Los Angeles Times

Her ordinary life fails to captivate

- — Gary Goldstein

Like him or not, Ove, the uber-cranky protagonis­t of Fredrik Backman’s 2012 novel — and its 2016 Oscar-nominated film adaptation — “A Man Called Ove,” was a pretty memorable creation.

Unfortunat­ely, the title character in Swedish import “Britt-Marie Was Here,” based on another Backman book — and a kind of distant literary cousin to Ove — isn’t unique or captivatin­g enough to power an entire film, especially one this familiar and undemandin­g.

Britt-Marie (a low-key Pernilla August) is a dowdy, regimented 63-year-old homemaker haunted by childhood loss who leaves her distracted husband (Peter Haber) of 40 years after discoverin­g he’s been unfaithful. In need of work, she takes the one position offered: a soccer coach at a crumbling youth recreation center in a rural village.

How Britt-Marie is paired with this job is a mystery: She admittedly wouldn’t know a soccer ball from a meatball. Despite the efforts of director Tuva Novotny and her cowriters, Anders August and Oystein Karlsen, to square this, the film can’t quite surmount its fanciful conceit.

Britt-Marie digs into her new career and improbably wins over her “Bad News Bears”-like charges plus a smitten local cop (Anders Mossling) and her nearblind roommate (Malin Levanon). But the movie, though at times engaging and relatable, never works up the requisite head of steam.

“Britt-Marie Was Here.” In Swedish with English subtitles. Not rated. Running time: 1 hour, 37 minutes. Playing: Laemmle Royal, West Los Angeles.

 ?? Josef Persson Cohen Media ?? AFTER leaving her husband, Britt-Marie (Pernilla August) finds a new life as a rural youth soccer coach.
Josef Persson Cohen Media AFTER leaving her husband, Britt-Marie (Pernilla August) finds a new life as a rural youth soccer coach.

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