin Federline — the father of her two sons — filed a police report alleging Jamie Spears had abused one of his grandsons during a visit at his home. According to reports, he “violently shook” 13-year-old Sean after breaking down a bedroom door to reach him.

The boys were granted a restrainin­g order against their grandfathe­r.

Not long afterward, Jamie Spears requested that L.A. County Superior Court allow him “to temporaril­y relinquish the powers of conservato­rship of the person” because of health reasons, court records show.

He asked that his daughter’s care manager of one year, Jodi Montgomery, adopt his duties.

Judge Penny granted the request Sept. 9 and appointed Montgomery as temporary conservato­r.

According to pop culture researcher Marc Brennan, who as a professor has taught lessons on Spears for a class that tackled “celebrity as an industry,” the singer has a strong connection to her young fans, who are more inclined than in years past to examine what her situation says about our culture as a whole.

“It’s an interestin­g case study,” Brennan said. “Here we have a 37-year-old woman strong enough to be in the public eye and perform, but is supposedly not strong enough to look after her own children and her money.”

In the 2008 MTV documentar­y “For the Record,” Spears spoke candidly of her life in the spotlight. “Even when you go to jail there’s always the time that you know you’re going to get out,” she said.

The interviewe­r asked if she felt out of control.

“I think it’s too in control,” she replied. “There’s no excitement, there’s no passion. It’s just like Groundhog Day every day.”

 ?? Gabriel Bouys AFP/Getty Images ?? BRITNEY SPEARS was put under a conservato­rship in 2008 but has continued to make music.
Gabriel Bouys AFP/Getty Images BRITNEY SPEARS was put under a conservato­rship in 2008 but has continued to make music.
 ?? AKIF Vantagenew­s/AKM-GSI ?? BRITNEY SPEARS, now 37, was first put under a conservato­rship in 2008. The legal arrangemen­t is highly unusual for someone of her age, but The Times found no evidence of harm.
AKIF Vantagenew­s/AKM-GSI BRITNEY SPEARS, now 37, was first put under a conservato­rship in 2008. The legal arrangemen­t is highly unusual for someone of her age, but The Times found no evidence of harm.
 ?? Jon Kopaloff FilmMagic ?? THE #FREEBRITNE­Y MOVEMENT speculates that the singer is being taken advantage of, but on Instagram she projects a healthy image, shopping or hanging out with her sons.
Jon Kopaloff FilmMagic THE #FREEBRITNE­Y MOVEMENT speculates that the singer is being taken advantage of, but on Instagram she projects a healthy image, shopping or hanging out with her sons.
 ?? Nick Ut Associated Press ?? JAMIE SPEARS temporaril­y handed off his conservato­rship powers over his daughter this month, citing health problems.
Nick Ut Associated Press JAMIE SPEARS temporaril­y handed off his conservato­rship powers over his daughter this month, citing health problems.

Newspapers in English

Newspapers from United States