An enlivening exhibition suits this moment
‘ Womxn in Windows’ is not perfect, but you’ll leave buoyed by human resilience.
Although it debuted last year, the annual exhibition “Womxn in Windows” feels made for our socially distant moment. Organized loosely around the theme of spirituality, this year’s show consists of 10 works by eight female artists and filmmakers playing 24 hours a day in storefront windows on the walking street Chung King Road in Chinatown. No indoor spaces, physical contact or appointments required.
In this environment, the most successful works are the most visually arresting. Ja’tovia Gary’s “An Ecstatic Experience” combines archival footage, contemporary scenes of protests and violence, and hand- painted abstractions to explore how turning inward in faith has been a survival mechanism for Black people in the Americas since the beginning. The piece f inds a holiness in resistance, whether mental, spiritual or physical.
Another standout is Brazilian artist Everlane Moraes’ “Aurora,” a quiet meditation on the stages of life and their attendant glories, desires and disappointments through mostly silent portraits of three Black Cuban women of different ages. Carefully composed in highcontrast black and white, this intimate piece f inds a poetic beauty in the passage of time.
Also striking are three short, sharp works by Lebanese artist Rémie Akl. Starring herself, these rapid- fire videos assert a strong, proud, unapologetic Arab and female identity, exploring gender relations, political hypocrisy and corruption. They are brief but dense; you might have to watch each one more than once.
Sealed behind glass, all the works in the show feel muted. You access the audio by scanning a QR code on your phone. Once an audio file loads, you need to sync it manually to the time code displayed on each screen. This is awkward, and my sound was off, creating another layer of disconnection. Still, the format has its charms: The interactions between the videos, the colorful storefronts and the ref lections in the glass create surprising, unintended textures.
The venue might not be ideal, but “Womxn in Windows” brings a diverse set of compelling works into free public view. It celebrates not only the resilience of women, in particular women of color but also the resilience of all of us, as we continue to beam messages to one another on screens that both connect and separate.
The show also features works by Kilo Kish, Kya Lou, Sylvie Weber, Rikkí Wright and Christine Yuan, and it’s simultaneously on view in New York, London and Shanghai. The videos also can be seen online, where each work is available in turn for a few days.