Humorist created ‘ Mafalda’ comic
Joaquín Salvador Lavado, the cartoonist better known as “Quino” whose satirical comic strip about a socially conscious girl named Mafalda with a loathing for soup found fans across Latin America, Europe and beyond, has died at his home in Argentina.
Quino’s “Mafalda” comic strip was f irst published in 1964, and the humorist maintained a dedicated following throughout his career even after he moved onto other projects, skewering social conventions through ordinary characters who endured absurdity, exploitation, authoritarianism and their own limitations.
“I don’t think my cartoons are the sort that make people laugh their heads off. I tend to use a scalpel rather than tickle the ribs,” Quino told the UNESCO Courier in 2000. “I don’t go out of my way to be humorous; it’s just something that comes out of me. I’d like to be funnier, but as you get older, you become less amusing and more incisive.”
Quino, who had health problems in recent years, died Wednesday. He was 88.
The cartoonist was remembered affectionately by comic fans, cultural commentators and Argentina’s
political class, which was frequently the target of his acerbic humor.
“Quino died. All good people in the country and in the world will mourn him,” tweeted Daniel Divinsky, the cartoonist’s former editor.
Cristina Fernández de Kirchner, Argentina’s vice president and former twoterm president, uploaded a video to Twitter in which Quino had wished her good luck in governing.
De Kirchner said Quino had “said things that could not be said” — a reference to censorship during Argentina’s military dictatorship in the 1970s and 1980s — and that he “challenged society
with great strength.”
Quino was “creator of the unforgettable Mafalda and one of the most international cartoonists in Spanish,” the Royal Spanish Academy in Madrid said. “His precise words traveled to both sides of the Atlantic thanks to his cartoons and his peculiar sense of humor.”
Mafalda, whose 6- yearold protagonist ponders the world’s problems to her parents’ bemusement, has sometimes been compared to the “Peanuts” comic strip created by Charles Schulz.
Mafalda “was an inquisitive, intelligent, ironic, nonconformist girl, concerned with peace and human rights, who hates soup and loves the Beatles,” according to Quino’s official website.
The comic strip was introduced to Europe by Italian writer Umberto Eco and was eventually translated into two dozen languages, the website said.
Although Quino stopped drawing Mafalda regularly in the 1970s, the comic strip remained popular, and he periodically drew it again, including for a campaign with UNICEF about adequate medical care for children.
One image shows Mafalda at the head of a line of children in front of a nurse.
“We came for the vaccination against despotism, please,” Mafalda says.
A Mafalda cartoon unrelated to the UNICEF campaign shows an adult standing with Mafalda as she gestures at a rotating globe with a map of the world on a desk.
“You’re leaving? And this? Who’s going to fix this?’’ Mafalda says.
Quino, whose nickname comes from Joaquín, said humor and art wear themselves out and that he stopped drawing Mafalda because he was repeating himself.
“Even though the books continue to sell very well and people ask me for more, I think that I made the right decision when I stopped doing Mafalda, and I don’t miss her at all,” he said.