Los Angeles Times

Tribute to victims of police brutality

At Silver Lake Reservoir, woven tributes honor black victims of police brutality

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An art installati­on at the Silver Lake Reservoir honors black victims.

BY DEBORAH VANKIN >>> A chain-link fence circling the Silver Lake Reservoir is the canvas for a new art installati­on protesting police brutality, with colorful fabric woven into the fence spelling out the names of unarmed black people who have been killed across America at the hands of police.

“Charles Goodridge” — who was 53 when shot by an off-duty police officer in Houston in 2014 — is rendered in soft cotton sheets specked with navy dots, the O’s filled in with pink tulle. It rippled in the wind on Saturday afternoon as the project was nearing completion. “Corey L. Tanner” — 24 and shot f ive times in 2014 in Espanola, Fla., by an off icer who mistook Tanner’s bottle of cologne for a gun — is drawn with torn, floral cloth that hung loosely over the swaying, dried grass. “Euree L. Martin” — who died at 58 of a taserinduc­ed heart attack in 2017 while walking in Milledgevi­lle, Ga. — is woven partly with sparkly blue material that shimmered against a sky of the same color. “Say Their Names: Silver Lake Memorial” honors more than 100 individual­s. “And if the reservoir was 10 times as big, we would still have an abundance of names left over,” said project co-organizer Eli Caplan. “We may hear about the George Floyds, the Breonna Taylors. But for each of those, there are hundreds and hundreds of other names that get lost. This is a way to acknowledg­e them.” Caplan,

who identifies as Jewish Puerto Rican, said organizers chose the reservoir location because of its high visibility in the city. Of about 150 mostly local participan­ts, he said, “the vast majority were privileged white people, that was the reality. It’s so important to bring the names of black people into a predominan­tly white space. But this isn’t a Silver Lake problem. It’s a U.S. problem, it’s an everywhere problem.” Close up, the ragged, flowing or tightly rolled fabric — classic plaid, sheer chiffon, stained pink organza, screaming-orange rayon, vintage corduroy curtains, silky scarves — have an abstract feel, a collage of contrastin­g textures shot through with rustic knots and fraying edges, textilesti­tched hearts and fresh flowers. From afar, the names of the deceased, many several feet high and each spaced 10 feet apart, cast bold, inky shadows onto the dirt hillside, a 2.2-mile memorial loop around the reservoir. Caplan’s mother, Lia Brody, and his friend, Micah Woods, came up with the list of names to be memorializ­ed. Six to eight hours of online research by each of them netted about 250 names, said Woods, who is African American.

“Sadly, there’s just so much informatio­n about this online,” he said. “But so little has been done to address it.”

They used the Guardian archive “The Counted” — which lists individual­s killed by police in the U.S. in 2015 and 2016 — as their primary resource as well as the site mappingpol­iceviolenc­e.org.

“We chose unarmed black Americans and sifted through each case,” Woods said. “99% of the time they were wrongly shot, the wrong person. Some were shot 18 times. How can you justify that?” Caplan, Woods and Brody sent out texts, Instagram notices and an email calling for project participan­ts last week. They instructed people to meet at Silver Lake’s Neighborho­od Nursery School between noon and sundown Friday, and to bring brightly colored fabric, scissors, water and sunscreen. They advised participan­ts to wear masks and keep social distance while working.

Caplan’s brother, Simon, marked up the fence on Friday morning, dividing it into equally spaced-out blocks. Organizers dispersed the victims’ names, along with a sentence or two about how each person died, to participan­ts.

Caplan said they didn’t include back stories on the fence, but adding laminated bios beside each name would likely be the next step. “It’s important to recognize that each of these names is a person with family and friends, who had aspiration­s. There was a life to them.” Some participan­ts, however, said they appreciate­d the project’s minimalism.

“This is just simple and clear and poignant, there’s no confusion,” said Mark Ramos Nishita, a.k.a. Money Mark from his days as a Beastie Boys collaborat­or. “The expression is pure.”

Nishita, who lives nearby in Atwater Village, was filling in a hollowed-out heart with sheer, ruby red fabric. “It looks like a bleeding heart,” he added.

South Pasadena resident

Stacey Mann, who collaborat­ed with Nishita and friends Kim Davis-Wagner and Seven McDonald on multiple names in the installati­on, said the project felt especially accessible to her.

“I’m a recent single mom — I have two kids — and I have to be very careful about COVID. So I haven’t been out protesting,” said Mann. “But this felt like something I could do, something I could participat­e in at a distance.”

Mann was working with a vintage floral tablecloth from the ’50s that she’d cut up. She said she takes the title of the artwork seriously. “As people have walked by, we’ve been asking them: ‘Please say their names, say their names out loud.’ ” McDonald, a producer, writer and political consultant who contribute­d wax cloth fabric she brought back from a trip to Africa, said the victims’ back stories were important to her, so she noted them on her Instagram account.

“Unarmed & bi-polar,” she wrote of Tanner. “There were children in the house, Corey had a 3 month old baby (Flagler County, Florida).”

Reading the stories, McDonald added, “allows me to slow down and feel the infuriatin­g severity of this ceaseless systemic problem.”

“We only make up 13% of the population,” project participan­t Charlotte W. Langley said of black people in the U.S. Looking at the prevalence of African Americans among the victims of police killings, “it’s undeniable that we have a problem.”

Langley, a TV writer, drew the name “Michael Dean” onto the fence with a crimson red bed sheet, a peace sign beside it. She hoped the project adds perspectiv­e.

“There’s no way not to see all these names when you’re walking,” she said. “And in the big picture, it’s impossible to move forward in life with your eyes closed, so we’re opening eyes.” Project organizers will be holding a candleligh­t vigil for George Floyd at 7:45 p.m. Sunday at the reservoir. It will start at the intersecti­on of Armstrong Avenue and Lake View Terrace.

Woods said that when he was researchin­g the police killings, “nine times out of 10 the person’s name wasn’t even mentioned until five paragraphs down.”

“It’s so important,” he said, “that we remember that everyone deserves to live, and deserves to be remembered, and have people speak their names: ‘This was Zikarious Flint. This was Alteria Woods. This was Arthur McAfee Jr.’ ”

 ?? Robert Gauthier Los Angeles Times ?? AN ART installati­on that rings the Silver Lake Reservoir uses fabric to spell out the names of some of the black Americans who have been victims of police brutality.
Robert Gauthier Los Angeles Times AN ART installati­on that rings the Silver Lake Reservoir uses fabric to spell out the names of some of the black Americans who have been victims of police brutality.
 ?? Photograph­s by Robert Gauthier Los Angeles Times ?? “SAY THEIR
Names: Silver Lake Memorial” pays tribute to Rodney King, beaten by LAPD officers in 1991.
Photograph­s by Robert Gauthier Los Angeles Times “SAY THEIR Names: Silver Lake Memorial” pays tribute to Rodney King, beaten by LAPD officers in 1991.
 ??  ?? VICTIMS’ names are placed on fencing that loops around the popular reservoir.
VICTIMS’ names are placed on fencing that loops around the popular reservoir.

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